Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ... See full summary »
Four generations of a family live crowded together in a cardboard shantytown shack in the squalor of inner-city Rome. They plan to murder each other with poisoned dinners, arson, etc. The ... See full summary »
Maria Luisa Santella,
When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio agrees, but reluctantly. Such behavior by either one is a violation of the code, and a ... See full summary »
Alberto De Martino
The best of this movie is Ennio Morricone's soundtrack ,as gorgeous as ever.
It is an impersonal movie,which bears the appropriate scars of the time .There were so many cops/students rebellions/riots movies at the time Bolognini was incapable of renewing a genre which was so trendy many directors felt compelled to make their own 'bourgeois vs bourgeois" work.Martin Basalm ,who is remembered as the private detective who investigates Norman Bates ' house in "Psycho" had already worked in Italian political movies (La Colonna Infame (1972) Confessione Di Un Commissario Di Polizia Al Procuratore Della Repubblica (1971) .... );he portrays a judge whose son killed a cop during a riot.There's nothing extraordinary in the screenplay and the ending is really the easy way out.
Mauro Bolognini is better at so many other things it's strange he made such a demagogic work with such stereotyped characters .His forte was always the intimate costume drama .
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