IMDb > "BBC Play of the Month" The Millionairess (1972)

"BBC Play of the Month" The Millionairess (1972)

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Overview

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7.6/10   96 votes »
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View company contact information for The Millionairess on IMDbPro.
Original Air Date:
25 September 1972 (Season 8, Episode 1)
Genre:
Plot:
Epifania is the richest woman in England. She's also strong-willed, highly intelligent, fiercely determined and an expert at Judo... See more » | Add synopsis »
User Reviews:
The wealthiest woman in England finds a new kind of love when she leaves her useless husband for an Egyptian doctor who only tends to the poor. See more (2 total) »

Cast

 (Episode Cast) (in credits order) (complete, awaiting verification)

Episode Crew
Directed by
William Slater 
 
Writing credits
(in alphabetical order)
George Bernard Shaw  play (as Bernard Shaw)

Produced by
Cedric Messina .... producer
 
Original Music by
Anthony Isaac 
 
Production Design by
Eileen Diss 
 
Camera and Electrical Department
Robert Wright .... lighting technician
 
Other crew
Rosemary Hill .... script editor
 

Production CompaniesDistributors

Additional Details

Runtime:
100 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 See more »
Sound Mix:

Did You Know?

Quotes:
Epifania:No man can resist a ten-pound note if you crackle it under his nose.See more »
Movie Connections:
Version of The Millionairess (1960)See more »

FAQ

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25 out of 26 people found the following review useful.
The wealthiest woman in England finds a new kind of love when she leaves her useless husband for an Egyptian doctor who only tends to the poor., 12 May 2007
Author: (MAKSQUIBS@yahoo.com) from United States

A late comedy from G. B. Shaw about . . . wait for it . . . Economics: or How Britain's Wealthiest Heiress Dumped Her Useless Philandering Husband, Her Useless Ne'er-do-well Escort and Found Happiness With an Egyptian Doctor to the Poor. Shaw wrote this one to be acted in UPPERCASE and that's just how the cast plays in this BBC Play of the Month production. You have to hang in there during the opening scene as Shaw carefully lays out the relationships & themes, but this gives us time to adjust to the larger-than-life theatrical style the stellar cast use. It's no surprise to find Maggie Smith a mannered marvel, but note how subtly she trims her style as the play deepens in feeling & philosophy into a more naturalistic mode without losing Shavian attitude or altitude. (She must prove herself to the good doctor by living for six months on just her wits & labor.) By Act II, Smith's become a warm beauty after her off-putting entrance. Only Wendy Hiller has equaled her at turning Shaw's female paradoxes into people. The play remains minor Shaw, but it grows on you. Nice shiny transfer from the original PAL video system, too.

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Related Links

Main series Episode guide Full cast and crew
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