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Lone Wolf and Cub: Baby Cart to Hades (1972)
"Kozure Ôkami: Shinikazeni mukau ubaguruma" (original title)

 -  Action | Drama  -  April 1974 (USA)
7.6
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Ratings: 7.6/10 from 2,116 users  
Reviews: 9 user | 35 critic

In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain.

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Title: Lone Wolf and Cub: Baby Cart to Hades (1972)

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Cast

Cast overview, first billed only:
Tomisaburô Wakayama ...
Gô Katô ...
Magomura Kanbei
Yûko Hama ...
Koshio Torizo / Miura Tori
Isao Yamagata ...
Sawatari Genba
Michitaro Mizushima ...
Itakura Naizen-no-Sho
Ichirô Nakatani ...
Yagyu Samurai
Akihiro Tomikawa ...
Ogami Daigoro
Sayoko Katô ...
Omatsu
Jun Hamamura ...
Miura Tatewaki
Daigo Kusano ...
Kuchiki Rokubei
Toshiya Wazaki ...
Ikiji Samon
Hiroshi Nawa ...
Monkumatsu
Sakai Umezu
Saburô Date ...
Swift-style swordsman
Hatsuo Yamaya
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Storyline

In the third film of the Lone Wolf and Cub series, Ogami Itto volunteers to be tortured by Yakuza to save a prostitute and is hired by their leader to kill an evil chamberlain. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Then they threw an army at him, and he threw it back... a piece at a time

Genres:

Action | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

April 1974 (USA)  »

Also Known As:

Baby Cart  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Connections

Referenced in Kill Bill: Vol. 1 (2003) See more »

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User Reviews

 
Not the best in the series
15 November 2009 | by (San Francisco) – See all my reviews

This series has its ups and occasional downs, and the latter is the case, here. There's an agreeable amount of spatter, with an inventive implementation of the Baby Cart's weapons, but the editing film is a seriously disjointed, the film-making itself rougher than usual. At times, the action slows to a crawl as the camera follows the wordless wanderings of the "cub," who nearly gets lost early on. All in all, disappointment.

That said, there's a spaghetti eastern quality to the music and action that may win the approval of dedicated viewers. This installment spends much of its time following the minor misadventures of the little boy, who begins to stare into the abyss of death his father opened for him.


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