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The Life and Times of Judge Roy Bean (1972)

A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and ... See full summary »

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Nominated for 1 Oscar. Another 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
Outlaw
...
Outlaw
Fred Brookfield ...
Outlaw
Bennie E. Dobbins ...
Outlaw (as Ben Dobbins)
...
Outlaw (as Dick Farnsworth)
Leroy Johnson ...
Outlaw (as LeRoy Johnson)
Fred Krone ...
Outlaw
Terry Leonard ...
Outlaw
...
Outlaw
Margo Epper ...
Whore
Jeannie Epper ...
Whore
Stephanie Epper ...
Whore
...
Maria Elena
Barbara J. Longo ...
Fat Lady
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Storyline

A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western. With the aid of an old law text and unpredictable notions Roy Bean distinguishes between lawbreakers and lawgivers by way of his pistols. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Add Synopsis

Plot Keywords:

law | saloon | outlaw | texas | judge | See All (132) »

Taglines:

Maybe This Isn't The Way It Was - It's The Way It Should Have Been! See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

6 December 1972 (Italy)  »

Also Known As:

El juez del patíbulo  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Steve Kanaly and Victoria Principal who both debuted in this film also starred together in the Dallas (1978) television series. Don Starr, who played the theatre manager, also appeared regularly throughout the series as oil baron Jordan Lee. See more »

Goofs

When Bean regains consciousness in the alley behind the theater, he pushes over a modern, round, galvanized garbage can. See more »

Quotes

Judge Roy Bean: Do you have anything to say before we find you guilty?
Sam Dodd: I'm not guilty of nothing. There's no crime that I've done wrong.
Judge Roy Bean: Do you deny the killing?
Sam Dodd: I do not deny it. But there's no place in that book where it says nothing about killing a Chinese. And no one I know ever heard a law on greasers, niggers, or injuns.
Judge Roy Bean: All men stand equal before the law. And I will hang a man for killing anyone, including Chinks, greasers, or niggers! I'm very advanced in my views and outspoken.
Sam Dodd: There's no place in ...
[...]
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Connections

Featured in John Huston: The Man, the Movies, the Maverick (1988) See more »

Soundtracks

Marmalade, Molasses and Honey
Lyrics by Marilyn Bergman and Alan Bergman
Music by Maurice Jarre
Sung by Andy Williams
[The song is played as background to the montage with Judge Bean, Maria Elena and the Watch Bear immediately after the bear's arrival in town]
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User Reviews

 
a flawed masterpiece
27 September 1998 | by (Ellicott City, MD) – See all my reviews

This underrated/underseen Huston film is definitely worth a look. Newman is wonderful as Roy Bean, and the large supporting cast is amazing, especially Anthony Perkins as a travelling padre, Stacy Keach as Bad Bob, Roddy McDowell as a wormy lawyer, Ned Beatty as the outlaw who'd rather be a bartender, and John Huston himself as Grizzly Adams. This is not a perfect picture at all. It falls apart by the last third or so, has a terrible day-for-night process shot that doesn't really work, and a unnecessary and embarrassing "raindrops keep falling on my head"-type musical montage, but the rest of it is great fun. This is the crazy kind of script Milius used to write in the 70s, like Apocalypse Now and especially 1941. The tone is very odd, but if you like your comedy dark and your westerns satirical you'll find lots to like about this one. A very broad and dark performance by Newman, who manages to find the pathos and integrity of this western charicature. It's a nice companion/contrast to Butch Cassidy and the Sundance Kid. Kind of what Rami must have been going for in The Quick and the Dead (minus the Spaghetti Western style), and the examination of the mythic hero that Roderiguez tried for in Desperado, but much better achieved by Huston (duh). Fun stuff.


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