In New York, Dr. Norman Boyle assumes the research about Dr. Freudstein of his colleague Dr. Petersen, who committed suicide after killing his mistress. Norman heads to Boston with his wife... See full summary »
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
The restorer Stefano is hired by the Mayor Solmi of a small village nearby Ferrara to restore a painting of St. Sebastian, made by the mentally disturbed painter Buono Legnani in the local ... See full summary »
A Canadian archaeological team in Sicily accidentally unleashes vengeful ghosts of five demonic nuns whom were murdered 500 years earlier and the ghosts now set out to kill the group and townspeople alike.
Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife, much in the same way tarantulas are killed by the black ... See full summary »
While talking to Andrea (Tomas Milian), Patrizia (Barbara Bouchet) at a certain point says "A rose, by any other name". This is a quotation of Shakespeare's "Romeo and Juliet", but also the name of the episode of Star Trek (1966) where Barbara Bouchet has appeared in 1968: "By any other name" (Season 2, Episode 22) See more »
Sporting a title seemingly more suitable for a Looney Tunes featurette than a grisly giallo, "Don't Torture a Duckling" (1972) is nonetheless a Grade A thriller from horror maestro Lucio Fulci. In this one, someone has been strangling the preteen boys in a rural, southern Italian village and, typical for these gialli, there are many suspects. There's Barbara Bouchet (Patrizia), looking more scrumptiolicious than you've ever seen her, a rich girl hiding out after a drug scandal; Florinda Bolkan (Martiara), the local epileptic voodoo woman; her witchcraft-practicing beau; Giuseppe, the local idiot; the sweet-faced priest; his dour mother; and on and on. The film features some unusually violent set pieces, including a chain whipping of one of the main characters in a graveyard (one of the most realistically bloody sequences that I've ever seen) and a nifty dukeout when the killer is ultimately revealed. The film's bursts of violence compensate for the fact that there are no real scares or suspense to speak of. Still, this giallo fascinates, with its unusual rural backdrop, unsettling child murders, oddball characters, and freaky score by Riz Ortolani. The film has been beautifully photographed in what I presume to be Monte Sant'Angelo, near the Adriatic in southern Italy (at least, that town's police force is thanked in the closing credits). And while subtitling would've made this fine-looking DVD work even better (the American slang doesn't convince in this rural Italian setting), Anchor Bay is to be thanked for another job well done. Oh...that title DOES eventually make perfect sense, too!
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