J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of ... See full summary »
Lee Van Cleef,
Joe Kidd is a former bounty hunter and all-around tough-guy in the American Southwest. When a band of Mexicans find their U. S. land claims denied and all relevant records destroyed in a courthouse fire, they turn to force of arms. Luis Chama is their charismatic leader, spouting revolutionary rhetoric and demanding land reform. A wealthy landowner with interests in the disputed area, Frank Harlan, decides to settle things his own way. He hires a band of killers and wants Joe Kidd to help them track Chama. Initially, Kidd wants to avoid any involvement, until Chama makes the mistake of stealing Kidd's horses and terrorizing his friends. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The custom Savage 99 that Frank Harlan carries is a left hand model. See more »
When the shootout begins in the Mexican village, one of the bad guys is shot in a doorway, when he flies backwards into the room, the "brick" wall he lands against gives and then wobbles and shakes like rubber or card board. See more »
[Joe is putting the moves on Elma]
How long have they had you locked up?
What would you be like after two months?
We wouldn't even be talking now.
See more »
Clint was already a veteran of many westerns by the time he made "Joe Kidd" and, though many don't find it among his best, it shows Clint as the Joe of the title doing what he does best.
As a ne'er-do-well who ends up siding with Luis Chama (Saxon), a wanted Mexican bandito, Kidd does battle with a group of bounty hunters (led by a suitably villainous Duvall) out for Chama's blood.
"Joe Kidd" is leisurely but not uninteresting; after all, any film written by Elmore Leonard has interesting points (just look at his later work). And when I saw Clint eye that train, I knew something was going to happen (you'll have to see that one yourself).
Overall, "Joe Kidd" may not be as big as "The Good, the Bad and the Ugly" or as profound as "Unforgiven", but it's a good film nonetheless and bears watching. If just for that classic Eastwood squint.
Eight stars. And for future reference, never upset a man holding a pot of stew.
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