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The Chinese Connection (1972)
"Jing wu men" (original title)

R  |   |  Action, Drama, Romance  |  9 September 1972 (USA)
7.4
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Ratings: 7.4/10 from 16,418 users  
Reviews: 70 user | 56 critic

A young man seeks vengence for the death of his teacher.

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Writer:

(screenplay) (as Lo Wei)
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Edit

Cast

Cast overview, first billed only:
...
Nora Miao ...
Yuan Le-erh (as Miao Ker Hsiu)
James Tien ...
Fan Chun-hsia
Maria Yi ...
Yen
Robert Baker ...
Petrov
Fu Ching Chen ...
Chao
Shan Chin ...
Tung
Ying-Chieh Han ...
Feng Kwai-sher
Riki Hashimoto ...
Hiroshi Suzuki
Jun Katsumura ...
Suzuki's bodyguard
Chung-Hsin Huang ...
Tien
Kun Li ...
Hsu (as Quin Lee)
Feng Tien ...
Fan
Yin Chi Lee ...
Li
Tony Liu ...
Chin
Edit

Storyline

Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master's death, Chen takes on both Chinese and Japanese assassins... and even a towering Russian. Written by Miramax

Plot Summary | Add Synopsis

Taglines:

Bruce Lee has done the impossible... ...HE'S SURPASSED HIMSELF!!! See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

9 September 1972 (USA)  »

Also Known As:

Fist of Fury  »

Filming Locations:

 »

Box Office

Budget:

$100,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(PAL) | (initial release)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

In the film, Bruce Lee's character sets out to avenge the death of his teacher Huo Yuanjia (Fok Yuen Gap) and at one point during the film, the Chinese Wushu students are called "sick men of Asia" by their rivals. In real life, Huo Yuanjia was a legendary Wushu martial artist and in 1901, accepted the challenge of a Russian fighter who called all Chinese people "sick men of Asia". See more »

Goofs

At the beginning of the movie when Chen is sent to see his uncle's burial he's given a green umbrella for the rain. When outside he is using an orange umbrella. See more »

Quotes

Wu: I feel dizzy, so dizzy!
Petrov: Three more cups!
Suzuki: Now then, if you want to go out of here, go out like a Chinese! On your hands and knees!
Wu: You mean crawl?
Suzuki: Why not?
Wu: Oh yes, sure. I will, I will crawl. Crawl!
See more »

Connections

Version of Fist of Legend (1994) See more »

Soundtracks

Atmospheres
Written by György Ligeti
Performed by Das Orchester des Südwestfunks Baden-Baden
Courtesy of MGM Records
Brief excerpt, played twice, during dramatic death scenes
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Lee's most conventional martial arts film, but still classic stuff
19 October 2004 | by See all my reviews

The second of the Bruce Lee-starring movies is in terms of plot a lot less interesting than the first. Here, we have the 'student sets out to avenge his master's death' which was already the major storyline of most martial arts films. However, it is handled in a more realistic way then usual and technically it is far superior. Lee was allowed to choreograph his own fights and his battle with Japanese martial artists in their school and climactic duels with a Russian boxer and a Japanese swordsman remains classic fight scenes.

The film drags somewhat in the middle although the lengthy dialogue scene between Lee and his girlfriend was another step forward for the Hong Kong martial arts movie, vivid proof that Lee was a pretty good ACTOR. By contrast, Lee's final farewell to his girlfriend is all the more powerful for being done completely without dialogue at all. The ending is the most powerful and moving of all the Lee films, the final freeze frame managing to encapsulate Lee's grace and power in a single shot.

Many mock Lee's films as being silly and just consisting of fighting. Both accusations are completely untrue. They have far less fights than most films of this kind and, at least in the three Hong Kong films he made, there is a clear message that violence does not solve anything. They may not have the polish of the more recent works of Jackie Chan and Jet Lee but their power remains undiminished, as long as of course one does not watch the awful dubbed versions!


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