| Photos (See all 19 | slideshow) |
| Charles Bronson | ... | Arthur Bishop | |
| Jan-Michael Vincent | ... | Steve McKenna | |
| Keenan Wynn | ... | Harry McKenna ['Big Harry'] | |
| Jill Ireland | ... | The Girl | |
| Linda Ridgeway | ... | Louise, Steve McKenna's Girlfriend | |
| Frank DeKova | ... | The Man | |
| James Davidson | ... | Intern | |
| Lindsay Crosby | ... | Policeman | |
| Steve Cory | ... | Messenger | |
| Tak Kubota | ... | Yamoto (as Takayuki Kubota) | |
| Patrick O'Moore | ... | Old Man | |
| Martin Gordon | ... | American Tourist | |
| Celeste Yarnall | ... | The Mark's Girl | |
| Athena Lorde | ... | Old Woman | |
| Alison Rose | ... | Young Girl | |
| Howard Morton | ... | Car Polish Man | |
| Enzo Fiermonte | ... | The Mark | |
| Gerald Peters | ... | Butler | |
| Steve Vinovich | ... | Party Guest (as Stephen Vinovich) | |
| Robert Jaffe | ... | Party Guest | |
| Kevin O'Neal | ... | Party Guest | |
| Kenneth Wolger | ... | 1st Hippie | |
| Trini Mitchum | ... | 3rd Hippie | |
| Amando De Vincenzo | ... | Priest (as Father Amando De Vincenzo) | |
| rest of cast listed alphabetically: | |||
| John Barclay | ... | Garden Party Man (uncredited) | |
| Louis Fitch | ... | Librarian (uncredited) | |
| Chris Forbes | ... | Bikini Waitress (uncredited) | |
| Hiroyasu Fujishima | ... | Aikido Master (uncredited) | |
| Alan Gibbs | ... | 1st Bodyguard (uncredited) | |
| Linda Grant | ... | Bathtub Girl (uncredited) | |
| Hank Hamilton | ... | Kori (uncredited) | |
| Michael Hinn | ... | Rifle Range Attendant (uncredited) | |
| Ernie F. Orsatti | ... | Chickin Lickin' Driver (uncredited) | |
| Frank Orsatti | ... | 2nd Bodyguard (uncredited) | |
| Sara Taft | ... | Garden Party Woman (uncredited) | |
Directed by | |||
| Michael Winner | |||
Writing credits(in alphabetical order) | ||
| Lewis John Carlino | screenplay | |
| Lewis John Carlino | story | |
Produced by | |||
| Robert Chartoff | .... | producer | |
| Henry Gellis | .... | associate producer | |
| Irwin Winkler | .... | producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Richard H. Kline | |||
| Robert Paynter | (European sequences) | ||
Film Editing by | |||
| Frederick Wilson | (as Freddie Wilson) | ||
| Michael Winner | (as Arnold Crust Jr.) | ||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Rodger Maus | |||
| Herbert Westbrook | |||
Makeup Department | |||
| Phil Rhodes | .... | makeup artist (as Phillip Rhodes) | |
Production Management | |||
| Clifton Brandon | .... | production manager: European sequences | |
| Mario Mariani | .... | production manager: European sequences | |
| Hal W. Polaire | .... | production supervisor (as Hal Polaire) | |
| Vittorio Noia | .... | production manager (uncredited) | |
Art Department | |||
| Eugene Booth | .... | property master (as Eugene T. Booth) | |
| Ray Traynor | .... | property master | |
| Barry Wilkinson | .... | stand-by props (uncredited) | |
Sound Department | |||
| Russ Hill | .... | dialogue editor | |
| Brian Paxton | .... | sound re-recordist | |
| Terry Rawlings | .... | dubbing editor (as Terence Rawlings) | |
| Burdick S. Trask | .... | sound mixer | |
Special Effects by | |||
| Richard Albain | .... | special effects (as Richard F. Albain) | |
Stunts | |||
| Alan Gibbs | .... | stunt coordinator (as Alan R. Gibbs) | |
| Greg Anderson | .... | stunts (uncredited) | |
| Ken Ferguson | .... | stunt performer (uncredited) | |
| James M. Halty | .... | stunts (uncredited) | |
| Frank Orsatti | .... | stunts (uncredited) | |
| J.N. Roberts | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator (as Al Bettcher) | |
| Colin J. Campbell | .... | gaffer | |
| Clyde Hart | .... | key grip (as Clyde W. Hart) | |
| Norman Jones | .... | camera operator | |
Costume and Wardrobe Department | |||
| Lambert Marks | .... | costumer | |
Editorial Department | |||
| Frederick Wilson | .... | supervising editor (as Freddie Wilson) | |
Music Department | |||
| Jerry Fielding | .... | conductor | |
Transportation Department | |||
| Alfred Schultz | .... | transportation (as Alfred F. Schultz) | |
Other crew | |||
| Jeffrey Benjamin | .... | assistant to producer | |
| Pamela Carlton | .... | continuity | |
| Stephen Cory | .... | assistant to director | |
| Betty Crosby | .... | script supervisor | |
| Janet Crosby | .... | secretary to producer | |
| Recent Posts (updated daily) | User |
|---|---|
| this movie sucked. | eagleye_25 |
| Are they homosexuals? | mab8485 |
| Ah. . . the 70's | onegreendress |
| Bishop's car | MisterHex |
| 2 1/2 to 3 hours! | simon_ariel |
| Im 45 minutes in and BORED | Tagard_McStone |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Another classic Bronson movie and not to be missed. This time Charles is Arthur Bishop, a merciless, unfeeling, uncaring and strictly by the book assassin who is the standard by which all other professional killers are measured. Meticulous to a fault and as calculatingly efficient as can be, Bishop systematically completes his missions and returns to his mansion each night. Soon after eliminating one of his old friends, he becomes attached to the dead man's young and impertinent son Steve (John Michael Vincent), which quickly progresses from friendship to business relationship. Bishop agrees to mentor Steve in the tricks of the trade as an "associate" and after working with him he is free to do as he pleases. However, Bishop quickly discovers that is apt pupil is more nefarious than he appears as Steve has already accepted a contract on Bishop's life. But what Arthur doesn't realize yet is "the organization" to which Bishop belongs now wants him eliminated and will stop at nothing to achieve this goal. Bishop has broken a rule in taking Steve under his wing without first getting approval of "The Man" and is therefore marked for death. This film is filled with action, intrigue, and of course suspense as you continue to wonder the whole time which "mechanic" is gonna get his car fixed first. The ending is quite unpredictable for a 70's Bronson movie but enjoyable to the last second. Also features a cameo by Bronson's late wife Jill Ireland. One of Charles Bronson's better accomplishments on the silver screen I sure was impressed.