| Patty Byrne | ... | Barbara (as Patti T. Byrne) | |
| Alana Stewart | ... | Janis | |
| Mittie Lawrence | ... | Sandra | |
| Clint Kimbrough | ... | Dr. Bramlett | |
| Felton Perry | ... | Jude | |
| Richard Young | ... | Kyle Toby | |
| Dennis Dugan | ... | Kit | |
| Stack Pierce | ... | Jon Sampson | |
| Christopher Law | ... | Zach | |
| Bobby Hall | ... | Warden Kelley | |
| Martin Ashe | ... | Bathrobe Benny | |
| Robert Staats | ... | E. Eddie Edwards | |
| Kate Monahan | ... | Nurse Mayall | |
| Dick Miller | ... | Mr. Jensen | |
| James Millhollin | ... | Dr. Rolland | |
| Dixie Peabody | ... | Robin (as Dixie Lee Peabody) | |
| Tristram Coffin | ... | Miles Bailey (as Tris Coffin) | |
| Carlos Varzeas | ... | Carlos | |
| Barbara Keene | ... | Chloe | |
| Bob Brogan | ... | George | |
| Lynne Guthrie | ... | Cynthia | |
| Johnny Ray McGhee | ... | Jackson | |
| Jim Sullivan | ... | Curtis | |
| Harry Woolman | ... | Policeman | |
| rest of cast listed alphabetically: | |||
| Ron Gans | ... | Radio newscaster (voice) (uncredited) | |
| Jim Heinlen | ... | Guard (uncredited) | |
| Lyllah Torena | ... | Melissa (uncredited) | |
Directed by | |||
| Jonathan Kaplan | |||
Writing credits(in alphabetical order) | ||
| George Armitage | ||
| Danny Opatoshu | ||
Produced by | |||
| Julie Corman | .... | producer | |
Cinematography by | |||
| R. Michael Stringer | |||
Film Editing by | |||
| Jonathan Kaplan | |||
Production Management | |||
| Barbara Peeters | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Arne Schmidt | .... | assistant director | |
| George Van Noy | .... | second unit director | |
Art Department | |||
| John Retsek | .... | set design | |
Sound Department | |||
| Jim Heinlen | .... | boom operator | |
| James M. Tanenbaum | .... | sound mixer (as James Tanenbaum) | |
Camera and Electrical Department | |||
| Jamie Anderson | .... | second unit cameraman | |
| David Atkins | .... | key grip | |
| Larry Soma | .... | assistant camera | |
Editorial Department | |||
| Neil Siegler | .... | assistant editor | |
Music Department | |||
| Clancy B. Grass III | .... | music producer | |
Other crew | |||
| Jon Davison | .... | assistant to director | |
| Danny Opatoshu | .... | dialogue supervisor | |
| Nicole Scott | .... | production assistant | |
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| The Young Nurses | Candy Stripe Nurses | Big Beaver Splits the Scene | Can I Keep It Up for a Week? | Trader Hornee |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
The third entry in Roger Corman's "nurse" series marked the feature directing debut for Jonathan Kaplan, who went on to make such diverse fare as "Truck Turner", "Over the Edge", "Heart Like a Wheel", "The Accused", and "Unlawful Entry". With a script by George Armitage (who'd directed the previous nurse flick, "Private Duty Nurses"), it gives each of its three extremely comely gals their own story thread. Among other things, the gals get stalked / harassed by a creep who sends them letters, one has her consciousness raised by a new acquaintance, a black revolutionary, and another gets involved with a likable, talkative speed freak cowboy truck driver. There are some enjoyable bits throughout, if no real fireworks, but Kaplan knows full well what fans of exploitation fare want, and he delivers it - over and over again, with various scenes of delectable nudity. Naturally, the leading ladies are appealing and oh so easy to admire: the sweet Barbara (Patty Byrne), the serious minded Sandra (Mittie Lawrence), and the upbeat Janis (Alana Stewart). A fine cast of familiar faces is a true pleasure. Clint Kimbrough is the arrogant Dr. Bramlett, Felton Perry is the impassioned Jude, Richard Young is Kyle, the aforementioned truck driver, Dennis Dugan is cheerful orderly Kit, Stack Pierce is convict Jon Sampson, and the *always* welcome, and *always* funny, Dick Miller makes the most of his brief screen time as horny motorist Mr. Jensen. Armitages' script is often funny and occasionally weird (what *is* with that sequence of people pretending to be a machine?), and injects the kind of social & political commentary that was sometimes to be found in these Corman productions. Offbeat characters such as amiable compulsive flasher Bathrobe Benny (Martin Ashe) and sleazy pharmaceuticals peddler E. Eddie Edwards (Robert Staats) add to the fun. R. Michael Stringer does the slick cinematography and there's a good 'n' groovy rock soundtrack to help things move along well. Overall, this is worth watching for trash film enthusiasts. Seven out of 10.