| Bill Cosby | ... | Caleb Revers | |
| Gloria Foster | ... | Ivy Revers | |
| Leif Erickson | ... | Sheriff Mossman | |
| George Spell | ... | Billy Revers | |
| Douglas Turner Ward | ... | Lee Christmas | |
| John Anderson | ... | Stretch | |
| Henry Silva | ... | Caine | |
| Dub Taylor | ... | Atkins | |
| Yaphet Kotto | ... | Nate Hodges | |
| Shelley Morrison | ... | Rosita | |
| Richard Bull | ... | Thornhill | |
| Robert Lawson | ... | Lawson | |
| Jason Clark | ... | Red | |
| Fred Graham | ... | Blockers | |
| Jack Owens | |||
| Buster Shavers | |||
| Sam Partridge | |||
| Horace Owens | |||
| Joe Samsil | |||
| Mark Atwell | |||
| Ted Richards | |||
| Steve Atwell | |||
| Ralph Ortega |
Directed by | |||
| E.W. Swackhamer | |||
Writing credits | ||
| Harry Essex | & | |
| Oscar Saul | ||
Produced by | |||
| Bill Cosby | .... | executive producer (as William H. Cosby Jr.) | |
| Marvin Miller | .... | producer | |
| R. Robert Rosenbaum | .... | associate producer | |
Original Music by | |||
| J.J. Johnson | |||
Cinematography by | |||
| Arnold L. Rich | (director of photography) | ||
Film Editing by | |||
| John A. Martinelli | |||
Art Direction by | |||
| Rolland M. Brooks | |||
Set Decoration by | |||
| Antony Mondello | |||
Makeup Department | |||
| Fred Williams | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Tom Connors | .... | second assistant director (as Tom Connors III) | |
| R. Robert Rosenbaum | .... | first assistant director | |
Art Department | |||
| Ed Shanley | .... | construction coordinator | |
| Rich Valesko | .... | property master | |
Sound Department | |||
| James Z. Flaster | .... | sound mixer | |
| Richard Portman | .... | sound re-recording mixer | |
| Kay Rose | .... | sound effects editor | |
| Chester Slomka | .... | sound effects editor (as Chet Slomka) | |
Special Effects by | |||
| Geza Gaspar | .... | special effects | |
Stunts | |||
| Calvin Brown | .... | stunt coordinator (as Cal Brown) | |
| Ron Nix | .... | stunts (uncredited) | |
| Frank Noel | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator (as Al Bettcher) | |
| Howard Bingham | .... | still photographer | |
| Carl Boles | .... | gaffer | |
| Leonard Lookabaugh | .... | key grip (as Len Lookabaugh) | |
Costume and Wardrobe Department | |||
| Glenn Wright | .... | costumer | |
Editorial Department | |||
| Anthony Ippolito | .... | editorial supervisor | |
Music Department | |||
| Quincy Jones | .... | music supervisor | |
| Harry King | .... | music editor | |
Other crew | |||
| Dan Alexander | .... | script supervisor | |
| Mariette Burr Mandell | .... | executive assistant | |
| Del Shields | .... | assistant to producer | |
| Bob Yeager | .... | unit publicist (as Robert Yeager) | |
| Ivan Connors | .... | ramrod (uncredited) | |
|
|
|
|
|
| The Driftin' Kid | Too Much Beef | Arizona Stage Coach | Seven Alone | How the West Was Won |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb USA section |
It was just rather interesting how much a person could need something and the skills developed to acquire it, especially capturing something wild, like the white horse with its brown relatives. Anyway, after lassoing it, it winds up dragging him until the rope breaks. That was a cinematic scene. I only saw a reel of this film, a reel that mysteriously was identified as a reel from Westworld.