This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his ... See full summary »
A war vet finds out that a former prostitute had his baby. Doubting it's his, he gives it away, so she reports him. 20 years later, she still wants to find her son. She meets a young man and falls in love, but the vet's prison term ends.
Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took ... See full summary »
Catherine, an out-spoken Parisian laundress follows Napoleon's army to the battlefront to be near her Sergeant Lefevre. The couple perform a deed of heroism which abets Napoleon's victory, ... See full summary »
This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his respectable family by his adventures. Backed by his faithful sidekick Sancho Panza, he duels windmills and defends his perfect lady Dulcinea (who is actually a downtrodden whore named Aldonza). Written by
One of only five big budget screen adaptations of Broadway musicals filmed between 1955 and 1973 to be presented in the 1.85:1 screen ratio (the others were The Pajama Game (1957), Damn Yankees! (1958), Cabaret (1972) and Hair (1979)). Most of the others were presented in the wider Cinemascope, Todd-AO, Technirama, or Panavision ratios. "Man of La Mancha" was, however, blown up to the typical Todd-AO ratio (2.20:1) for its roadshow presentations. See more »
Miguel (pronounced Mee-GELL) is mispronounced by various characters as "Mee-GWELL". See more »
Miguel de Cervantes:
It is imperative each knight has a lady; a knight without a lady is a body without a soul. To whom would he dedicate his conquests? What visions sustain him when he sallies forth to do battle with evil and with giants?
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During the opening credits, we see the animated sails of a windmill, which, with each turn, begin to reveal, and finally become, a sketch of the face of Don Quixote. The camera moves in for an extreme closeup of the facial features, which, as the camera gets close, reveal themselves to be a giant prop in an outdoor stage presentation during a festival. As the opening credits end, the sketch of that prop dissolves into the real item. See more »
This is one of my favorite movies of all time. It saddens me that there are those out there who think this movie was horrible. How can you watch O'Toole give his speech: "Maddest of all: to see life as it is and not as it should be!" and not be brought to emotion? This movie is not exactly like the theater version. However, if you note who made the screenplay changes, the song changes, etc., it's the same men who worked on the play. There are some good songs cut out. And Peter O'Toole and Sophia Loren are not the world's best singers. But this movie is brilliant. Coco is a wonderful Sancho, I love his voice and his expression. O'Toole is a fabulous actor and I felt like the prisoners in the end singing "The Impossible Dream." I own this movie. I encourage anyone who hasn't seen it to go get it and watch it. It has inspired me to try to do better in everything I do, and I often watch it and sing the songs to remind me to "see life as it should be." And if this movie needs a defender, I sign up for the job.
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