The funny story of mad but kind and chivalrous elderly nobleman Don Quixote who, aided by his squire Sancho Panza, fights windmills that are seen as dragons to save prostitute Dulcinea who is seen as a noblewoman.
Julius Vrooder returns from the Vietnam War, pretending to be crazy to cope with the world which lands him in a VA hospital. He locates a tunnel where he creates a bunker existence complete... See full summary »
Arthur Goldman is a rich Jewish industrialist, living in luxury in a Manhattan high-rise. He banters with his assistant Charlie, often shocking Charlie with his outrageousness and ... See full summary »
Three separate stories concerning relationship issues are presented, each largely taking place in suite 719 of the Plaza Hotel in New York City. In story one, suburban New Yorkers Sam and ... See full summary »
Frank Hopper (Bon Jovi) is a former lawyer, long-term loser and constant dreamer - and frankly, probably just not all that bright. When he receives a credit card in the mail, he believes ... See full summary »
Jon Bon Jovi,
Abraham is a Puerto Rican single parent with two boys. He is becoming very worried about them living in their run down neighborhood when one day he notices that Cubans who escape are ... See full summary »
A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his respectable family by his adventures. Backed by his faithful sidekick Sancho Panza, he duels windmills and defends his perfect lady Dulcinea (who is actually a downtrodden whore named Aldonza). Written by
Kirk Douglas was so keen to play Don Quixote that he offered Paramount $1m for the rights. See more »
When the ramp is lowered down into the dungeon, the chains "supporting" it are loose and slack; if bearing the weight of the ramp they would be taut. See more »
Dear God, it is she. Sweet lady, fair virgin. I dare not gaze fully upon thy countenance as I'd be blinded by beauty.
I'll get you the wine.
My lady, you must not wait upon my needs, I implore you. Speak once, your name
My lady jest!
See more »
During the opening credits, we see the animated sails of a windmill, which, with each turn, begin to reveal, and finally become, a sketch of the face of Don Quixote. The camera moves in for an extreme closeup of the facial features, which, as the camera gets close, reveal themselves to be a giant prop in an outdoor stage presentation during a festival. As the opening credits end, the sketch of that prop dissolves into the real item. See more »
I've been reading a lot of negative reviews for this movie, and I can't understand why. I've seen "Man of La Mancha" twice now and find it incredibly entertaining and inspiring. Though he doesn't sing, Peter O'Toole is enchanting as Quixote and Sophia Loren (perhaps the sexiest woman in film history) is a marvelous Aldonza/Dulcinea. The songs, less numerous than those in the play, are well sung, arranged and recorded (except for one bit where Sancho's mouth moves but no sound comes out) the action is choreographed beautifully and the story moves along very well. Moreover, it fits neatly into the "Yeah, he's crazy. So?" category alongside films like "Harvey" and "Don Juan DeMarco."
So why would others choose to give this a bad review? I may have the answer. Not only have I listened to songs from the two Broadway cast recordings that exist, I have had much experience with Broadway fans (being one myself) and know that the truly die-hard fans tend to ONLY like the original cast ONLY like the original production and NEVER like the movie version.
This is the conclusion I have reached: It isn't the movie "Man of La Mancha" that sucks...it's the play. Indeed, watching it on screen you are given to wonder how it can be successfully presented on stage, and perhaps it cannot. But, old-school Broadway fans won't have it! "The original is better" say the die-hards. "Who needs Frank Sinatra and Marlon Brando? The original cast of 'Guys and Dolls' is better! Richard Gere? Jerry Orbach is better in 'Chicago'! And the movie version on 'Bye Bye Birdie' sucks."
These are all monstrous lies, as Sinatra, Brando and Gere were great in their respective movies and the movie version of 'Bye Bye Birdie' is infinitely superior to the play. So don't listen to the die-hards, choose quality over tradition. Rent or buy "Man of La Mancha" on DVD because it's one you'll want to watch again and again.
34 of 47 people found this review helpful.
Was this review helpful to you?