Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
While investigating his friend Chin Ku's (Hwang Jang Lee) death, martial artist Billy Lo (Bruce Lee) is killed. His younger brother, Bobby Lo (Kim Tai Chung), investigates both deaths. His ... See full summary »
Tang Lung arrives in Rome to help his cousins in the restaurant business. They are being pressured to sell their property to the syndicate, who will stop at nothing to get what they want. When Tang arrives he poses a new threat to the syndicate, and they are unable to defeat him. The syndicate boss hires the best Japanese and European martial artists to fight Tang, but he easily finishes them off. The American martial artist Colt is hired and has a showdown with Tang in Rome's famous Colosseum. Written by
Darryl Schneider <email@example.com>
The whole thing was shot without sound, with the actors looping their lines in post-production. See more »
In an early fight scene at the restaurant, one of the protection racket heavies shapes up to Lee's character. He's seen apathetically in a boxing stance of sorts. When Lee performs a roundhouse kick, the scene (from behind the 'thug') clearly shows him with his arms behind his back and hands near/on his hips so that the kick is delivered unchallenged. He then clearly waves his arms forward from that position to up in the air, which creates a more dramatic effect as to the power of the kick, i.e. knocking him that far off balance. See more »
[runs his hand down Tang's chest]
Oh, what rippling muscles! We don't want to kill you.
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Although this is technically not Lees greatest film, it is a personal favourite since Lee was in full control and everything is pure Lee. Many have wrongly stated this film is bad, having not seen the originals where you can really appreciate the composition of the showdowns (visual director with potential - see the rare 'rocking chair' shot in Game of Death). The script is bad in a few places, particularly the humour, but this film was never inteneded for the west, but designed to appeal to his country men.
Now, the film features the best array of fighting sequences ever commited to celluloid. Obviously influenced by Sergio Leones trilogy, tension is excellently built up before fight. The sequences are not overly choreographed or played in slow motion or 'lightly' then speeded up, but contain a raw, feral edge combined with breathless technique. The perfect marriage between art and realism.
The fights with Wong Ing Sik and Bob Wall while short, are underrated even by Lee fans. Those who have been lucky enough to see the double nunchaku sequence in full, will have witnessed one of the best display of weaponary ever shown on the silver screen (along with the 'original' and 'complete' nunchaku footage from Game of Death and the wonderfully comprehensive display of martial arts in the underground Enter the Dragon sequence).
And then theres THAT coliseum fight. Perhaps the start is abit overdone (But Lee wanted to put forward a point i.e. don't play to your oponents strength), but it is undoubtedly the best expression of the human body ever, whether fighting, dancing, running whatever. Those brought up on Latter day Chan stuff and in particular Jet Li fights, will not appreciate this piece, but those knowing anything about the fighting arts or good choreography will be shaken not just stirred.
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