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Joe Kidd (1972)

 -  Western  -  14 July 1972 (USA)
6.5
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Ratings: 6.5/10 from 10,278 users  
Reviews: 61 user | 25 critic

An ex-bounty hunter reluctantly helps a wealthy landowner and his henchmen track down a Mexican revolutionary leader.

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Title: Joe Kidd (1972)

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Cast

Cast overview, first billed only:
...
...
Frank Harlan
...
Luis Chama
...
Lamarr
Stella Garcia ...
Helen Sanchez
James Wainwright ...
Mingo
...
Roy
...
Mitchell
...
Hotel Manager
Lynne Marta ...
Elma
...
Judge
Pepe Hern ...
Priest
...
Manolo (as Joaquin Martinez)
Ron Soble ...
Ramon
Pepe Callahan ...
Naco
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Storyline

Joe Kidd is a former bounty hunter and all-around tough-guy in the American Southwest. When a band of Mexicans find their U. S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force of arms. Luis Chama is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan, decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd's horses and terrorizing his friends. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Taglines:

If you're looking for trouble - - - he's JOE KIDD

Genres:

Western

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

14 July 1972 (USA)  »

Also Known As:

Sinola  »

Box Office

Gross:

SEK 1,179,440 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Writer Elmore Leonard certainly did know something about classic firearms. From Frank Harlan's Custom Savage 99 (1899), Olin Mingo's Remington-Keene sporter (1880) in .45-70, Lamarr Simms Mauser C-96 (1896) broomhandle and Joe's Cased Ross Rifle sporter model M-10 (1910) in .280 Ross. Leonard took special care to ensure all weapons (even the optics) were period accurate for that movie, being set in pre-statehood New Mexico territory (1912). See more »

Goofs

Just before Mingo is shot by Joe Kidd with the sniper rifle, Mingo's glove is shown already covered with blood, holding his own rifle. After he reacts to being shot in the chest, he presses the glove to his chest wound, then holds up his hand to reveal the blood. See more »

Quotes

Joe Kidd: [With Lamar pointing a gun at him] Lamar, I gotta dollar here says I can break your neck 'for you get that rig moved a half inch.
See more »

Connections

Referenced in Drive-in Movie Memories (2001) See more »

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User Reviews

 
Fighting for what you believe in doesn't always come easy.
25 June 2006 | by (the Mad Hatter's tea party.) – See all my reviews

Joe Kidd is discreditable ex-bounty hunter who's facing a couple days in jail, but a well-known big flier landowner Frank Harlan pays his fine hoping that he would join his group of hunters in tracking down the revolution leader Louis Chama. Who's upset about the treatment his people have received in the land reform policies and he goes into town to show he and his group mean business. But Kidd has nothing against him so he declines, but that all changes when he finds out Chama and his outlaws stole his horses and touched up his carers. So after that, Kidd decides to join in the hunt, only to discover that maybe he's on the wrong side.

How many times have we seen it, don't mess with Clint! After the highly significant cop thriller "Dirty Harry", he returned to the western foray with not-so forcible results. "Joe Kidd" is what you can call, one of Eastwood's lesser westerns, but I actually enjoyed it. Maybe that's because I knew very little about it and I wasn't expecting anything revolutionary, but I found this little slam-bang western to be an earnest vehicle for Eastwood, which has a capable supporting cast in Robert Duvall, Don Stroud and John Saxon and in the director's chair is John Sturges. With those names involved it could have been much more, but it's not all a waste.

I thought that it started off unusually and far from your typical Eastwood western. It's quite unpredictable and it's laced with a lot quick-witted humour, but when it gets into its groove with the journey part of the story. Then it falls into a systematic pattern. There's nothing overly dynamic about it, but since it's quite a short flick it goes by quick enough without any meandering sequences. We get an even amount of humorous wisecracks, sturdy action set pieces and a steam-rolling climax for the undemanding. The performances are extremely good as the main characters are very egotistical. Eastwood provides his causal persona in the lead role, although this character seems to have a little more spruce and morality in his actions than that cynical edge we come to love. Duvall is influentially striking as the snaky villain Frank Harlan. Saxon is a superb character actor and that translates into his minor performance of Louis Chama. Don Stroud, Paul Koslo and Stella Garcia were more than decent too.

The consciousness story by Elmore Leonard is rather weakly drawn-up with very little in the way development and little to pushy in it's unjustifiable moral high ground. Although I loved the ironic judge, jury and executioner symbolism that fate has in-stored for the main villain. Sturges' direction won't blow you away, but it was a competent display and he manages to incorporate the sublime backdrop of the High Sierras with on spot, open location photography. There are many well-placed angle shots and leeway in its execution. Another facet that was surprising was Lalo Schifrin's distinctively, pulsating score that's never over-powering, but it was always there.

You might forget all about this western after a day or two, but with these class people involved in this production, just expect some captivating, light entertainment. I found it satisfying enough, but Eastwood would go onto better things a year later with the cruel, spell-binding "High Plains Drifter".


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