Gennosuke, a clan retainer, kills one of the clan ministers as part of a plot to achieve reform. He is pursued by his former comrades, each hoping to complete the vendetta put on Gennosuke ... See full summary »
In the Edo period, a nameless ronin accepts an assignment to go to a mountain pass and wait. Near the pass he stops at an inn where a collection of characters gather, including a gang set ... See full summary »
February 17 to March 3, 1860, inside Edo castle. A group of assassins wait by Sakurada Gate to kill the lord of the House of Ii, a powerful man in the Tokugawa government, which has ruled ... See full summary »
Nearing the village of his sensei, Zatoichi decides to pay the teacher a visit, only to learn that he has been murdered and his daughter forced into prostitution. Ichi's investigation into ... See full summary »
Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up ... See full summary »
Against the backdrop of the Edo treasury devaluing currency and driving many into poverty, Hanzo Itami enforces the law without regard to status. He shows inadequate respect to the ... See full summary »
In this first film of the Lone Wolf and Cub series, adapted from the manga by Kazuo Koike, we are told the story of the Lone Wolf and Cub's origin. Ogami Itto, the official Shogunate executioner, has been framed for disloyalty to the Shogunate by the Yagyu clan, against whom he now is waging a one-man war, along with his infant son, Daigoro. Written by
superb movie, this was a major influence on quentin Tarantino's kill bill
My knowledge in Japanese samurai films is a bit narrow, but I'll take the chance to draw a parallelism between east and west cinema that could sound blasphemous or stupid to somebody who knows more about it. But I suppose, if westerns had John Ford as a traditionalist filmmaker and Sergio Leone as a revolutioner who shattered that sanitized and mythic image and made it dirty and unheroic, I could apply that same logic to samurai films of Akira Kurosawa and then to what Kenji Misumi accomplished in this first chapter. I guess that shallow explanation could serve a newcomer to picture what kind of brilliant and bloody action film they'll find here. also judging from the bloody fight scenes its clear where Tarantino got his influence for his Kill Bill films.
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