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Jeremiah Johnson (1972)

7.6
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Ratings: 7.6/10 from 17,932 users  
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A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the ... See full summary »

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Title: Jeremiah Johnson (1972)

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Cast

Complete credited cast:
...
...
Delle Bolton ...
Josh Albee ...
...
Paints His Shirt Red (as Joaquin Martinez)
...
Crazy Woman
...
Richard Angarola ...
...
...
Jack Colvin ...
...
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Storyline

A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Add Synopsis

Taglines:

His Mountain. His Peace. His Great Hunts. His Young Bride. With All That, It Should Have Been Different. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

10 September 1972 (Sweden)  »

Also Known As:

Crow Killer  »

Filming Locations:

 »

Box Office

Gross:

SEK 1,007,197 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (long)

Sound Mix:

(70 mm prints)| (35 mm prints)|

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The film was not called "Mountain Man" or "The Mountain Man" despite the fact that the book "Mountain Man: A Novel of Male and Female in the Early American West' (1965) by Vardis Fisher was one of the two written works the film was based on. Yet in 1980, around eight years after this picture debuted, a Charlton Heston movie was made and released called The Mountain Men (1980). See more »

Goofs

After burying her murdered family, Crazy Woman begins singing "Shall We Gather at the River" and Jeremiah joins in. This song was written by Robert Lowry in 1864 and first published in 1865, long after the time of the mountain men. See more »

Quotes

[first lines]
Narrator: His name was Jeremiah Johnson, and they say he wanted to be a mountain man. The story goes that he was a man of proper wit and adventurous spirit, suited to the mountains. Nobody knows whereabouts he come from and don't seem to matter much. He was a young man and ghosty stories about the tall hills didn't scare him none. He was looking for a Hawken gun, .50 caliber or better. He settled for a .30, but damn, it was a genuine Hawken, and you couldn't go no better. Bought him a good ...
See more »

Connections

Spoofed in The 74th Annual Academy Awards (2002) See more »

Soundtracks

The Way that You Wander
(uncredited)
Written by John Rubinstein, Tim McIntire
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Broken humans learning to be whole again
22 April 2009 | by (Greece) – See all my reviews

Sydney Pollack's return to the western four years after THE SCALPHUNTERS was to be a completely different experience. Following the trials and tribulations of a deserter of the Mexican War who disappears in the Rocky Mountains of Colorado to become a mountain man, JEREMIAH JOHNSON eschews the conventions of the western as a genre in such a way as was only made possible for American cinema in the tumultuous era of early 70's with such visceral movies of frontier survival as MAN IN THE WILDERNESS and A MAN CALLED HORSE paving the way.

As Jeremiah Johnson (Robert Redford) wanders the mountains like a fugitive stricken by disaster, a solitary figure against awe-inspiring backdrops of massive rock formations, steep ravines and expansive mesas, you can tangibly feel the film, like the hero, transcending the specific time and place and breaching out vision to become an all-encompassing spiritual journey where the individual characters - fur trappers, bear hunters or Indians - are merely the unwitting parners in a dance of death.

Some viewers may be put off by the lack of straight-forward plot, the episodic, repetitive nature of the movie or the long stretches of silence, but it's from those exact things the movie takes its power. JJ comes unto its own in those small moments of quietude, in Johnson's silent encounters with indians, in the barren, unforgiving wastes of the craggy mountains that reflect so well the psychology of characters wandering in their shadow, in the subtle, heartwarming interactions Johnson has with the Indian woman he's taken for a wife and the mute boy he's taken for a son. There's hardly a word uttered between this peculiar family the entire movie but the ways they learn to overcome the barriers that separate them is a touching sight to behold.

There is some dated montage, a corny soundtrack; how much of this will affect your enjoyment will boil down to your affinity with how cinema was in the 70's. Still, what is left is this beautiful parable of broken humans learning to be whole again. Equal parts visceral, savage and heartwarming.


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