A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
Breezy is a teen-aged hippy with a big heart. After taking a ride with a man who only wants her for sex, Breezy manages to escape. She runs to hide on a secluded property where stands the ... See full summary »
A Stranger rides into in the dusty mining town of Lago, where the townspeople are living in the shadow of a dark secret. After a shootout leaves the towns hired-gun protectors dead, the towns leaders petition the Stranger to stay and protect them from 3 ruthless outlaws who are soon to be released from prison. The 3 have their sites set on returning to Lago to wreak havoc and take care of some unfinished business. A series of events soon has the townspeople questioning whether siding with the Stranger was a wise idea as they quickly learn the price that they each must pay for his services. As the outlaws make their way back into Lago, they discover that the town is not exactly as they had left it, and waiting in the shadows is the Stranger, ready to expose the town's secret and serve up his own brand of justice. Written by
The Stranger is similar to The Man With No Name persona familiar to Clint Eastwood's Spaghetti Westerns, and they even wear a similar hat. The character in the film has no personal name and is only referred to in the billing as The Stranger. See more »
The level of The Stranger's beer while watching the carriage as the men practice shooting at the dummies. See more »
Of all of his westerns, his performance in 'Drifter was time and again the movie that, unarguably to me, defined his career. From the opening minutes when he rides into town, and coolly walks up to the bar, to the time he vaporizes into thin air when the credits roll, his performance in this film was gritty, flawless and truly Eastwood. Another quality to the movie is it's blend of atmosphere and story, no wonder why its played over and over again on TV. I remember watching it for the first time when I was around 12 (1985) I was very impressionable then and I remember how cool it was to watch Clint go thru his motions during the movie. Nobody knew his name or where he came from, and he didn't oblige them by making them guess throughout the movie. He shot his gun with lethal accuracy when anyone gave him trouble, and was noncommittal to the cowardly townsfolk who wanted his help to take care of the outlaws released from jail. He did things his own way. Those are just some of the reasons why I gave this film 9 stars out of a perfect 10.
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