A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the ... See full summary »
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A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier. Written by
Keith Loh <firstname.lastname@example.org>
The movie was made before Robert Redford's The Candidate (1972) but was not released until afterwards [December 1972] so that picture could be released first [in June/July 1972] so as to capitalize on and coincide with the publicity surrounding the 1972 US elections. See more »
When Jeremiah shares a rabbit with Chris, one shot shows no smoke from the fire, but in the other shots much smoke was visible. See more »
His name was Jeremiah Johnson, and they say he wanted to be a mountain man. The story goes that he was a man of proper wit and adventurous spirit, suited to the mountains. Nobody knows whereabouts he come from and don't seem to matter much. He was a young man and ghosty stories about the tall hills didn't scare him none. He was looking for a Hawken gun, .50 caliber or better. He settled for a .30, but damn, it was a genuine Hawken, and you couldn't go no better. Bought him a good ...
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To connect with nature and find your place in the world.
Jeremiah Johnson is unlike most films of its kind, which is a subgenre of the adventure film that follows a lone mountain man disillusioned by society who escapes to the frontier in order to become one with nature and reinvigorate himself. Strange how women never do this. Anyways, Robert Redford is surprisingly effective as the quiet, tough and determined title character who remains focused on his ultimate goal of remaining aloof and alone from all connections to anyone.
Unfortunately, he is bamboozled into a most peculiar family situation involving a mute son of a crazy pioneer woman and the daughter of a French-speaking Native American chief. In the end, what director Sydney Pollack is all about is showcasing how nature can indeed salve some of our pain and make us feel more comfortable with our situations. Nevertheless, true relationships with people cannot be substituted. Beautiful photography, strong performances and a most intriguing storyline all help create a very interesting film that is worth multiple views and considerable think time.
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