Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Chen Chen returns to the international compound of China only to learn of his beloved teacher's death. This is compounded by the continual racist harassment by the Japanese population in the area. Unlike his friends, he confronts it head on with his mastery of martial arts while investigating his teacher's murder. Written by
Kenneth Chisholm <email@example.com>
Wah Yuen doubled for Bruce Lee in the fight scene between Chen and Yoshida where Chen does a somersault, while Jackie Chan doubled for the villain Suzuki when he is kicked back through the large paper windows. See more »
As Chen makes his way through the Japanese school at the end of the movie he cautiously goes to open the sliding doors by using one hand and standing to the side. Upon opening the door the scene cuts to the other side and he is suddenly standing centrally and opens both doors together. This happens more than once. See more »
[an exhausted Chen comes home after fighting]
[sadly, to Le-erh]
To think I was going to ask you to be my wife...
See more »
Undoubtedly Lee's most intense performance, Wei's powerful kung fu classic is ripe with anti-Japanese hysteria and propaganda, so much so that there's not a single pleasant Jap' in the movie (unlike the up-to-date modern re-make). That aside, essentially this is a riotous Bruce Lee vehicle, kicking out trademarks and smashing up all evil in the process. The plot (Lee's sifu poisoned by Japanese school in turn-of-the-century Shanghai) is a valid excuse to string a great line-up of fight sequences together, and what great action this is: Bruce pounds the lights out of a dojo full of evil Japs using only fists, feet and nunchakus, and the duel with Baker (Lee's real-life personal bodyguard) near the movie's end is sheer entertainment typified. Though based on factual events, the subject matter is vastly exaggerated. Nevertheless, as kung fu theatre goes, Fist of Fury is an immensely satisfying experience, and stands as probably Lee's best Hong Kong work.
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