Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Joe Kidd is a former bounty hunter and all-around tough-guy in the American Southwest. When a band of Mexicans find their U. S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force of arms. Luis Chama is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan, decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd's horses and terrorizing his friends. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Writer Elmore Leonard certainly did know something about classic firearms. From Frank Harlan's Custom Savage 99 (1899), Olin Mingo's Remington-Keene sporter (1880) in .45-70, Lamarr Simms Mauser C-96 (1896) broomhandle and Joe's Cased Ross Rifle sporter model M-10 (1910) in .280 Ross. Leonard took special care to ensure all weapons (even the optics) were period accurate for that movie, being set in pre-statehood New Mexico territory (1912). See more »
Near the end of the film when Joe Kidd and the sheriff are coming out of the courthouse the sheriff tries to put his gun in his holster but misses and has to try again. See more »
[With Lamar pointing a gun at him]
Lamar, I gotta dollar here says I can break your neck 'for you get that rig moved a half inch.
See more »
Decent, if not the most memorable Eastwood Western
This is a pretty good though very simple Western and I am sure that the somewhat low ratings are due, in part, to the movie not being exactly what Clint Eastwood fans expected. In this film, he plays Joe Kidd--a decent sort of guy but not exactly as super-human as "the man with no name" in his Spaghetti Westerns. He's a lot like Eastwood in UNFORGIVEN because he seems not so super-human, except that he is a fundamentally decent person in JOE KIDD, whereas in UNFORGIVEN he's almost like a multiple personality (one nice and the other evil). The character Joe Kidd shows off his abilities here and there, but he isn't the amazing man with a 6-shooter as you'd expect from Eastwood either--though he sure does pretty well with a rifle or train (you'll have to see what I mean by seeing the picture). So overall, this film is very good but a bit subdued and more realistic than most of Eastwood's Westerns--plus at under 90 minutes, it's pretty short as well. One way I knew this was a pretty good flick was that my wife sat and watched the film with me--and she hates Westerns.
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