Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A stranger rides out of the hot desert into a small town in the wild west. The towns people are scared of him, and 3 gunmen try, unsuccessfully, to kill him. He takes a room and decides to stay. Meanwhile, a group of outlaws are about to return to the town and take their revenge - will the towns leaders convince the mysterious man to help ? Written by
Colin Tinto <email@example.com>
The name of the town was Lago. The name that it was changed to was Hell. After the change, during filming, Clint Eastwood constantly told the cast and crew to "Go to Hell!'. See more »
After the town has been painted red, a shot pans past the bell tower atop the church. The (lack of) application of paint on the bell tower edges shows it was painted with a spray gun. Also, many of the buildings have a very thin and even coating of red paint applied. Again, obviously done with a spray gun. This technology would not have been available at the time. See more »
As is often the case with a Clint Eastwood western, High Plains Drifter is rather good.
The usual scenario opens, with Eastwood (playing an unnamed character again) riding into a small mining town, Lagos, where a small group of thugs unsuccessfully try to kill him.
This small act serves as an introduction to the local townsfolk: small-minded cowards who are all talk and no action. They also bear a horrifying secret.
Eastwood is eventually approached to help them fend off an upcoming attack from three criminals who have just been released from prison.
He also suffers from a recurring nightmare, which I will leave to you to find out.
Needless to say, all of the pieces come together by the end, and those of you not astute enough to have noticed will be saying, "of course!"
A good story combines with Eastwood's anti-heroic personality (he never really played a good guy, did he?) and a good supporting cast to produce one of the best westerns of the 1970s. As the Maltin summary states: "Half-serious, half tongue-in-cheek, with great role for midget Billy Curtis."
Curtis plays Mortecai, the town dwarf, who shadows Eastwood around Lagos. Some of the scenes in this are extremely funny, but are balanced by some harshly violent moments, of which Eastwood's nightmares are a prime example.
1985's Pale Rider bears similarity to High Plains Drifter in certain areas, but you'll have to watch that yourself to find out where.
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