Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
While investigating his friend Chin Ku's (Hwang Jang Lee) death, martial artist Billy Lo (Bruce Lee) is killed. His younger brother, Bobby Lo (Kim Tai Chung), investigates both deaths. His ... See full summary »
Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
Chen Chen returns to his former school in Shanghai when he learns that his beloved instructor has been murdered. While investigating the man's death, Chen discovers that a rival Japanese school is operating a drug smuggling ring. To avenge his master's death, Chen takes on both Chinese and Japanese assassins... and even a towering Russian. Written by
In the Cantonese and Mandarin versions of the film, the voice of Petrov is dubbed by 'Bruce Lee'. See more »
As Chen makes his way through the Japanese school at the end of the movie he cautiously goes to open the sliding doors by using one hand and standing to the side. Upon opening the door the scene cuts to the other side and he is suddenly standing centrally and opens both doors together. This happens more than once. See more »
Eat. This time you're eating paper. The next time it's going to be glass.
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Undoubtedly Lee's most intense performance, Wei's powerful kung fu classic is ripe with anti-Japanese hysteria and propaganda, so much so that there's not a single pleasant Jap' in the movie (unlike the up-to-date modern re-make). That aside, essentially this is a riotous Bruce Lee vehicle, kicking out trademarks and smashing up all evil in the process. The plot (Lee's sifu poisoned by Japanese school in turn-of-the-century Shanghai) is a valid excuse to string a great line-up of fight sequences together, and what great action this is: Bruce pounds the lights out of a dojo full of evil Japs using only fists, feet and nunchakus, and the duel with Baker (Lee's real-life personal bodyguard) near the movie's end is sheer entertainment typified. Though based on factual events, the subject matter is vastly exaggerated. Nevertheless, as kung fu theatre goes, Fist of Fury is an immensely satisfying experience, and stands as probably Lee's best Hong Kong work.
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