In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
A biplane pilot who had missed flying in WWI takes up barnstorming and later a movie career in his quest for the glory he had missed, eventually getting a chance to prove himself in a film ... See full summary »
Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are ... See full summary »
Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »
A railroad official, Owen Legate comes to Dodson, Mississippi to shut down much of the town's railway (town's main income). Owen unexpectedly finds love with Dodson's flirt and main ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
Dr. Amusa approaches Dortmunder about a valuable gem in a museum that is of great signifigance to his people in Africa, stolen during colonial times. Dortmunder assembles a crack team of cat burglars and hatches an elaborate plan for stealing the gem. Despite their care and experience, circumstances and plain bad luck keep the gem just out of their reach. Written by
Murray Chapman <firstname.lastname@example.org>
The weapon they are carrying during the helicopter ride to and the assault on the Police Precinct is the Swedish 9mm SMG m/45. Developed during WWII. Still in use within the Swedish Armed Forces (nowdays in a very small number). Once used by American Special Forces because of its simplicity and reliability. Also manufactured in Egypt on license. See more »
During the initial conversation between Dortmunder and Kelp in the car, when the camera is on Dortmunder, his window is rolled up and no wind is apparent. Whenever the camera cuts to Kelp, however, Dortmunder is seen in the foreground with his hair being blown vigorously by an obviously open window. See more »
[Persuading Murch against thinking about double-crossing Amusa]
Uh, one little problem is that Amusa knows who me and Dortmunder are. And since this stone is this big symbolic thing, I'm not all that anxious to have an entire African nation after my ass, if you don't mind. Blowguns and poison arrows, no thanks.
I think they're a little more modern now, Andrew.
Is that supposed to make me feel better, tommy guns and airplanes?
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The Hot Rock has a soft spot in my heart because the area of Brooklyn where a lot of the film was shot, I know very well, Eastern Parkway, The Botanical Gardens and most of all The Brooklyn Museum I know very well from years of living in the Borough of homes and churches. The Brooklyn Museum is where the elusive Hot Rock resides or at least where it first resides.
Robert Redford is released from prison and his brother-in-law George Segal is there to greet him. As Redford says to warden Graham Jarvis there ain't no chance in hell he's going straight. Straight into another caper that Segal has lined up for him with Ron Leibman and Paul Sand.
The amiable team is hired by African ambassador Moses Gunn from some fictional central African country to get a national treasure, a rather large diamond on display at the Brooklyn Museum. They do steal the diamond, but through an incredible combination of circumstances have to plan and execute four different break-ins before The Hot Rock is in their hands.
Redford and Segal display a good chemistry, as good as the fabled co-starring chemistry of Paul Newman and Robert Redford. Why they were not heralded as a buddy combination is beyond me.
Stealing the film in whatever scenes they are in are shyster attorney Zero Mostel and his doofus of a son, Paul Sand. In the first caper at the museum, Sand gets caught and what he does with the diamond sets up the entire rest of the film.
As for Zero we find he's an attorney with absolutely no scruples whatsoever, the kind they make excellent lawyer jokes about. But he does give us some excellent laughs.
The Hot Rock is something on the order of an American domestic version of Topkapi. The laughs in it are good and strong, although some of the Seventies fashions make me wince. Despite that the film holds up well today. I'm surprised no one is thinking of remaking this one.
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