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High Plains Drifter (1973)

R  |   |  Western  |  22 August 1973 (USA)
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A gunfighting stranger comes to the small settlement of Lago and is hired to bring the townsfolk together in an attempt to hold off three outlaws who are on their way.



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Cast overview, first billed only:
Callie Travers (as Mariana Hill)
Jack Ging ...
Ted Hartley ...
Stacey Bridges
Scott Walker ...
Bill Borders
Walter Barnes ...
Sheriff Sam Shaw
Asa Goodwin


A Stranger rides into in the dusty mining town of Lago, where the townspeople are living in the shadow of a dark secret. After a shootout leaves the town's hired-gun protectors dead, the town's leaders petition the Stranger to stay and protect them from three ruthless outlaws who are soon to be released from prison. The three have their sights set on returning to Lago to wreak havoc and take care of some unfinished business. A series of events soon has the townspeople questioning whether siding with the Stranger was a wise idea as they quickly learn the price that they each must pay for his services. As the outlaws make their way back into Lago, they discover that the town is not exactly as they had left it, and waiting in the shadows is the Stranger, ready to expose the town's secret and serve up his own brand of justice. Written by bob-oconnor1964

Plot Summary | Plot Synopsis


They'd never forget the day he drifted into town. See more »




R | See all certifications »

Parents Guide:





Release Date:

22 August 1973 (USA)  »

Also Known As:

La venganza del muerto  »

Box Office


SEK 1,512,351 (Sweden)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


High Plains Drifter (1973) was made by Clint Eastwood's own Malpaso Productions, so he produced, directed and starred in it. He doesn't mind multitasking, as long as he can concentrate on his job(s). See more »


All houses in the city (Lago) have modern window glass of the type float glass and not "handmade" as they were until the mid-19th century. See more »


[first lines]
The Stranger: Beer... and a bottle.
Lutie Naylor: Ain't much good, but it's all there is.
[brings drinks]
Lutie Naylor: You want anything else?
The Stranger: Just a peaceful hour to drink it in.
See more »

Crazy Credits

The closing shot of The Stranger disappearing into the heatwaves plays out over the end credits. See more »


Referenced in High Plains Winter (2006) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Supernatural Western?
20 July 2008 | by (United Kingdom) – See all my reviews

A lone gunman with no name and seemingly with no past, rides into the dusky town of Lago. The residents of Lago at first view the stranger with suspicion, but when news that some outlaws that are out for blood are on their way to town, they ask the stranger for his help.

This is Clint Eastwood's first Western film that he directed, and it's clear and evident that the guy not only loves the genre that made his name, he also knows what makes it work. Obviously having worked for Sergio Leone, Eastwood was making notes because High Plains Drifter oozes the mythical aura of many of Leone's finest genre offerings. To which, with thanks, the result is one of the best offerings in the 70s for the Oater enthusiast.

The film opens with our mysterious drifter slowly coming out of the beautiful sprawling haze and into Lago, it's ethereal, then there's just the sound of the horse breathing and the clop of its hooves that can be heard (the sound mix here is incredible), it's a gloriously mysterious opening that sets the tone perfectly. Yet Eastwood is just toying with us though, for a quick jolt of sex and violence snaps us out of the beatific warmth and into a quite hauntingly cold and morally challenged place. From here on in the stranger will demand all manner of odd things from the residents of Lago, he seems to be toying with them and revelling in their discomfort, with Lago quickly resembling an arid hellhole. You see, Lago has a dark secret, and our mysterious stranger has a purpose, and it's this purpose that makes High Plains Drifter an intriguing and gripping experience.

A well known fact now is that the great man of the genre, John Wayne, wrote Eastwood to strongly complain about his harsh vision of the West, one can only think the Duke failed to grasp the post Vietnam feel of a 70s made Western. It's a great directorial effort from Eastwood, more so when you marry up his acting performance to his directorial duties. Very much the perfect role, it lets Eastwood accentuate his rugged Western leanings. Eastwood would direct the similarly themed Pale Rider in the 80s and then the genre crown topper Unforgiven in the 90s. A Western great in each decade? Well that will always be debatable, but what we do know is that the Western genre was considerably lucky to have had such a man to keep the genre going for the newer interested wanderers into the Wild West.

Beautifully photographed (Bruce Surtees) on the shores of Mono Lake, California, it's a film pungent with sex, sadism, retribution and risks. High Plains Drifter is mystical and magnificent and essential Western fare. 9/10

39 of 45 people found this review helpful.  Was this review helpful to you?

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The reason you're all arguing about the rape scene. leapgirl16
Painting the town red? jonathan1956
oh so its not rape? then why would she try to shoot him the next day! jme90
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Interpretation of a quote mrnoonmaths
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