Freebie and Bean, two San Francisco police detectives, have one goal in life: to bring down Red Meyers, a local hijacking boss. After many fruitless months they finally collect an important... See full summary »
Dr. Amusa approaches Dortmunder about a valuable gem in a museum that is of great signifigance to his people in Africa, stolen during colonial times. Dortmunder assembles a crack team of cat burglars and hatches an elaborate plan for stealing the gem. Despite their care and experience, circumstances and plain bad luck keep the gem just out of their reach. Written by
Murray Chapman <email@example.com>
The World Trade Center's south tower was still under construction when this film was shot. There is a brief glimpse of both towers about 64 minutes into the film. See more »
While scouting the police station, Dortmunder is mugged of his watch with the wide leather wrist band. However, when they leave the police station by helicopter, the watch is back on his wrist. See more »
I'm really quite disenchanted with the results you're getting.
Things could be worse, Doctor. I mean, at least we know where it is. Now, all we need is a little plan.
[in a mocking tone]
"Here's the matériel request, Doctor. You'll notice there's a SUBMARINE on it! But don't get excited, we don't need anything atomic. Just your standard, ordinary sub. We're used to hardships."
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There is always a risk with these 'period' pieces that it will become dated very easily with changing tastes & expectations. Fortunately, caper movies are still getting made ('Entrapment'), Redford is still a sex-symbol, & crime still pays. So 'Hot Rock' is as eminently watchable today as it was way back then, provided of course you don't start wondering too much about the plot. Ride Quincy Jones' music (Gerry Mulligan plays the sax) & Redford's easy charm & you are safe home.
The performances all round are very muted, except the wonderful Zero Mostel's over-the-top crooked lawyer. At times you feel everybody is just too reluctant to get on with it, but I guess that is the kind of 'cool seventies' effect that director Yates was trying to get (& I feel, succeeded). Anyway Yates was riding high at this time with some great movies like Bullitt & Murphy's War & his confidence shows.
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