Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
A dock worker becomes a prizefighter, but gets mixed up with a crooked manager. A sympathetic L.A. detective tries to set him straight, but he won't listen. His manager, who is also a drug ... See full summary »
Bruce D. Clark
Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince ... See full summary »
It seems that masked men are knocking over the floating crap games of Chalky and Pete. Chalky and Pete hire the cool, loose, elegant Mr. T to fix things. Then, the masked manipulators set ... See full summary »
Fearful that their star witness might be murdered, two attorneys hire a protector to bring him from Los Angeles to New York. Jesse Crowder (Fred Williamson) is a no-nonsense tough guy. He ... See full summary »
Crowder is a man who will do anything, if the price is right. He is a private detective with a past in the police force. A woman comes to his office one day and asks if he will find her ... See full summary »
To take a briefcase from Hong Kong to Mexico City, via Los Angeles, is it necessary to call on that man - Bolt? With the number of dangerous spies and gangsters who are after that briefcase, maybe Jefferson Bolt is not enough.
David Lowell Rich
Let's try to remember what this movie was all about. It was about making money to line the studio's pocket so that the could make more important movies. It was not well written or well directed, which accounts for the almost high school like performances from some of the actors. This movie was made give African Americans one more hero to root for during a time when Hollywood was cranking out African American heroes in order to: 1.Satisfy the demand by Black viewers to see faces that they could relate to, 2. TO MAKE MONEY, because the film industry knows that African Americans are probably the greatest consumers in the country and we will buy the tickets, the videos and DVD's, if we like what we see. (If you disagree, just look at some of the buddy films from the late 90's up to today) All of that is to say "The Legend of Nigger Charley" was a below average blaxploitation movie that could have been a much better movie, given the genre and the subject, if the filmmakers had taken the time. As far as the title is concerned, aren't we being a little naive? Let's remember the setting--post civil war America. Let's remember the Jim Crow attitudes of America at that time. A western about escaped slaves roaming the west called, "The Legend of African-American Charley" just doesn't have the same ring to it. Let's also remember, especially those of us offended by the "N"word, that here in the 21st century the "N" word is applied by African Americans in reference to African Americans more than any other ethnic group in America. So while the movie's title doesn't make it any better, we sure shouldn't be shocked. In short, I'd watch the movie again and would put it in my library if I could get a copy.
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