Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Chen Chen returns to the international compound of China only to learn of his beloved teacher's death. This is compounded by the continual racist harassment by the Japanese population in the area. Unlike his friends, he confronts it head on with his mastery of martial arts while investigating his teacher's murder. Written by
Kenneth Chisholm <email@example.com>
In the film, Bruce Lee's character sets out to avenge the death of his teacher Huo Yuanjia (Fok Yuen Gap) and at one point during the film, the Chinese Wushu students are called "sick men of Asia" by their rivals. In real life, Huo Yuanjia was a legendary Wushu martial artist and in 1901, accepted the challenge of a Russian fighter who called all Chinese people "sick men of Asia". See more »
The "Magic Pants" goof. Bruce Lee enters the Japanese Karate school for the first time carrying the framed and glass-covered "Dung Ya Bing Fu" sign. A fight between Bruce and the entire dojo breaks out. As he whirls around fighting his waist sash loosens and his kung fu pants sag deeply, revealing about three inches of white underwear from the back. Then a sudden cut shows Bruce posing motionless having defeated the current round of Japanese attackers. His pants? Tied up around the waist, nice and snug. Now that's some kung fu! See more »
I feel dizzy, so dizzy!
Three more cups!
Now then, if you want to go out of here, go out like a Chinese! On your hands and knees!
You mean crawl?
Oh yes, sure. I will, I will crawl. Crawl!
See more »
Lee's most conventional martial arts film, but still classic stuff
The second of the Bruce Lee-starring movies is in terms of plot a lot less interesting than the first. Here, we have the 'student sets out to avenge his master's death' which was already the major storyline of most martial arts films. However, it is handled in a more realistic way then usual and technically it is far superior. Lee was allowed to choreograph his own fights and his battle with Japanese martial artists in their school and climactic duels with a Russian boxer and a Japanese swordsman remains classic fight scenes.
The film drags somewhat in the middle although the lengthy dialogue scene between Lee and his girlfriend was another step forward for the Hong Kong martial arts movie, vivid proof that Lee was a pretty good ACTOR. By contrast, Lee's final farewell to his girlfriend is all the more powerful for being done completely without dialogue at all. The ending is the most powerful and moving of all the Lee films, the final freeze frame managing to encapsulate Lee's grace and power in a single shot.
Many mock Lee's films as being silly and just consisting of fighting. Both accusations are completely untrue. They have far less fights than most films of this kind and, at least in the three Hong Kong films he made, there is a clear message that violence does not solve anything. They may not have the polish of the more recent works of Jackie Chan and Jet Lee but their power remains undiminished, as long as of course one does not watch the awful dubbed versions!
24 of 29 people found this review helpful.
Was this review helpful to you?