| Photos (See all 23 | slideshow) | Videos (see all 4) |
| Christopher Lee | ... | Prof. Sir Alexander Saxton | |
| Peter Cushing | ... | Dr. Wells | |
| Alberto de Mendoza | ... | Father Pujardov | |
| Silvia Tortosa | ... | Countess Irina Petrovski | |
| Julio Peña | ... | Inspector Mirov | |
| Ángel del Pozo | ... | Yevtushenko (as Angel del Pozo) | |
| Telly Savalas | ... | Captain Kazan | |
| Helga Liné | ... | Natasha | |
| Alice Reinheart | ... | Miss Jones (as Alice Reinhart) | |
| José Jaspe | ... | Conductor Konev (as Jose Jaspa) | |
| George Rigaud | ... | Count Marion Petrovski (as Jorge Rigaud) | |
| Víctor Israel | ... | Maletero - the Baggage Man | |
| Faith Clift | ... | American Passenger (as Faith Swift) | |
| Juan Olaguivel | ... | Creature (as Juan Olaguibel) | |
| Barta Barri | ... | First Telegraphist | |
| Peter Beckman | ... | Second Telegraphist | |
| Hiroshi Kitatawa | ... | Grashinski (as Hiroshi Kitazawa) | |
| Vicente Roca | ... | Station Master | |
| José Canalejas | ... | Russian Guard | |
| José Marco | ... | Vorkin | |
| Allen Russell | ... | Captain O'Hagan | |
| rest of cast listed alphabetically: | |||
| Fernando Villena | ... | (uncredited) | |
Directed by | |||
| Eugenio Martín | (as Gene Martin) | ||
Writing credits(WGA) | ||
| Arnaud d'Usseau | (screenplay) and | |
| Julian Zimet | (screenplay) originally as Julian Halevy | |
Produced by | |||
| Bernard Gordon | .... | producer | |
| Gregorio Sacristán | .... | associate producer | |
Original Music by | |||
| John Cacavas | |||
Cinematography by | |||
| Alejandro Ulloa | |||
Film Editing by | |||
| Robert C. Dearberg | (as Robert Dearberg) | ||
Production Design by | |||
| Ramiro Gómez | (as Gomez Ramiro) | ||
Set Decoration by | |||
| Ramiro Gómez | |||
Makeup Department | |||
| Rafael Berraquero | .... | assistant makeup artist | |
| Fernando Florido | .... | makeup artist | |
| Romana González | .... | assistant hair stylist | |
| Julián Ruiz | .... | makeup supervisor | |
| María Nieves Ruiz | .... | hair stylist | |
Production Management | |||
| José María Ramos | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Gil Carretero | .... | assistant director | |
| Vicente Escrivá hijo | .... | second assistant director | |
Art Department | |||
| John Chisholm | .... | props | |
| Juan Gracia | .... | property master | |
| Julián Martín | .... | painter (uncredited) | |
Sound Department | |||
| Manuel Ferreiro | .... | boom operator (as Manuel Ferreiro Sierra) | |
| Antonio Illán | .... | sound supervisor | |
| Erick Jolley | .... | audio restoration | |
| Luis López Díaz | .... | sound recordist | |
| Enrique Molinero | .... | sound mixer | |
Special Effects by | |||
| Pablo Pérez | .... | special effects | |
Visual Effects by | |||
| Brian Stevens | .... | optical effects | |
Camera and Electrical Department | |||
| Teo Escamilla | .... | camera operator | |
| Simón López | .... | still photographer (as Simon Lopez) | |
| Luis Peña | .... | focus puller (as Luis Pena) | |
| Antonio Vega | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Andrés Fernández | .... | wardrobe master (as Andres Fernandez) | |
| Carmen Manzano | .... | wardrobe mistress | |
| Charles Simminger | .... | wardrobe supervisor (as Charlie Simminger) | |
Editorial Department | |||
| Fernando Megino | .... | assistant editor | |
Other crew | |||
| Katrina Bayonas | .... | unit publicist | |
| Rafael Perez Murcia | .... | set assistant | |
| José Luis Rubio | .... | production assistant | |
| Isabel Ruiz Capillas | .... | script supervisor (as Maribel Ruiz-Capilla) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Judged on its own terms--as a 70s ghoul movie--this film should be rated a 10 out of 10! The plot is well-structured and tightly directed, and contains lots of great elements: 1906 setting, fancy trans-Siberian train ride, a ghoul, a mad monk, alien theorizing a-la-X-files, zombie soldiers stalking, Peter Cushing sawing the top of somebody's head off, a beautiful spy, eyeballs in a dish, a beautiful Polish Countess, and, believe it or not, it's all very cohesive! That's an admirable achievement
And the acting is great. The Monk is a scene-stealer. Christopher Lee gets to play a testy, priggish Edwardian scientist, and he does it very well. Cushing's character plays off Lee's stodginess as a laid-back deal-maker(yes, he actually smiles and cracks jokes)These two performances prove that Lee and Cushing were both gifted and versatile actors. Telly Savalas arrives for the final act, and proceeds to strut around and chew up the scenery on a level that would make Rod Steiger or Al Pacino jealous. This movie is one of the best of its type. Yes, in the first two minutes you can see signs of a limited budget, and yes, the microscope scene is ludicrous, but in a way, on the level of imagination and poetic license, it's pure genius.
Corrections: a certain "Dik" offered this information while commenting:
1. "An Italian film".(It's a Spanish/UK production) 2. "Lee plays an American Scientist"(the first thing you hear in the movie is Lee saying he is part of the ROYAL Archeological Society, and there's also a lengthy exchange about his character's Englishness: "Queen Victoria, crumpets, Shakespeare"...etc.(The commentator actually goes on about how Lee's portrayal of an American reflects how foreigners view Americans. Well...there's a little problem with that idea, isn't there?)