| Anne Heywood | ... | Roy / Wendy | |
| Harry Andrews | ... | Roy's Father | |
| Jill Bennett | ... | Margaret Stevenson | |
| Paul Rogers | ... | Mr. Waites | |
| Michael Coles | ... | Frank | |
| Sheila Reid | ... | June | |
| Virginia Stride | ... | Shirley | |
| Jill Melford | ... | Lorna | |
| Philip Bond | ... | Philip | |
| Rachel Gurney | ... | Mrs. Parkhurst | |
| Robin Hawdon | ... | Tony | |
| Anthony Sharp | ... | Mr. Parkhurst | |
| Deborah Grant | |||
| rest of cast listed alphabetically: | |||
| Daphne Anderson | |||
| John Baskcomb | |||
| Paul Prescott | ... | Roger Parkhurst | |
| Hilda Fenemore | ... | (uncredited) | |
| Liza Goddard | ... | Carole (uncredited) | |
| Laurie Goode | ... | (uncredited) | |
Directed by | |||
| John Dexter | |||
Writing credits(in alphabetical order) | ||
| Geoff Brown | novel | |
| Gillian Freeman | ||
Produced by | |||
| Raymond Stross | .... | producer | |
Original Music by | |||
| Johnny Harris | |||
Cinematography by | |||
| Gerry Turpin | |||
Film Editing by | |||
| Peter Thornton | |||
Art Direction by | |||
| William C. Andrews | (as Bill Andrews) | ||
Costume Design by | |||
| Sue Yelland | |||
Makeup Department | |||
| Trevor Crole-Rees | .... | makeup artist | |
| Bernadette Ibbetson | .... | hairdresser | |
Production Management | |||
| Roy Parkinson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Peter Bolton | .... | assistant director | |
| Chris Kenny | .... | second assistant director | |
| David Tringham | .... | assistant director | |
Sound Department | |||
| John Brommage | .... | sound recordist | |
| Ken Nightingall | .... | boom operator | |
Camera and Electrical Department | |||
| Michael Sarafian | .... | camera operator | |
Music Department | |||
| Johnny Harris | .... | conductor | |
Other crew | |||
| Joan Davis | .... | continuity | |
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| Orlando | Stonewall | Transamerica | Different for Girls | Heaven |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section |
This is the story of a young man's slow transition into the woman he always knew he was meant to be. Roy/Wendy played by Anne Heywood takes the plunge, leaving her abusive father's house and starting life anew as a woman. Through trial and error she learns the skills and consequences of being a woman as well as the terrible problems involved in not being considered fully female.
The look of the film is total 70's complete with bellbottoms and sappy soundtrack. The story is also somewhat unrealistic. For example, Wendy is able to become fully passable with only a short time of practicing in private. The film goes on to explore many interesting consequences of a life "under cover" when all she wants is a simple life as a normal woman. With all it's obvious faults, "I Want What I Want" contains some surprisingly touching and sensitive moments. And although it appears to have been a very cheap production, the filmmakers manage to do quite a lot with their limited resources. For example, background sounds of cars and dogs during some of Wendy's terrifying moments in public give an eerily realistic feel.
I always find it disappointing when a woman is cast for the part of a man pretending to be a woman. "Victor Victoria" is a fine film using the same gimmick but I find it very difficult to see Julie Andrews as a man even though she gives about the best performance she was capable of. The same goes for this film. Contrast that with "The Crying Game" where the illusion is perfect due to exceptional casting.
Probably controversial in it's time, "I Want What I Want" is a clearly a small film but one worth watching by anyone interested transgender issues.