Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
After Chen Zhen's execution in Shanghai, the Japanese feared that his death would unite all Chinese kung fu schools against them. Fearing this, the Japanese gave orders to the head of the ... See full summary »
A successful singer is forced to retire and marry a man she despises. She takes in a pupil to teach and falls in love with him, but - of course - takes no action on her feelings... even ... See full summary »
Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master's death, Chen takes on both Chinese and Japanese assassins... and even a towering Russian. Written by
Because of the movie's racial content and personal disagreements, Bruce Lee quit working with Lo Wei after this movie. See more »
Approx. one hour into the film, there is a scene where a phonograph player is playing. Record players of that type were not invented until near the end of the 19th Century. See more »
[Chen doesn't believe the reports that Teacher died from pneumonia]
Oh, I see! And you believed what you were told. He was well. There was nothing wrong with him. How could a healthy man die?
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Undoubtedly Lee's most intense performance, Wei's powerful kung fu classic is ripe with anti-Japanese hysteria and propaganda, so much so that there's not a single pleasant Jap' in the movie (unlike the up-to-date modern re-make). That aside, essentially this is a riotous Bruce Lee vehicle, kicking out trademarks and smashing up all evil in the process. The plot (Lee's sifu poisoned by Japanese school in turn-of-the-century Shanghai) is a valid excuse to string a great line-up of fight sequences together, and what great action this is: Bruce pounds the lights out of a dojo full of evil Japs using only fists, feet and nunchakus, and the duel with Baker (Lee's real-life personal bodyguard) near the movie's end is sheer entertainment typified. Though based on factual events, the subject matter is vastly exaggerated. Nevertheless, as kung fu theatre goes, Fist of Fury is an immensely satisfying experience, and stands as probably Lee's best Hong Kong work.
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