Feature film examining the existence of films in which people are murdered on camera and the culture surrounding them. Through interviews with former FBI Profilers, Cultural Academics, and ... See full summary »
Paul von Stoetzel
Larry C. Brubaker,
After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
In this action comedy, Jack Goldwater, an IRS agent on loan to the Federal Air Marshal Service, is relieved of field duty after insulting a powerful U.S. Senator, and finds himself exiled ... See full summary »
J. Neil Schulman
A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.
On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying). See more »
Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »
I remember, quite vividly, the ad campaign for "Last House on the Left". I clearly remember the eerie feeling I got when I saw the ads, either televised or printed. Yet, as eerie as they were, nothing in the ads ever prepared me for this movie. I felt helpless during the film because nothing I could do would help the characters on-screen. I was terrified by man's cruelty to man. I still continue to be haunted by this film. The feeling one experiences viewing this film can only be compared to what a jury feels when video evidence is presented. With that said, I have to admit this is a great film. To evoke such feelings in an audience using actors and actresses is a work of great talent. I can't say I've enjoyed most of Mr. Craven's works; but, this is undeniable a staple in cinema's history.
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