J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
After Pardon Chato, a mestizo, killed a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more hunted then prey, ... See full summary »
Joe Kidd is a former bounty hunter and all-around tough-guy in the American Southwest. When a band of Mexicans find their U. S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force of arms. Louis Chama is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan, decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd's horses and terrorizing his friends. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Writer Elmore Leonard certainly did know something about classic firearms. From Frank Harlan's Custom Savage 99 (1899), Olin Mingo's Remington-Keene sporter (1880) in .45-70, Lamarr Simms Mauser C-96 (1896) broomhandle and Joe's Cased Ross Rifle sporter model M-10 (1910) in .280 Ross. Leonard took special care to ensure all weapons (even the optics) were period accurate for that movie, being set in pre-statehood New Mexico territory (1912). See more »
At the beginning of the film when Joe is lying on the cot in jail, Naco pours a coffee into a mug on the corner of the table, then proceeds to fill it again after asking Joe if he wants one. See more »
I do not care what you to think. I keep you for cold nights and days when there's nothing to do. Not to hear you talk.
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Clint was already a veteran of many westerns by the time he made "Joe Kidd" and, though many don't find it among his best, it shows Clint as the Joe of the title doing what he does best.
As a ne'er-do-well who ends up siding with Luis Chama (Saxon), a wanted Mexican bandito, Kidd does battle with a group of bounty hunters (led by a suitably villainous Duvall) out for Chama's blood.
"Joe Kidd" is leisurely but not uninteresting; after all, any film written by Elmore Leonard has interesting points (just look at his later work). And when I saw Clint eye that train, I knew something was going to happen (you'll have to see that one yourself).
Overall, "Joe Kidd" may not be as big as "The Good, the Bad and the Ugly" or as profound as "Unforgiven", but it's a good film nonetheless and bears watching. If just for that classic Eastwood squint.
Eight stars. And for future reference, never upset a man holding a pot of stew.
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