This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his ... See full summary »
A war vet finds out that a former prostitute had his baby. Doubting it's his, he gives it away, so she reports him. 20 years later, she still wants to find her son. She meets a young man and falls in love, but the vet's prison term ends.
Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took ... See full summary »
Catherine, an out-spoken Parisian laundress follows Napoleon's army to the battlefront to be near her Sergeant Lefevre. The couple perform a deed of heroism which abets Napoleon's victory, ... See full summary »
In pre-World War II Sicily, just as the fascists come to power, two men fall in love with the same woman. The changes in their country's politics ultimately take all three on a journey across the ocean to New York.
Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work. Actually... See full summary »
This musical version of Don Quixote is framed by an incident allegedly from the life of its author, Miguel de Cervantes. Don Quixote is the mad, aging nobleman who embarrasses his respectable family by his adventures. Backed by his faithful sidekick Sancho Panza, he duels windmills and defends his perfect lady Dulcinea (who is actually a downtrodden whore named Aldonza). Written by
One of only five big budget screen adaptations of Broadway musicals filmed between 1955 and 1973 to be presented in the 1.85:1 screen ratio (the others were The Pajama Game (1957), Damn Yankees! (1958), Cabaret (1972) and Hair (1979)). Most of the others were presented in the wider Cinemascope, Todd-AO, Technirama, or Panavision ratios. "Man of La Mancha" was, however, blown up to the typical Todd-AO ratio (2.20:1) for its roadshow presentations. See more »
Both the film and stage performances of the play it's based, on depict the elderly Miguel de Cervantes y Saavedra as able to use both hands. The real Cervantes had a paralyzed left hand from his wound in the Battle of Lepanto (1571) when he was a 20-something. See more »
During the opening credits, we see the animated sails of a windmill, which, with each turn, begin to reveal, and finally become, a sketch of the face of Don Quixote. The camera moves in for an extreme closeup of the facial features, which, as the camera gets close, reveal themselves to be a giant prop in an outdoor stage presentation during a festival. As the opening credits end, the sketch of that prop dissolves into the real item. See more »
I consider myself somewhat of a movie aficionado, having seen several thousand movies over the past forty years; and I can unequivocably say that "Man of La Mancha" is my all-time favorite movie. While some of the familiar criticisms lodged against it are valid, there is still no other movie that can approach its depth or poignancy. I judge a movie by its ability to move me: to make me laugh, to make me cry, to make me think. This movie tackles one of the greatest themes of life: whether to live in a helpful illusion or live in the harshness of reality. Don Quixote's story is the ultimate in human heroism, a tragic man of courage struggling to see and live life, not as it is, but as it should be. His unwavering idealism in the face of all-too-familiar cynicism and skepticism is both foolhardy and inspiring. This movie always leaves me, not with tears trickling, but with great sobbing. I strongly recommend it for both your heart and your head.
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