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The Last House on the Left (1972) Poster

Trivia

Fred J. Lincoln has stated on numerous occasions that he considers this film to be the worst movie he ever did.
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Jump to: Cameo (2) | Spoilers (2)
When fledgling director Wes Craven took this film to the MPAA, they slapped it with an "X" rating. Wanting an R for wider release, Craven went back and removed ten minutes of footage. However, this still wasn't enough and the film still got an "X" rating. Once again Craven removed footage, this time taking out 20 minutes. It still wasn't enough. Finally, Craven put all of the original footage back in, got an authentic "RATED R" seal of approval from the film board from a friend of his, put it on the film and released it.
A mixture of red and blue food coloring mixed with caramel syrup was used for the fake blood, which - contrary to most movie blood - actually looks real.
According to various cast and crew members (especially David Hess and Fred J. Lincoln), actress Sandra Peabody was genuinely terrified throughout most of the shoot, at one point walking off-set.
Wes Craven later used the name "Krug" in A Nightmare on Elm Street (1984) for the film's villain, "Freddy KRUEGer." In both films the name is used for teenage murderers.
Was banned for over 32 years in Australia. It was finally commercially available through DVD in 2004.
This movie has been banned several times in the UK by the BBFC. Originally, in 1974, it was rejected for a cinema certificate. In 1984, it was banned again when it became a "video nasty", and remained that way until 2000, when it was once more rejected for a cinema release. In 2001, it was rejected and remained banned. Finally, a video version in 2002 was passed with around 30 seconds of cuts for an 18 rating, ending a 28 year streak of being banned. It was finally passed fully uncut by the BBFC in March 2008.
In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" No sequel ever materialised.
Based on the film The Virgin Spring (1960)
According to director Wes Craven, the crew set up a special editing office to restore prints returned from cinemas because "every one would come back chopped up by theater owners".
When distribution companies Hallmark and Atlas International released the movie in Germany, they attempted to pass it off as an actual "snuff" film (i.e., a real murder staged for the camera).
When this movie was first released in 72 most critics found it disturbing however Roger Ebert gave it 3 and half stars and he got letters from people asking him how he could possibly support a movie like this.
David Hess, Fred J. Lincoln, and Marc Sheffler improvised a lot of their dialogue.
Wes Craven's directorial debut.
Due to his size Martin Kove was originally up for the role of Krug. However he declined it in favor of the smaller comedic Deputy role, and suggested his friend David Hess for the role instead. Hess wore extra padded clothes for the audition but was given the role anyway, as well as being offered the music score.
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The house the Collingwoods live in was owned by producer Sean S. Cunningham's parents.
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Two future Friday the 13th directors worked on this film, Sean S. Cunningham and Steve Miner.
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Shot in 21 days.
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David Hess's film debut.
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Fred J. Lincoln helped choreograph some of the more violent scenes in the movie.
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Ada Washington worked as a maid and nanny for producer Sean S. Cunningham's parent; this movie was her sole foray into film acting.
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Director Trademark: [Wes Craven] [Strong female characters]. Mari, Phyllis, Sadie and Mari's mother.
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Director Trademark: [Wes Craven] [The blurring of dreams and reality].
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Director Trademark: [Wes Craven] [Elaborate methods/booby traps to capture a villain.
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Wes Craven took Mari Collingwood's surname from his high school.
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Producer Sean S. Cunningham's station wagon is used when Lucy Grantham and Sandra Peabody are driving in the beginning.
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Director Trademark: [Wes Craven] [Murder in suburbia].
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Director Trademark: [Wes Craven] [Knives/blades as murder weapons].
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The film was seized by the Australian Customs Board in October 1991, after a package containing this film and several other banned titles was discovered. It was finally released in Australia uncut in November 2004.
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The film was submitted for censorship in Australia in 1987 under the title "Krug and Company". The Australian Classification Board banned the film and responded with their reasoning as follows: "The Board of Review felt that, regardless of the degree of explicit sexual violence, butchery and cruelty remaining after heavy editing, the film is inherently so dehumanised and insensitive (and totally unrelieved by the inappropriate comic interludes) that release on video could not be justified. The Film Board of Review accordingly confirms the decision of the Censorship Board to Refuse to approve the classification of Krug and Company (aka The Last House on the Left) pursuant to Section 25 (3) of the A.C.T Classification of Publications Ordinance 1983."
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Director Trademark: [Wes Craven] [Family breakdown].
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The ads for this movie had a narrator saying, "...keep telling yourself..." then, an audience chanting over and over again "...it's only a movie" it was destroy muted by Amervlcan International Pictures in 1972.
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Director Trademark: [Wes Craven] [Police portrayed as incompetent].
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Cameo 

Jonathan Craven: Director Wes Craven's son plays the little boy who has his balloon popped by Krug Stillo's cigar.
Steve Miner: (production assistant) hippie taunting the sheriff and deputy.
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Spoilers 

The trivia items below may give away important plot points.

On the R1 DVD one of the actresses claims that for the "piss yer pants" scene, real urine was used. However, this contradicts David Szulkin's book on the making of the film, which states that a wet makeup sponge was concealed in Lucy Grantham's jeans.
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Body Count 6
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See also

Goofs | Crazy Credits | Quotes | Alternate Versions | Connections | Soundtracks

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