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No Way Out (1973)
"Tony Arzenta" (original title)

6.7
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Ratings: 6.7/10 from 562 users  
Reviews: 10 user | 3 critic

A mob hitman wants to retire, but his bosses don't think that's a good idea. Complications--and many bloody shootouts-ensue.

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Writers:

(dialogue), (dialogue), 1 more credit »
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Title: No Way Out (1973)

No Way Out (1973) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
...
Tony Arzenta
...
Nick Gusto
Carla Gravina ...
Sandra
Marc Porel ...
Domenico Maggio
Roger Hanin ...
Carré
Nicoletta Machiavelli ...
Anna - wife of Tony
Guido Alberti ...
Don Mariano
Lino Troisi ...
Rocco Cutitta
Silvano Tranquilli ...
Montani - the Interpol officer
Corrado Gaipa ...
Arzenta's Father
Erika Blanc ...
The Prostitute as a decoy
Rosalba Neri ...
Cutitta's Wife
Carla Calò ...
Arzenta's Mother
Ettore Manni ...
Gesmundo - the sauna owner
Francesco Bonetti
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Storyline

A mob hitman wants to retire, but his bosses don't think that's a good idea. Complications--and many bloody shootouts-ensue.

Add Full Plot | Add Synopsis

Taglines:

By mistake they killed his wife and child - THAT was a hell of a mistake!


Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

23 August 1973 (France)  »

Also Known As:

No Way Out  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Italian censorship visa # 62913 delivered on 8-8-1973. See more »

Connections

Referenced in Il solitario (2008) See more »

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User Reviews

 
Crafty action thriller with NO Hollywood ending
1 January 2013 | by (Belgrade, Serbia) – See all my reviews

Alain Delon is great as usual in the genre that fits him like a glove. Tony Arzenta, a Euro-crime action thriller is directed in style and in a manner of a true craftsmen. This is the first Duccio Tessari film I had a chance to watch, and I was mostly drawn to it by knowing what Delon plays best and that is Le Samourai type character, a professional in his emotionless job. In this one he is attached and detached and drives the story to the conclusion that wouldn't stand a New York minute in Hollywood factory of dreams. That's why I love him and Franco/Italian crime films. Highly recommended to all the fans of this genre. You'll enjoy it, no doubt.


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