Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A stranger rides out of the hot desert into a small town in the wild west. The towns people are scared of him, and 3 gunmen try, unsuccessfully, to kill him. He takes a room and decides to stay. Meanwhile, a group of outlaws are about to return to the town and take their revenge - will the towns leaders convince the mysterious man to help ? Written by
Colin Tinto <firstname.lastname@example.org>
Clint Eastwood revives his signature role as "The Man with no Name" as he seems to come out of nowhere from the distant prairie and descends upon the sleepy little town of Largo and after that things there will never be the same again for the people who live there.
A film that has a lot more to it then what you see at first with Eastwood not being that mysterious and having a past which is seen in flashback every so often in the movie. Styled a lot like "High Noon" but with a twist that builds up slowly at first then takes off like a loose bronco to it's dramatic and fiery conclusion."High Plains Drifter" doesn't follow the well worn standard western scenario which is why it make it unique and thought-provoking at the same time.
Eastwood was never better here as the cool yet pragmatic stranger who's very anonymity makes him both mysterious and threatening to everyone he ruins into, friend or foe. Over the years since "High Plains Drifter" was released, back in 1973, it has reached cult statues and Eastwood has never made another western as good and as "High Plains Drifter" and that includes "The Unforgiven".
Eastwood is more then a match against those out to get him but what they, his enemies as well as the audience, don't know until the very end of the movie is that Clint has something, besides his quick guns and steel nerves, that is far beyond that of mortal man.
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