Lisa e il diavolo (1973)

User Rating:

6.0/10   

Directors:

Mario Bava
Alfredo Leone

Writers:

Mario Bava (screenplay)
Alberto Cittini (writer) (segment)

Release Date:

9 July 1976 (USA)

Genre:

Horror

Tagline:

Every corner of the soul is lost to the icy clutch of the supernatural!

Plot:

Lisa is a tourist in an ancient city. When she gets lost, she finds an old mansion in which to shelter...

Plot Keywords:

Mansion | Tourist | Gore | Italy | Priest

Cast

Telly Savalas	...	Leandro
Elke Sommer	...	Lisa Reiner
Sylva Koscina	...	Sophia Lehar
Alessio Orano	...	Max
Gabriele Tinti	...	George (the chauffeur)
Kathy Leone	...	Lisa's friend
Eduardo Fajardo	...	Francis Lehar
Carmen Silva	...	Anna ('House of Exorcism')
Franz von Treuberg	...	Shopkeeper
Espartaco Santoni	...	Carlo
Alida Valli	...	Countess
Robert Alda	...	Father Michael ('House of Exorcism')

Also Known As:

Der Teuflische (West Germany)
El diablo se lleva a los muertos (Spain)
Il diavolo e i morti
La casa dell'esorcismo (Italy) (recut version)
Lisa and the Devil (USA)
The Devil and the Dead
The Devil in the House of Exorcism
The House of Exorcism (USA) (recut version)

Runtime:

92 min | Italy:95 min (original version)

Country:

Italy | West Germany | Spain

Language:

Italian

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Germany:16 (re-rating 2007) | Netherlands:16 | Argentina:18 (re-rating) | Argentina:X (original rating) | Canada:13+ (Quebec) | Italy:VM14 (original version) | Italy:VM18 (Producer's Cut) | Australia:R | Finland:K-18 | Norway:18 | Sweden:15 | UK:18 | USA:R | West Germany:18 | Iceland:16 | Germany:BPjM Restricted

Filming Locations:

Barcelona Airport, Barcelona, Cataluña, Spain

Company:

Euro America Produzioni Cinematografiche

Trivia:

The scene where Leandro breaks the corpse's feet to stuff it into the coffin is a reference to the H.P. Lovecraft story "In the Vault".

Quotes:

Lisa Reiner: Don't break my balls, priest.

Movie Connections:

Featured in 100 Years of Horror (1996) (V)

Soundtrack:

Concerto of Aranjuez

Lisa e il Diavolo

This film is credited as "La Casa dell'exorcismo"/"The House Of Exorcism" here, but Mario Bava's original version is the one called "Lisa e il diavolo"/"Lisa And The Devil". Mario Bava, arguably the greatest Horror director of all-time, created his most bizarre work in 1972 with "Lisa And The Devil". In order to attract a wider audience in the United States, the film was only released in a re-edited form, as "The House Of Exorcism", which added some elements and did not even give full credit to master Bava. Sadly enough, the original Bava cut was not released until after his death. Fortunately enough, it is available now. This is a review of Bava's original version, "Lisa And The Devil".

While not one of my favorites by the great Mario Bava, "Lisa And The Devil" is arguably one of his most underrated films. The film does not quite reach the brilliance of earlier Bava masterpieces like ("La Maschera Del Demonio", 1960), "The Whip And The Body" ("La Frusta E Il Corpo" (1963), "Blood And Black Lace"("Sei Donne Per L'Assassino", 1964), or "Kill Baby... Kill" ("Operazione Paura", 1966), nor that of his latter day highlight, the stunning Crime Thriller "Rabid Dogs" ("Cani Arrabiati", 1974). Even so, "Lisa And The Devil" is an elegant and mesmerizing Horror film that is absolutely sublime in many aspects. The whole approach of "Lisa And The Devil" is more bizarre, surreal and merely psychological than in his other films, and furthermore uses the Satanic formula which was immensely popular around the time. While "Lisa and The Devil" is a bit slower than his other early 70s efforts, such as his last Gothic Horror film "Baron Blood" ("Gli Orrori Del Castello Di Norimberga", 1972), the film maintains a wonderful atmosphere of insanity and doom.

Due to the film's bizarre nature, "Lisa And The Devil" is probably the Bava film that makes a proper plot synopsis most difficult. This is not a bad thing, though, as every Horror fan should experience this film for himself (or herself) anyway. The film begins when tourist Lisa Reiner (sexy Elke Sommer) leaves her tourist group, and is suddenly stuck in a beautiful but eerie city center of Toledo. Unable to find her tourist group, Lisa, as well as a bunch of other people find refuge in an eerie mansion, where an old countess (Alida Valli) lives with her son (Alessio Orano), and a very sinister housekeeper (Telly Salavas)... I do not want to give anything away, but I can assure that "Lisa And The Devil" is a film that creates a hypnotic and nightmarish atmosphere like hardly another. The incredibly sinister Telly Salavas gives this film a cult-status and there is a lot more. The cast includes several familiar faces for Italian Cult buffs. Elke Sommer and Silvya Koschina are lovely to look at and they also are also great in their roles. The great Alida Valli, best known for her roles in two Horror-masterpieces, Dario Argento's "Suspiria" (1977) and Georges Franju's "Eyes Without a Face" ("Les Yeux Sans Visage", 1960), is once again superb as the old countess. The cast also includes Eduardo Fajardo ("Django") and Italian Exploitation regular Gabriele Tinti. The absolute greatest performance (by far) in this film, however, remains that of Telly Salavas who is ghoulish and great beyond comparison. As all Bava films, "Lisa And The Devil" is wonderfully photographed in beautiful yet exceptionally eerie Gothic settings. The city of Toledo is a terrific setting for a film like this, and the eerie mansion is the most uncanny and melancholic setting imaginable. The score by Carlo Savina is great and very eerie, and perfectly emphasizes the mood of a nightmarish fever dream. Aditionally to the nightmarish atmosphere, the film also has several genuinely terrifying shock-moments. As stated above, "Lisa And The Devil" is not one of the absolute greatest films by Mario Bava, but it is definitely a great one. The film is a little more slow-paced than Bava's other work, but its nightmarish atmosphere is exceptional. A mesmerizing film that no Horror fan can afford to miss!