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Don't Torture a Duckling (1972)

Non si sevizia un paperino (original title)
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A reporter and a promiscuous young woman try to solve a series of child killings in a remote southern Italian town that's rife with superstition and distrust of outsiders.



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Complete credited cast:
Dona Aurelia Avallone
Don Alberto Avallone
Georges Wilson ...
Francesco (as George Wilson)
Antonello Campodifiori ...
Ugo D'Alessio ...
Captain Modesti
Virgilio Gazzolo ...
Police Commissioner (as Virginio Gazzolo)
Vito Passeri ...
Rosalia Maggio ...
Mrs. Spriano - Michele's Mother
Andrea Aureli ...
Mr. Lo Cascio - Bruno's Father
Linda Sini ...
Mrs. Lo Cascio - Bruno's Mother
Franco Balducci ...
Mr. Spriano - Michele's Father


In the backward village of Accendura, the boy Bruno Lo Casio goes missing and the police inspector and the local commissioner and the village Captain Modesti investigate the case. When his father receives the request of a ransom, the police arrest the local Giuseppe and realize that he is innocent. Then the boys Michele and Tonino are also murdered and the police suspect of the local witch Maciara, who practices black magic, might be the killer but they find she is also innocent. However the superstitious and ignorant locals brutally kill her. Meanwhile that village is crowded of journalist, including the experienced Andrea Martelli (Tomas Milian) from Rome. He befriends Patrizi, a daughter of a wealthy entrepreneur that is living in the village after a drug scandal. They meet the village priest Don Alberto Avallone, who has a group of boys that plays soccer at the church and is the son of the weird Dona Aurelia Avallone that raises her slow six year-old daughter. They believe the ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


Not Rated | See all certifications »

Parents Guide:





Release Date:

29 September 1972 (Italy)  »

Also Known As:

Don't Torture a Duckling  »

Filming Locations:


Company Credits

Production Co:

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Technical Specs


Sound Mix:



Aspect Ratio:

2.35 : 1
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Did You Know?


Composer Riz Ortolani reused a small segment of music from this film in his later composition for Cannibal Holocaust (1980). See more »


At one point during the fight scene near the end, a crew member's shadow can briefly be seen on the ground. See more »


Referenced in Demonia (1990) See more »


Composed by Douglas Fowlkes, Carlos Pes and Armando Trovajoli
Performed by Wesley Johnson (as Wess & The Airedales)
See more »

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User Reviews

Madness Takes Many Forms
23 February 2010 | by See all my reviews

Set in and near a poor working class town in the mountains of rural Italy, it's a story of madness. The landscape may be quite picturesque, but there's madness herein, concealed behind the mask of a person who seems outwardly normal. This person kills little children.

In style and tone this film resembles Dario Argento's famous Italian giallos, those fascinating whodunit horror films, except that Argento's films are much better looking. Still, the visuals in Fulci's "Don't Torture A Duckling" are competent, with some interesting compositions and lighting. Lightning and thunder on a rainy night enhances suspense in one sequence wherein one of the "ducklings" is vulnerably alone.

In one sequence the gore is a bit overdone. But this is no slasher film. A legitimate theme undergirds the story. And that theme is that madness can take many unexpected forms, not just the obvious delusions of people who practice voodoo or black magic.

Plenty of red herrings render the puzzle solution difficult if the viewer doesn't assume an agenda on the part of the director. Don't dismiss someone who might not seem to be a suspect. The twist near the end provides good misdirection. However, in one scene midway through, a line of dialogue could have been added to clarify the relationship between two characters, one of whom is the murderer. The film's finale takes place on a beautiful mountaintop with the wind whistling in the background. We see flashbacks to clues and get insights into the killer's mindset.

I don't care for the film's widescreen projection. But background music is effective, and ranges from jarringly creepy at the beginning to low-key jazz, to indigenous Italian songs. Acting is generally average, though in a couple of cases, it's a bit overdone.

Though not as visually brilliant as Argento's giallos, "Don't Torture A Duckling" nevertheless is a fine film, one that contains a thematic storyline and enough of a whodunit puzzle to interest most viewers who like thrillers and murder mysteries.

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