A mental hospital somewhere in Tuscany during the thirties. Far away from fascism, this closed world is rules over by Dr. Bonaccorsi, a passionate benevolent psychiatrist whose dream is to ... See full summary »
Bubu leaves his job in a bakery, forces his girl-friend into prostitution, and from then on lives out of the money she makes. The young couple find their place in the world of prostitutes ... See full summary »
Metello struggles to escape from the poverty that led to the premature death of his parents, and that is the lot of the working class in northern Italy during the second half of the 19th ... See full summary »
Una notte di due balordi, Scintillone e Ruggero, a cui si aggiunge in seguito un terzo, Bellabella, che dopo un furto vengono a loro volta derubati. Tentano poi di rubare un'apparecchio ... See full summary »
Based on a true incident, this tells the story of a troubled young man who kills his sister's reactionary, violent and abusive husband and is eventually arrested for the murder. However, ... See full summary »
A young girl witnesses her mother having sex with the family dog. When her father finds out, he burns the dog alive. She is so traumatized by these incidents that she later turns into a ... See full summary »
Enrico Maria Salerno
Nino, a regular working-class guy, finds that a hitman has been hired to kill him. He discovers that a wealthy woman has been kidnapped and that everyone who was involved in it is being ... See full summary »
The best of this movie is Ennio Morricone's soundtrack ,as gorgeous as ever.
It is an impersonal movie,which bears the appropriate scars of the time .There were so many cops/students rebellions/riots movies at the time Bolognini was incapable of renewing a genre which was so trendy many directors felt compelled to make their own 'bourgeois vs bourgeois" work.Martin Basalm ,who is remembered as the private detective who investigates Norman Bates ' house in "Psycho" had already worked in Italian political movies (La Colonna Infame (1972) Confessione Di Un Commissario Di Polizia Al Procuratore Della Repubblica (1971) .... );he portrays a judge whose son killed a cop during a riot.There's nothing extraordinary in the screenplay and the ending is really the easy way out.
Mauro Bolognini is better at so many other things it's strange he made such a demagogic work with such stereotyped characters .His forte was always the intimate drama .
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