| Complete credited cast: | |||
| Robert Redford | ... | ||
| Will Geer | ... | ||
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Delle Bolton | ... | |
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Josh Albee | ... | |
| Joaquín Martínez | ... |
Paints His Shirt Red
(as Joaquin Martinez)
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| Allyn Ann McLerie | ... |
Crazy Woman
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| Stefan Gierasch | ... | ||
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Richard Angarola | ... | |
| Paul Benedict | ... | ||
| Charles Tyner | ... | ||
| Jack Colvin | ... | ||
| Matt Clark | ... | ||
During the mid-nineteenth century, Jeremiah Johnson, after a stint in the US Army, decides that he would prefer a life of solitude and more importantly peace by living with nature in the mountains of the frontier of the American west. This plan entails finding a piece of land upon which to build a house. This quest ends up being not quite what he envisioned as he does require the assistance of others to find his footing, and in turn he amasses friends and acquaintances along the way, some who become more a part of his life than he would have imagined. Perhaps most importantly, some of those people provide him with the knowledge of how to co-exist with some of the many Indian tribes, most importantly the Crow, on whose land in Colorado Jeremiah ultimately decides to build his home. But an act by Jeremiah upon a request by the US Cavalry leads to a chain of events that may forever change the peaceful relationship he worked so hard to achieve with his neighbors and their land. Written by Huggo
Jeremiah Johnson is unlike most films of its kind, which is a subgenre of the adventure film that follows a lone mountain man disillusioned by society who escapes to the frontier in order to become one with nature and reinvigorate himself. Strange how women never do this. Anyways, Robert Redford is surprisingly effective as the quiet, tough and determined title character who remains focused on his ultimate goal of remaining aloof and alone from all connections to anyone.
Unfortunately, he is bamboozled into a most peculiar family situation involving a mute son of a crazy pioneer woman and the daughter of a French-speaking Native American chief. In the end, what director Sydney Pollack is all about is showcasing how nature can indeed salve some of our pain and make us feel more comfortable with our situations. Nevertheless, true relationships with people cannot be substituted. Beautiful photography, strong performances and a most intriguing storyline all help create a very interesting film that is worth multiple views and considerable think time.