Already three trustees of the Van Traylen fund have died during the last months, looking like suicides. However after a mysterious accident of a bus with the last three trustees and 30 ...
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A Victorian-age scientist returns to London with his paleontological bag-of-bones discovery from Papua New Guinea. Unfortunately, when exposed to water, flesh returns to the bones ... See full summary »
Christopher Lee stars in the Amicus production of "Dr. Jekyll & Mr. Hyde" where the names have been changed to Dr. Marlowe and Mr. Blake. Lee as Dr. Marlowe experiments with intravenous ... See full summary »
A young man, Paul Carlson, is on a trip and spends the night at count Dracula's castle. Needless to say, he is murdered. After some time has passed, the young man's brother Simon comes to ... See full summary »
Roy Ward Baker
Three middle-aged distinguished gentlemen are searching for some excitement in their boring bourgeois lives and get in contact with one of Count Dracula's servants, Lord Courtley. In a ... See full summary »
England, 1795: the young Catherine has just married Charles Fengriffen and moves into his castle. She becomes the victim of an old curse that lays on the family. On her wedding night she is raped by a ghost and gets pregnant.
Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility of the fiendish Fu Manchu may not be dead after all, even though Smith witnessed his execution. A ... See full summary »
Already three trustees of the Van Traylen fund have died during the last months, looking like suicides. However after a mysterious accident of a bus with the last three trustees and 30 orphan kids in it, police colonel Bingham starts investigating. First question is, how came that the dead bus driver is burnt when there was no fire during the accident? Dr. Ashley uses hypnosis to find the truth about the mysterious happenings. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
It's always a thrill to catch up with something that I missed out on when it was shown on local TV in the early 1980s; the fact that this immediately takes me back to my childhood days when home video was still science-fiction in my neck of the woods and I was (almost completely) at the mercy of TV programmers for my practical film education is kind of sweetly ironic given the picture's own 'reincarnation' theme! Even if it's available on DVD in Japan (of all places), I came across it via a full-frame TV screening with forced French subtitles.
It was the sole film made by Christopher Lee's own company, Charlemagne Productions: in an interview done at the time of the film's release (which I just dug up in a magazine of my father's), he takes pains to stress how he abhors screen violence and how, despite the presence of himself and frequent partner Peter Cushing, his new film is "not one of those macabre movies...but an action-adventure thriller with tension, suspense, a lot of exciting outdoor action, and some moments of high terror...a very good evening's escapist entertainment" (needless to say, the film's lurid re-issue titles THE DEVIL'S UNDEAD and THE RESURRECTION SYNDICATE made no such qualms!). Incidentally, it is also stated that Lee intended to adapt two other works by John Blackburn (writer of the film's source novel) for the screen but these, of course, never came to pass. Still, given its eventual climactic similarities to the later and superior THE WICKER MAN (1973), this film is as much a horror piece as that one would prove to be. The initial disjointed outburst of inexplicable murders almost makes one expect a conspiracy like the one that would later figure in THE BOYS FROM BRAZIL (1978); that the eventual revelation, then, is closer to THE DAMNED (1963)-meets-THE BROTHERHOOD OF Satan (1971) makes it worth waiting for nonetheless, with a powerful climactic sequence that is clearly the film's highlight and makes one bemoan the fact that it comes too late to really make this show a winner (and which perhaps explains its relative invisibility nowadays).
Actually, Cushing and Lee (playing all-too-typical parts, albeit with their customary professionalism) are not the main characters which are instead unremarkably filled by Keith Barron and Georgia Brown as overzealous doctor and journalist respectively looking into the mysterious mumblings of a 'special' girl that hails from the remote, exclusive Scottish island/school of Bala. Diana Dors, as the girl's tarty, jailbird of a mother, spends most of her time screaming, pushing people around or crawling on her belly to escape the clutches of the pursuing police force (who have been set on her by the seemingly all-powerful school institution) and who have tracked her down to Bala. Fulton Mackay as a bumbling but high-profile Police Official and Kathleen Byron as an enigmatic scientist engaged at the school also have noteworthy roles; for the record, this turned out to be the last film of John Robinson (the star of the original TV series of "Quatermass II" , here appearing as an aristocratic protector of the school) as well as Michael Gambon's first, playing a young Police Inspector.
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