Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
Truck is a bounty hunter who gets a job to track down a guy named Gator. When he and his partner find him, a chase ensues and Gator is killed. This makes Gator's woman, Dorinda, very angry ... See full summary »
A dock worker becomes a prizefighter, but gets mixed up with a crooked manager. A sympathetic L.A. detective tries to set him straight, but he won't listen. His manager, who is also a drug ... See full summary »
Bruce D. Clark
Gravedigger Jones and Coffin Ed Johnson are two black cops with a reputation for breaking the odd head. Both are annoyed at the success of the Reverend Deke O'Mailey who is selling trips ... See full summary »
Raymond St. Jacques,
Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
The story involves a white supremist plot to taint the United States water supply with a toxin that is harmless to whites but lethal to blacks. The only obstacles that stand in the way of ... See full summary »
Though SOUL OF N*GGER CHARLEY is more professionally constructed and filmed, I found it less interesting than LEGEND OF N*GGER CHARLEY. To begin with, Fred Williamson is actually called upon to do a bit of acting in LEGEND. Though the character transition is rushed, Williamson initially portrays Charley as hard-working and respectful (his Master has always treated he and his mother with kindness), and later (after having his promised freedom stolen away from him by the cruel, presumptive heir to his Master's estate), as a defiant, avenging hero. In SOUL, on the other hand, he's pretty much a defiant hero from beginning to end, his performance varying only when called upon to show a bit of sadness and remorse near the end.
Further, LEGEND struck me as the more balanced of the two films. In SOUL, there is not a single white man in a featured role who is not portrayed as a villain. In fact, even in smaller roles, the only white men who are not evil are the Quakers who appear very briefly, denying Charley their assistance due to a vow of non-violence. Contrast this with LEGEND in which three of the six white men in featured roles (the original Master, the Sheriff, and the farmer who married a half-breed) are not portrayed as racist. They may be ineffectual, but they're not evil men.
All that said, the story in LEGEND is padded and truly scattered. I would definitely watch it again though... something I cannot say for SOUL.
Finally, I must note the irony that the version of LEGEND on the BLAX FILM disc censors the words "shit" and "ass", but not N*GGER, whereas IMDb allows both "shit" and "ass", but not "the N-word", despite its being in the title of the film!
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