9 items from 2016
By Tim Greaves
The first of only three films for which Peter Fonda took up residence in the director's chair – the others being Idaho Transfer (1973) and Wanda Nevada (1979) – unconventional western The Hired Hand (1971)is the jewel of the triad. A couple of fleeting outbursts of violence aside, it's heavy on gentle drama and light on shoot-'em-up action, as such more a thinking man’s western than one whose white hats and blackguards are clearly defined from the outset and proceed to serve up a profusion of rapid-fire gunfights with bounteous squirts of ketchup.
Following an upsetting incident which prompts him to reflect on his life choices, drifter Harry Collings (Peter Fonda) informs his travelling companions Arch Harris (Warren Oates) and Dan Griffen (Robert Pratt) that he's decided to return home to the wife and daughter he deserted six years earlier. Before they can part ways Dan is shot by a »
- email@example.com (Cinema Retro)
Directors’ trademarks is a series of articles that examines the “signatures” that filmmakers leave behind in their work. This month, we’re examining the trademark style and calling signs of Clint Eastwood as director.
Clint Eastwood became an american film star in the 1960’s thanks to his acting performances in a number of western films. As he began to branch out with new roles in front of the camera, he sought out to have more creative input into the types of film projects that he would be involved in. One way he was able to accomplish this was by creating his own production company which eventually allowed him to work behind the camera as director. His first film as director was 1971’s Play Misty For Me, which was well received by critics and did well at the box office. HIs second film as director was High Plains Drifter (1973), in which he also starred. »
- firstname.lastname@example.org (G.S. Perno)
Article by Jim Batts, Dana Jung, and Tom Stockman
Happy Birthday to one of We Are Movie Geeks favorite stars. Clint Eastwood was born on this day in 1930, making him 86 years old. The actor and two-time Oscar winning director hasn’t let his age slow him down a bit. Sully, his new movie as a director, opens in September.
We posted a list in 2011 of his ten best directorial efforts Here
Clint Eastwood has appeared in 68 films in his six (!) decades as an actor, and here, according to We Are Movie Geeks, are his ten best:
Honorable Mention: Honkytonk Man
By the 1980s, Clint Eastwood was one of Hollywood’s most bankable stars. With his own production company, directorial skills, and economic clout, Eastwood was able to make smaller, more personal films. A perfect example is the underrated Honkytonk Man, which also happens to be one of Eastwood’s finest performances. »
- Movie Geeks
The western subgenre has seen somewhat of a resurgence lately, with films like Quentin Tarantino’s Hateful 8 and S. Craig Zahler’s shocking Bone Tomahawk. Hitting the market (available on DVD now) and adding to that resurgence, is directors Justin Meeks and Duane Graves’ excellent entry, Kill Or Be Killed. Revolving around a group of outlaws trying to find a big score all while being picked off one by one, the film is bloody and full of entertainment, from start to finish.
We had a chat with Meeks and Graves about the film, its entry into the western genre and much more, so read on!
The Western subgenre is having such a great resurgence of sorts lately, with really good entries like Bone Tomahawk, Diablo, The Hateful 8 and so non. What inspired you to make Kill Or Be Killed? It’s very unique.
Meeks: Well, we wrote and filmed »
- Jerry Smith
Walking a fine line between charming lark and smirking goof, Ti West’s “In a Valley of Violence” is a Western homage that has its heart in the genre, but not so much in the story. Stripping its gunslinger plot down to the most essential pillars, the film has plenty of incidental pleasures to offer: a few chuckles, some typically Westian explosions of violence, a deliriously fun score, and a pair of perfectly solid performances from Ethan Hawke and John Travolta. (The real standout performance, however, comes courtesy of Jumpy, the magnificent collie who stars as Hawke’s dog.) But there’s a nagging emptiness where its center ought to be, a feeling that what we’re watching isn’t a finished film so much a proof of concept, a skilled, slightly warped cover version of a familiar tune. West’s grasp of the rhythms and the grace notes of the Western idiom is undeniable, »
- Andrew Barker
Later this month, my father will be in La, and Toshi is already asking me what movie he's going to get to watch with Grandaddy this time. As we covered in an earlier Film Nerd 2.0, my dad shared some John Wayne films with Toshi and Allen during a vacation to Big Bear a few years ago, and they both connect John Wayne to my father now, exactly the same way I did when I was their age. Today, my father turns 76 years old, and one of the things that I love about our relationship was the way he defined certain icons of cool for me because I saw what they meant to him. Steve McQueen, for example. I can't think of McQueen without thinking of my dad. On more than one occasion, I was able to get him to stop cold in his tracks simply by flipping past a cable »
- Drew McWeeny
Deadpool arrives in cinemas this week, looking like it's going to prove once again that a big audience can and will support an R-rated comic book movie. One of the projects that helped cement the idea that they wouldn't was the big screen take on Jonah Hex a few years' back, that starred Josh Brolin in the title role.
Chatting with Nerdist, Brolin has opened up about how unhappy he was with the project, and the finished film. Well, he's pretty direct too, saying that he "hated it. Hated it".
"The experience of making it — that would have been a better movie based on what we did. As opposed to what ended up happening to it, which is going back and reshooting 66 pages in 12 days", he said. »
One of the less well-regarded comic book films of all time was one from only a few years ago - 2010's "Jonah Hex". A critical and commercial disaster, the $80 million budget project made just $10 million at the worldwide box-office and was the subject of scathing reviews.
Its stars Josh Brolin, Megan Fox, John Malkovich and Michael Fassbender managed to escape its stink without much damage, even so the film itself has become something of a poster child for how not to make a comic book movie. Mark Neveldine and Brian Taylor ("Crank") were originally hired to write and direct but dropped out before filming and were replaced by animation director Jimmy Hayward.
Rewrites, production problems and reshoots soon followed, and it was an experience that Brolin doesn't have many fond memories of. Speaking with The Nerdist and The Frame, Brolin discussed the mess and why he signed up in the first place:
- Garth Franklin
“Why do they call you ‘Dirty’ Harry?”
It’s a question that courses throughout the 1971 thriller that gave birth to the Clint Eastwood character of the same name. The answer is different every time: He hates minorities, he always gets stuck with the dirty jobs, he’s a part-time pervert, he’s always getting the [wrong] end of the stick… And so it goes.
But what was it about Dirty Harry that endured to spawn four sequels and give Eastwood’s already-surprising career a big-time second act?
First there’s Eastwood himself. A bit-part actor through the ‘50s, Eastwood found his stride in westerns throughout the ‘60s, first with the TV series "Rawhide" and then the Sergio Leone Man with No Name films. »
- Shane McNeil
9 items from 2016
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