Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Chen Chen returns to the international compound of China only to learn of his beloved teacher's death. This is compounded by the continual racist harassment by the Japanese population in the area. Unlike his friends, he confronts it head on with his mastery of martial arts while investigating his teacher's murder. Written by
Kenneth Chisholm <email@example.com>
In the film, Bruce Lee's character sets out to avenge the death of his teacher Huo Yuanjia (Fok Yuen Gap) and at one point during the film, the Chinese Wushu students are called "sick men of Asia" by their rivals. In real life, Huo Yuanjia was a legendary Wushu martial artist and in 1901, accepted the challenge of a Russian fighter who called all Chinese people "sick men of Asia". See more »
At the beginning of the second nunchaku fight, the nunchaku bend, revealing that it is soft rubber and not wood or metal. See more »
[Suzuki want's to kill Chen but Petrov stops him]
Let me take care of him.
See more »
What makes this Kung Fu classic stand out a bit more is the entire basis for the film: a group of Japanese in Shanghai (probably during the Japanese occupation of this part of China) are abusing the Chinese locals, and insulting them greatly. Constantly referring to the Chinese (as a whole) as the 'sick men of Asia,' and even thinking them lower than dogs (as is shown in some of the scenes).
The entire basis of this Kung Fu film becomes a real reaction to the pain of discrimination and the hatred of a sense of racism that the Japanese dished out to the Chinese, and is based actually off of a real story that followed similar tones. What makes this film very special is the commitment that Bruce Lee has to defeating the Japanese whose goal is to crush the will of the Chinese -- a very accurate reflection of the sentiment that existed.
Overall, this is a very good film that was well done; it has a lot of the defects that films similar to its' genre have (having the grainy feel of Kung Fu films of its' time) but other than the typical, it really sets a standard for Kung Fu and film in general. One can see it, in many ways, as being a good basis for subsequent action and Kung Fu films. A lot of the things in this film were very original and very interesting -- overall, a must see film for anybody who enjoys Action, Kung Fu, or 'political resistance' so to speak. A film for the downtrodden striking back.
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