| Nieves Navarro | ... | Valentina (as Susan Scott) | |
| Simón Andreu | ... | Gio Baldi | |
| Pietro Martellanza | ... | Stefano (as Peter Martell) | |
| Claudie Lange | ... | Verushka Wuttenberg | |
| Carlo Gentili | ... | Inspector Serino | |
| Ivano Staccioli | ... | Professor Otto Wuttenberg | |
| Fabrizio Moresco | ... | Pepito | |
| Claudio Pellegrini | ... | Henri Velaq | |
| Luciano Rossi | ... | Hans Krutzer | |
| Raúl Aparici | ... | Juan Hernandez | |
| Alessandro Perrella | ... | Van Driver | |
| Elio Veller | ... | Pino | |
| Giuliana Rivera | ... | Vanessa | |
| Anna Recchimuzzi | |||
| Manuel Muñiz | ... | The Porter (as Pajarito) | |
| Guido Spadea | ... | Spadea - policeman | |
| Franco Moraldi | ... | L'ispettore capo toscano | |
| Giorgio Penna | |||
| Giacomo Pergola | ... | Giacomino il pazzo ballerino | |
| Roberta Cifarelli | |||
| Danilo Bellucci | |||
| rest of cast listed alphabetically: | |||
| Franco Caracciolo | |||
| Lucio Como | ... | Policeman (uncredited) | |
| Vincenzo De Toma | ... | News-vendor (uncredited) | |
| Luigi Norossi | ... | (uncredited) | |
| Vittorio Pinelli | ... | Poliziotto (uncredited) | |
| Juan Torres | ... | (uncredited) | |
Directed by | |||
| Luciano Ercoli | |||
Writing credits(in alphabetical order) | ||
| Sergio Corbucci | story | |
| Ernesto Gastaldi | ||
| Guido Leoni | dialogue | |
| Mahnahén Velasco | ||
| Manuel Velasco | ||
Produced by | |||
| Luciano Ercoli | .... | producer | |
| Alberto Pugliese | .... | producer | |
Original Music by | |||
| Gianni Ferrio | |||
Cinematography by | |||
| Fernando Arribas | |||
Film Editing by | |||
| Angelo Curi | |||
Set Decoration by | |||
| Francesco Di Stefano | |||
| Juan Alberto Soler | (as Juan Alberto) | ||
Costume Design by | |||
| Barbara Pugliese | |||
Makeup Department | |||
| Irma Bacciardi | .... | makeup artist | |
| Oreste Collini | .... | hair stylist | |
Production Management | |||
| Eduardo de la Fuente | .... | production manager | |
| Franco di Mauro | .... | production manager (as Franco Di Mauro) | |
| Antonio Negri | .... | production manager | |
| Isidoro Prous | .... | production manager | |
| Mario Torelli | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Luigi Oliviero | .... | assistant director | |
| Mahnahén Velasco | .... | assistant director | |
Sound Department | |||
| Amedeo Casati | .... | sound | |
Costume and Wardrobe Department | |||
| Vincenzina Cicogna | .... | wardrobe | |
| Osanna Guardini | .... | costume supervisor | |
Editorial Department | |||
| Maria Pia Appetito | .... | assistant editor | |
Other crew | |||
| Amedeo Baratti | .... | miscellaneous crew | |
| Maria Teresa Fons | .... | production secretary | |
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| So Sweet, So Dead | The Crimes of the Black Cat | Eyes of Crystal | Seven Murders for Scotland Yard | The Case of the Bloody Iris |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb Italy section |
DEATH WALKS AT MIDNIGHT (Luciano Ercoli - Italy/Spain 1972).
Before the DVD-age the only English title for this film I know of, is CRY OUT IN TERROR, after the soundtrack released on LP and later on expanded edition CD. This is not mentioned on the IMDb as the film never got a proper release in English-speaking regions, not even on video, to my knowledge. Adding to the confusion, this title was already hardly distinguishable from Ercoli's earlier DEATH WALKS ON HIGH HEELS (1970) (largely the same theme, cast and music) and I've noticed that in reviews on some sites, this is treated as a follow-up to Ercoli's first Giallo FORBIDDEN PHOTOS OF A LADY ABOVE SUSPICION (1970), clearly confusing this film with DEATH WALKS ON HIGH HEELS, which is Ercoli's second Giallo.
Written by six writers(!), among them Sergio Corbucci and Ernesto Gastaldi, the film is set in Milan. Valentina (Susan Scott or Nieves Navarro), a successful model, agrees to try a hallucinogenic drug as part of a scientific experiment. While under the influence she experiences some flashbacks of a man in sunglasses graphically murdering a woman with a spiked metal glove, quite an original murder weapon. Strangely enough, a woman was butchered in exactly the same manner in a vacant apartment. The killer lures Valentina into this apartment after which she narrowly escapes with her life. What follows are more attempts on her life and even more questions about the killer's identity. Mind-bending drugs and outrageous fashions with plenty of tacky '70s dance floor scenes abound in this in this convoluted murder mystery. I might have been a bit harsh in my judgement on Ercoli's DEATH WALKS ON HIGH HEELS but no matter how many reservations I have regarding his output, I've grown a bit fond of his work. This one is the weakest entry in his Giallo-cycle, but I cannot dismiss it either. It's rather disappointing because of its confusing plot and ridiculous finale, complete with a gang of giggling thugs. Gianno Ferrio's score is no patch on Morricone's scores in earlier Ercoli films, but its sheer luridness makes for some reasonably tacky entertainment.
Camera Obscura --- 6/10