Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
Joe Kidd is a former bounty hunter and all-around tough-guy in the American Southwest. When a band of Mexicans find their U. S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force of arms. Luis Chama is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan, decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd's horses and terrorizing his friends. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Writer Elmore Leonard certainly did know something about classic firearms. From Frank Harlan's Custom Savage 99 (1899), Olin Mingo's Remington-Keene sporter (1880) in .45-70, Lamarr Simms Mauser C-96 (1896) broomhandle and Joe's Cased Ross Rifle sporter model M-10 (1910) in .280 Ross. Leonard took special care to ensure all weapons (even the optics) were period accurate for that movie, being set in pre-statehood New Mexico territory (1912). See more »
During the shootout, when we see the men on top of the buildings, we see the American flag in the background with fifty states. In Joe Kidd's time, there should have been forty-five states at most. See more »
Well, that settles that. Anything I can do for you, Joe?
[punches him in the nose]
Joe, you shouldn't 'o done that.
Next time I'll knock your damn head off.
See more »
Clint was already a veteran of many westerns by the time he made "Joe Kidd" and, though many don't find it among his best, it shows Clint as the Joe of the title doing what he does best.
As a ne'er-do-well who ends up siding with Luis Chama (Saxon), a wanted Mexican bandito, Kidd does battle with a group of bounty hunters (led by a suitably villainous Duvall) out for Chama's blood.
"Joe Kidd" is leisurely but not uninteresting; after all, any film written by Elmore Leonard has interesting points (just look at his later work). And when I saw Clint eye that train, I knew something was going to happen (you'll have to see that one yourself).
Overall, "Joe Kidd" may not be as big as "The Good, the Bad and the Ugly" or as profound as "Unforgiven", but it's a good film nonetheless and bears watching. If just for that classic Eastwood squint.
Eight stars. And for future reference, never upset a man holding a pot of stew.
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