Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
Joe Kidd is a former bounty hunter and all-around tough-guy in the American Southwest. When a band of Mexicans find their U. S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force of arms. Luis Chama is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan, decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd's horses and terrorizing his friends. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The custom Savage 99 that Frank Harlan carries is a left hand model. See more »
Just before Mingo is shot by Joe Kidd with the sniper rifle, Mingo's glove is shown already covered with blood, holding his own rifle. After he reacts to being shot in the chest, he presses the glove to his chest wound, then holds up his hand to reveal the blood. See more »
Well, that settles that. Anything I can do for you, Joe?
[punches him in the nose]
Joe, you shouldn't 'o done that.
Next time I'll knock your damn head off.
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Decent, if not the most memorable Eastwood Western
This is a pretty good though very simple Western and I am sure that the somewhat low ratings are due, in part, to the movie not being exactly what Clint Eastwood fans expected. In this film, he plays Joe Kidd--a decent sort of guy but not exactly as super-human as "the man with no name" in his Spaghetti Westerns. He's a lot like Eastwood in UNFORGIVEN because he seems not so super-human, except that he is a fundamentally decent person in JOE KIDD, whereas in UNFORGIVEN he's almost like a multiple personality (one nice and the other evil). The character Joe Kidd shows off his abilities here and there, but he isn't the amazing man with a 6-shooter as you'd expect from Eastwood either--though he sure does pretty well with a rifle or train (you'll have to see what I mean by seeing the picture). So overall, this film is very good but a bit subdued and more realistic than most of Eastwood's Westerns--plus at under 90 minutes, it's pretty short as well. One way I knew this was a pretty good flick was that my wife sat and watched the film with me--and she hates Westerns.
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