American Walter Elbertson, in his late teens, is feeling lost within his family of overachievers. Thirty-something Englishwoman Lila Fisher is emotionally repressed. The two meet on their ...
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Joseph L. Mankiewicz
American Walter Elbertson, in his late teens, is feeling lost within his family of overachievers. Thirty-something Englishwoman Lila Fisher is emotionally repressed. The two meet on their respective vacations in Spain, when, on the spur of the moment, Walter decides to ditch his overly regimented cycling tour group and join the bus tour group of which Lila is a part. They hardly speak to each other during the first few days, and when they do, they make each other nervous since each is scared of life. In spite of their fear of life or largely because of it, they enter into a friendship that blossoms into a romance, however rocky the road to that romance is. Out of circumstance, they abandon the bus tour and travel together through Spain on their own. Their relationship is put to the test of outside scrutiny when they meet and have an extended stay with a Spanish Duke. Written by
The verses Lila twice repeats aloud to herself, beginning "How beautifully blue the sky", are from the lyrics of the comic opera The Pirates of Penzance, by Gilbert and Sullivan. See more »
When Walter and Lila park the caravan trailer for the night, it is pouring down rain, and the ground outside the trailer is saturated with mud and puddles. Yet early the next morning, as Walter emerges from the caravan, it is sunny out and the ground is completely dry, no sign whatsoever of mud or puddles from the previous night's deluge. See more »
This heart-tugging April-August romance cannot be equaled for the lush Spanish scenery, excellent photography, haunting music, and courageous humor. A young Timothy Bottoms was fresh from his excellent performance in THE LAST PICTURE SHOW, and Maggie Smith was in fine form portraying a spinster whose rose had lost its bloom. Her role is an excellent example of how a skilled, attractive actress enters a more mature, "seasoned" stage of her career. Both characters are slight misfits, fishes out of water on a cut-rate bus tour in the Spanish back-country who begin as antagonists but gradually draw closer. This is a tried formula, but in expert hands. It is a mystery why LOVE AND PAIN has never been marketed in any video format, or posted more prominently on the resume of either of its stars.
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