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I, Monster (1971)

PG  |   |  Horror  |  April 1973 (USA)
5.7
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Ratings: 5.7/10 from 731 users  
Reviews: 24 user | 15 critic

Christopher Lee stars in the Amicus production of "Dr. Jekyll & Mr. Hyde" where the names have been changed to Dr. Marlowe and Mr. Blake. Lee as Dr. Marlowe experiments with intravenous ... See full summary »

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Title: I, Monster (1971)

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Cast

Complete credited cast:
...
Marlowe / Blake
...
Mike Raven ...
Richard Hurndall ...
George Merritt ...
Kenneth J. Warren ...
Deane
Susan Jameson ...
Diane
Marjie Lawrence ...
Annie
Aimée Delamain ...
Landlady (as Aimee Delamain)
...
Boy in alley
Edit

Storyline

Christopher Lee stars in the Amicus production of "Dr. Jekyll & Mr. Hyde" where the names have been changed to Dr. Marlowe and Mr. Blake. Lee as Dr. Marlowe experiments with intravenous drugs that are supposed to release inner inhibitions. So comes forth Mr. Blake (also Lee) who gets more monstrous with each transformation (physically as well as personality). Peter Cushing plays his friend and colleague, Dr. Utterson. Written by Humberto Amador

Plot Summary | Add Synopsis

Genres:

Horror

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

April 1973 (USA)  »

Also Known As:

El monstruo  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Given the source novel, it is unclear why the names of the central character have been changed. See more »

Goofs

At c. 53 minutes Utterson says he would recognise the exact details of the ornate head of Blake's cane. However he has only seen this cane for a fraction of a second, at night-time, when it was used to assault him earlier in the film. See more »

Quotes

Dr. Charles Marlowe: The face of evil is ugly to look upon. And as the pleasures increase, the face becomes uglier.
See more »

Connections

Version of Suspense: Dr. Jekyll and Mr. Hyde (1949) See more »

Soundtracks

Eine Kleine Nachtsmusik
By Wolfgang Amadeus Mozart (uncredited)
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User Reviews

 
No Super Ego Here

Brilliant, clever, well-acted adaptation of Robert Louis Stevenson's great The Strange Case of Dr. Jekyll and Mr. Hyde. Dramatized by Amicus producer Milton Subotsky, I, Monster follows the original tale about as closely as any other with some major deviations. The characters in this film are Dr. Marlowe and Mr. Blake(?). Maybe they wanted to separate themselves from the original source material as much as possible or perhaps had a Rights issue. At any rate, I, Monster is a movie that builds and builds as Dr. Marlowe(Christopher Lee) tinkers with this new serum he has created that eliminates one part of the three parts of the brain(according to Freud). The reaction for each individual is different. For Lee, it sheds his formal, authoritative persona of its superego which then allows him to act any way he wants without any moral, ethical, or logical constraints. Lee's transformation is simple, effective, and strong. He goes from the stiff upper lip to the wicked, lecherous, carefree smile of a man of no moral code whatsoever. His eyes dance from one thing to another as the strangely effective music of Carl Davis plays a tune of light madness. Lee gives a great performance in this one and makes the film work. Without his skills, I, Monster would have little else going for it. Yes, Peter Cushing is in it. He plays Marlowe's attorney and is as always very solid in his otherwise mundane role. The rest of the cast is really nothing to speak of either. I have always liked Amicus and most of their horror entries from the late 60's and the 70's. They have the Hammer look about them without Hammer production values: translated that means that they look like Hammer imitations. Nonetheless, they usually have good stories and frequently paired Cushing and Lee together or singly. Subotsky's screenplay is laced with several philosophical layers. Director Stephen Weeks does a solid job behind the camera. For my money, I, Monster is definitely one of the best screen adaptations of Stevenson's work.


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