| Mario Adorf | ... | Luca Canali | |
| Henry Silva | ... | Dave Catania | |
| Woody Strode | ... | Frank Webster | |
| Adolfo Celi | ... | Don Vito Tressoldi | |
| Luciana Paluzzi | ... | Eva Lalli | |
| Franco Fabrizi | ... | Enrico Moroni | |
| Femi Benussi | ... | Nana | |
| Gianni Macchia | ... | Nicolo | |
| Peter Berling | ... | Damiano | |
| Francesca Romana Coluzzi | ... | Trini | |
| Cyril Cusack | ... | Corso | |
| Sylva Koscina | ... | Lucia Canali | |
| Jessica Dublin | ... | Miss Kenneth | |
| Omero Capanna | ... | Vito's Goon | |
| Giuseppe Castellano | ... | Garagaz | |
| Giulio Baraghini | ... | Gustovino | |
| Andrea Scotti | ... | Garo | |
| Imelde Marani | ... | Cloakroom attendant | |
| Gilberto Galimberti | ... | Vito's Goon | |
| Franca Sciutto | ... | Dancer | |
| Ulli Lommel | ... | Dancer (as Ulrich Lommel) | |
| Vittorio Fanfoni | ... | Vito's Goon | |
| Giuliano Petrelli | ... | Vito's Goon | |
| Pietro Ceccarelli | ... | Vito's Goon | |
| Pasquale Fasciano | ... | Vito's Goon | |
| Alberto Fogliani | ... | Pinocho | |
| rest of cast listed alphabetically: | |||
| Empedocle Buzzanca | ... | Don Vito Henchman (uncredited) | |
| Enrico Chiappafreddo | ... | Don Vito Henchman (uncredited) | |
| Domenico Cianfriglia | ... | Milkman (uncredited) | |
| Giovanni Cianfriglia | ... | Peppiniello (uncredited) | |
| Guerrino Crivello | ... | Hotel Bartender (uncredited) | |
| Fernando Di Leo | ... | Passerby in Blue Shirt (uncredited) | |
| Lina Franchi | ... | Prostitute in the Park (uncredited) | |
| Ettore Geri | ... | Disco Barman (uncredited) | |
| Lara Wendel | ... | Rita Canali (uncredited) | |
| Renato Zero | ... | Friend of Triny (uncredited) | |
Directed by | |||
| Fernando Di Leo | |||
Writing credits | ||
| Fernando Di Leo | (story) | |
| Fernando Di Leo | (dialogue) | |
| Fernando Di Leo | (screenplay) and | |
| Augusto Finocchi | (screenplay) & | |
| Ingo Hermes | (screenplay) | |
| Giorgio Scerbanenco | (short story) uncredited | |
Produced by | |||
| Armando Novelli | .... | producer (uncredited) | |
Original Music by | |||
| Armando Trovajoli | (as Armando Trovaioli) | ||
Cinematography by | |||
| Franco Villa | |||
Film Editing by | |||
| Amedeo Giomini | |||
Production Design by | |||
| Francesco Cuppini | |||
Costume Design by | |||
| Francesco Cuppini | |||
Makeup Department | |||
| Antonio Mura | .... | makeup artist | |
Production Management | |||
| Luciano Appignani | .... | unit production manager | |
| Pietro Ceccarelli | .... | production manager (as Lanfranco Ceccarelli) | |
| Armando Novelli | .... | unit production manager | |
| Vincenzo Salviani | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Franco Lo Cascio | .... | assistant director | |
Sound Department | |||
| Goffredo Salvatori | .... | sound | |
Special Effects by | |||
| Basilio Patrizi | .... | special effects | |
Stunts | |||
| Sergio Mioni | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Enrico Biribicchi | .... | assistant camera | |
| Claudio Morabito | .... | camera operator | |
Costume and Wardrobe Department | |||
| Alain Reynaud | .... | wardrobe: Luciana Paluzzi | |
Editorial Department | |||
| Ornella Chistolini | .... | assistant editor | |
Other crew | |||
| Gilberto Galimberti | .... | master at arms | |
| Augusto Petrone | .... | production assistant | |
| Vivalda Vigorelli | .... | continuity | |
| David Sheldon | .... | production executive (uncredited) | |
| Sormani | .... | tapestry (uncredited) | |
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| The Professional: Golgo 13 | Il giorno del Cobra | Contraband | Bad Boys II | Desperado |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Italy section |
I spent much time in studying Italian police films of this era - and this one sticks out as one of the best. Unlike other Di Leo flicks - this one has a decent story, features B+ actors like Mario Adorf and Adolfo Celli (Mr. Largo in OO7's Thunderball), the editing is fast and rhythmic and it contains only one car chase but this one has it. The films owes its quality largely to the German-Italian actor Mario Adorf (already playing in one other Di Leo Film "Milano Calibro 9") - Adorf is witty, has a face with a thousand expressions and perfectly impersonates the change of small-town-pimp into a revenge-driven killing machine - without overdoing it. Unlike other films of this genre this one is tightly bound by a reasonable script, logical development of the characters and a rough, greasy camera-style. Editing is superb in timing, no frame is wasted for stupid dialogues or the typical 70ies mood shots (you see a scenery with someone walking and nothing happens). This film is perfect for exploring this genre.