After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
A professional hit man is planning to retire, always a difficult move for one in such a profession. A young apprentice appears to be eager to learn all the skills of the trade - but is that all he wants? Written by
Steve Crook <email@example.com>
The meaning and relevance of this movie's "Mechanic" title is that it is an American underworld slang term for a professional hired killer or hit-man. See more »
At the end of the movie, when Steve takes the taxi to Arthur's house, you can see Steve's car and there is clearly no note attached to the rear view mirror. When Steve leaves Arthur's house and goes to his car there is a note on the rear view mirror. This should have been visible from the taxi. See more »
15. THE MECHANIC (action, 1972) Arthur Bishop (Charles Bronson) is the mechanic, a hit man hired by the Organization as an assassin. Bishop's contact to the Organization is Harry, a long time confidant of his late father. Bishop is meticulous in his work. He is without feelings or remorse, the consummate professional. Bishop's next target is Harry. He carries the job through without hesitation. Harry's son Steve (Jan-Michael Vincent) lives the life of a dilettante playboy. He suspects Bishop's involvement in his father's death, and tries to find out what his ties to the Organization truly are.
Critique: As far as spy and espionage films go 'The Mechanic' is one of the best. Not only for those Charles Bronson aficionados (like myself), but for lovers of well-made action films. Michael Winner's clever direction adds a sparkle to the genre. He sets up interesting insights into an assassin's mode of work.
A cut above Death Wish (1974- Bronson's best known film), in both content and script, Bronson's performance is the epitome of cool. He's perfect at playing a character that has been totally detached from the outside world, and a man trapped in a world he can only have created. In the same way that Steve McQueen used his laconic presence to great effect, Winner makes full use of Bronson's craggy features.
QUOTE: Bishop: "Murder is killing without a license. Everybody kills."
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