Armed with a licence to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a weapons dealer in a high stakes game of poker at Casino Royale, but things are not what they seem.
Chen Chen returns to the international compound of China only to learn of his beloved teacher's death. This is compounded by the continual racist harassment by the Japanese population in the area. Unlike his friends, he confronts it head on with his mastery of martial arts while investigating his teacher's murder. Written by
Kenneth Chisholm <firstname.lastname@example.org>
In the film, Bruce Lee's character sets out to avenge the death of his teacher Huo Yuanjia (Fok Yuen Gap) and at one point during the film, the Chinese Wushu students are called "sick men of Asia" by their rivals. In real life, Huo Yuanjia was a legendary Wushu martial artist and in 1901, accepted the challenge of a Russian fighter who called all Chinese people "sick men of Asia". See more »
At the beginning of the second nunchaku fight, the nunchaku bend, revealing that it is soft rubber and not wood or metal. See more »
Now that I've escaped from Russia, I'm your man.
That's very pleasing to me.
What was that? What did he say?
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Undoubtedly Lee's most intense performance, Wei's powerful kung fu classic is ripe with anti-Japanese hysteria and propaganda, so much so that there's not a single pleasant Jap' in the movie (unlike the up-to-date modern re-make). That aside, essentially this is a riotous Bruce Lee vehicle, kicking out trademarks and smashing up all evil in the process. The plot (Lee's sifu poisoned by Japanese school in turn-of-the-century Shanghai) is a valid excuse to string a great line-up of fight sequences together, and what great action this is: Bruce pounds the lights out of a dojo full of evil Japs using only fists, feet and nunchakus, and the duel with Baker (Lee's real-life personal bodyguard) near the movie's end is sheer entertainment typified. Though based on factual events, the subject matter is vastly exaggerated. Nevertheless, as kung fu theatre goes, Fist of Fury is an immensely satisfying experience, and stands as probably Lee's best Hong Kong work.
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