| Photos (See all 12 | slideshow) |
| Nigel Davenport | ... | George Adamson | |
| Susan Hampshire | ... | Joy Adamson | |
| Geoffrey Keen | ... | Kendall | |
| Peter Lukoye | ... | Nuru | |
| Shane De Louvre | ... | Makedde (as Shane De Louvres) | |
| Robert Beaumont | ... | Billy Collins | |
| Nobby Noble | ... | Bank Manager | |
| Allaudin Qureshi | ... | Bank Clerk (as Aludin Quershi) | |
| Charles Hayes | ... | Herbert Baker | |
| Jean Hayes | ... | Mrs. Herbert Baker | |
| Elsa | ... | Herself | |
| Jespah | ... | Himself | |
| Gopa | ... | Herself | |
| Little Elsa | ... | Herself | |
| James Kamau | |||
| rest of cast listed alphabetically: | |||
| Edward Judd | ... | Weaver (uncredited) | |
Directed by | |||
| Jack Couffer | |||
Writing credits | ||
| Joy Adamson | (book) | |
| Millard Kaufman | (screenplay) | |
Produced by | |||
| Carl Foreman | .... | executive producer | |
| Paul B. Radin | .... | producer (as Paul Radin) | |
Original Music by | |||
| Sol Kaplan | |||
Cinematography by | |||
| Wolfgang Suschitzky | (director of photography) (as Wolfgang Suschitsky) | ||
Film Editing by | |||
| Don Deacon | |||
Production Design by | |||
| John Stoll | |||
Makeup Department | |||
| Jill Carpenter | .... | makeup artist | |
Production Management | |||
| Sidney G. Barnsby | .... | production supervisor | |
| Eva Monley | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ivo Nightingale | .... | assistant director | |
Art Department | |||
| Terry Greenwood | .... | property man | |
Sound Department | |||
| Norman Bolland | .... | sound recordist | |
| Chris Greenham | .... | sound editor | |
| Gerry Humphreys | .... | dubbing mixer (as Gerry Humphries) | |
| Mike Tucker | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Jack Couffer | .... | additional wildlife photography | |
| Andrew Gray | .... | grip | |
| Ronnie Maasz | .... | camera operator | |
| David Wynn-Jones | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Michael R. Sloan | .... | assistant editor (as Michael Sloan) | |
Music Department | |||
| Sol Kaplan | .... | conductor | |
| Lawrence Ashmore | .... | orchestrator (uncredited) | |
Other crew | |||
| Sieuwke Bisleti | .... | assistant wildlife supervisor | |
| Carl Foreman | .... | presenter | |
| Marion Gray | .... | assistant production secretary | |
| Noreen Hipwell | .... | production secretary | |
| Angela Martelli | .... | continuity | |
| William Roberts | .... | assistant wildlife supervisor | |
| Cheryl Shawver | .... | assistant wildlife supervisor | |
| Hubert Wells | .... | wildlife supervisor | |
Thanks | |||
| Haile Selassie | .... | the producers are also most grateful for help received from (as His Imperial Majesty Haile Selassie I of Ethiopia) | |
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| Born Free | Christian the Lion | Born Free: A New Adventure | Out of Africa | To Walk with Lions |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
'Living Free' is one of those obscure sequels to huge hits that most people don't even know exist. In this case it's not hard to see why: it's pretty awful.
Susan Hampshire and Nigel Davenport make poor replacements for Bill Travers and Virginia McKenna. While you wouldn't expect them to match the original couple's easy familiarity, these two don't look like they've even been introduced yet. Worse, the film is a clumsy mess, the first quarter a clumsy rehash of the first film mixing stock footage with awkward reshot word-for-word versions of scenes restaged by the new stars with all the confidence of a blindfolded kid with both legs tied together trying to hit a piñata (although you do get to see Geoffrey Keene play a scene absolutely identically to his performance with the more experienced stars a few years earlier). When the plot does get going in the last half hour there are some genuinely tense scenes as they attempt to cage Elsa the Lioness's cubs to take them to a new reserve before they are destroyed as a menace to local farms, but you'll probably have given up by then. It doesn't even have the benefit of Scope photography or a John Barry score to sugar the pill, often looking more like a poor TV pilot than a real film (and indeed a TV series did briefly follow, albeit with a new cast). Not good.