After kidnapping and brutally assaulting two young women, a gang unknowingly finds refuge at a vacation home belonging to the parents of one of the victims: a mother and father who devise an increasingly gruesome series of revenge tactics.
A group of bikers, which includes some of the survivors from the original film, embark on a journey by bus to a biker race near the desert of the infamous incidents. However, because of a ... See full summary »
A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.
On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Director Trademark: [Wes Craven] [Murder in suburbia]. See more »
In the graveyard scene, Phyllis underwear is visible. They are pink, patterned with flowers. A few minutes later, her underwear is seen again, but this time is blue with a different flower pattern. See more »
Hello, Cassie! Hiya, girl! Hello there! Now, let's see.
[looks through mail]
Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
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In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »
I'm laughing myself out of my chair, I can't believe how people here see the symbolism and artistic flair in this 5th rate piece of junk.
I saw Last House on the Left with my cousin and a friend in 1972 at a midnight movie. It was clear to all the teens that this trashy film was simply made to throw a few shivers into us. Seriously, the packed theater was roaring with laughter at the horrible acting, lousy screenplay and obvious violence. The show became a word-by-mouth cult film ala Night of The living Dead, and I must have seen this " trip down trash lane" about a dozen times. Shocking? You've got to be kidding! Ha..Hah..in 1972 it was a laugh fest.
Funny how time turns junk into art.
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