A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Abraham is a Puerto Rican single parent with two boys. He is becoming very worried about them living in their run down neighborhood when one day he notices that Cubans who escape are ... See full summary »
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The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the ... See full summary »
Yasha is a Jewish stage magician who tours through eastern Europe while destroying his career through personal problems. He has one more chance at theatrical success, but he needs to do a brand new trick in a Warsaw theater.
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction, only to learn that it is much more complicated and difficult than he could have imagined. Written by
John Vogel <email@example.com>
Originally, when writing the source play's first act, playwright Neil Simon wrote the lead role of Barney Cashman with Martin Balsam in mind. Then for the last two acts, Simon wrote the character with James Coco in mind after Simon saw him in "Next" off-Broadway. Coco was then cast in the lead role of Barney Cashman for the original Broadway production. See more »
I read the obituaries every day just for the satisfaction of not seeing my name there.
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Good cast in shrill, cheaply-made Neil Simon comedy
Married restaurant-manager (Alan Arkin, miscast but still charming) contemplates having an extra-marital affair, striking out three times with different women: Sally Kellerman as a jaded sexpot, Paula Prentiss as a pot-smoking flake, and Renee Taylor as a society wife with melancholia. If you're familiar with the Neil Simon play (a dinner-theater perennial), you know right off this stagy material is not suited for the screen. Director Gene Saks must've been raised in community theater--he has little visual imagination--however his pacing and rhythm are snappy. Kellerman's segment is the best (she and Arkin get some real repartee going), but Prentiss is sidelined by uneven writing and Taylor does too much shouting (noisier isn't funnier). The picture has a dull, washed-out look, and Arkin is really too young for this part (he's supposed to be a balding 45-year-old, but he appears to be in his mid-30s with a shaved head). Some amusing bits are scattered about. ** from ****
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