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The Last House on the Left (1972)

Unrated | | Crime, Drama, Horror | 30 August 1972 (USA)
Two teenage girls head to a rock concert for one's birthday. While trying to score marijuana in the city, they are kidnapped and brutalized by a gang of psychotic convicts.

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Cast

Complete credited cast:
...
Mari Collingwood (as Sandra Cassell)
...
...
Krug Stillo (as David A. Hess)
...
Fred 'Weasel' Podowski (as Fred Lincoln)
...
...
...
Dr. John Collingwood (as Gaylord St. James)
...
Ada Washington ...
Ada
Marshall Anker ...
Sheriff
...
Deputy
Ray Edwards ...
Postman
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Storyline

On the eve of her seventeenth birthday, Mari Collingwood tells her parents that she is going to the concert of underground band Bloodlust in New York with her friend Phyllis Stone. She borrows the family's car and heads with her friend to a dangerous neighborhood in the city. Meanwhile, the sadistic and cruel escapees Krug Stillo and Fred 'Weasel' Podowski are hidden in a hideout with their partners Sadie (Jeramie Rain) and Krug's addicted son Junior Stillo (Marc Sheffler) after killing two guards and one shepherd in their runaway. The two girls seek marijuana near the theater and meet Junior that offers some Colombian grass to them. They go to his apartment and are subdued by the criminals that rape Phyllis. On the next morning, they hide the girls in the trunk of their convertible and head to Canada. However, they have a problem with the car's rod and they stop on the road close to Mari's house. When Phyllis tries to escape, the gang stabs her to death and shots Mari after ... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

It's just across the street from "Joe". See more »


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

30 August 1972 (USA)  »

Also Known As:

Bad company  »

Box Office

Budget:

$90,000 (estimated)

Gross:

$3,100,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (heavily cut) | (original cut) | (R-rated)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Director Trademark: [Wes Craven] [Elaborate methods/booby traps to capture a villain. See more »

Goofs

During the dinner scene Krug asks "Mind if I smoke?". When he exits the scene, the candle he used was extinguished and in the next scene it was still lit. See more »

Quotes

[first lines]
Postman: [to dog] Hello, Cassie! Hiya, girl! Hello, there! Now, let's see.
[looks through mail]
Postman: Ah, it looks like Mari's getting cards from half the civilized world. Mari Collingwood. Mari Collingwood. Mari Collingwood. You'd think she's the only kid to reach the age of 17. Of course she is probably the prettiest piece I've ever seen.
See more »

Crazy Credits

In the 1980s, the American video versions contained additional text after the film had ended, reading: "Coming soon to a theatre near you. From the producers of Last House On The Left, and the director of Friday the 13th Part V, ... The Last House On The Left, Part II. You won't believe your eyes!" (No sequel ever materialized) See more »


Soundtracks

Wait for the Rain
Written and Performed by David Hess
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

And the road leads to nowhere
21 April 1999 | by (los angeles) – See all my reviews

Much as I admire it, I can only watch Wes Craven's brilliant debut feature once every few years; as sheer stomach-churning brutality goes, it makes SALO look like Sondheim. Craven has said he made the movie as extreme as it is as his comment on the obscenity of Vietnam. I've heard that number many a time (Ruggero Deodato blames CANNIBAL HOLOCAUST on the Red Brigade!), but in Craven's case, it's so palpable it's believable. LAST HOUSE may be the first (and is certainly the most far-out) case of a horror movie that eschews suspense, tingles, shock, in the wake of sheer, harrowing barbarism.

Based on Bergman's THE VIRGIN SPRING, it tells the tale of a couple of young girls on their way to a concert who fall prey to a Manson-like family. Their rape-murders are avenged by a suddenly wised-up couple of parents who, in their restitution, find themselves as blood-bespattered and guilty as their prey.

LAST HOUSE ON THE LEFT is a grindhouse GUERNICA, an outcry over desensitization to violence that leaves you feeling shaken and desolated. It genuinely reupholsters the word "horror." For most, the clarity of Craven's intentions won't be enough to redeem the dire viciousness of what the director puts you through. For me, the ferocity of the movie has a cleansing, Artaudian pureness.

One question: Craven made this film and his masterpiece, THE HILLS HAVE EYES, the ultimate statement on the nuclear family in post-Woodstock, post-Altamont America. He then went on to make a load of occasionally mildly amusing but mostly godawful movies. What's the story?


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