High Plains Drifter (1973)

User Rating:

7.6/10   

Director:

Clint Eastwood

Writer:

Ernest Tidyman (written by)

Release Date:

22 August 1973 (USA)

Genre:

Thriller | Western

Tagline:

Welcome to Hell

Plot:

A gunfighting stranger comes to the small settlement of Lago and is hired to bring the townsfolk together in an attempt to hold off three outlaws who are on their way.

Plot Keywords:

Gunfighter | Desert | Revenge | Vengeance | Small Town

Cast

Clint Eastwood	...	The Stranger
Verna Bloom	...	Sarah Belding
Marianna Hill	...	Callie Travers (as Mariana Hill)
Mitch Ryan	...	Dave Drake (as Mitchell Ryan)
Jack Ging	...	Morgan Allen
Stefan Gierasch	...	Mayor Jason Hobart
Ted Hartley	...	Lewis Belding
Billy Curtis	...	Mordecai
Geoffrey Lewis	...	Stacey Bridges
Scott Walker	...	Bill Borders
Walter Barnes	...	Sheriff Sam Shaw
Paul Brinegar	...	Lutie Naylor
Richard Bull	...	Asa Goodwin
Robert Donner	...	Preacher
John Hillerman	...	Bootmaker

Runtime:

105 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:16 | USA:R (MPAA rating) | New Zealand:R16 | Spain:18 | Argentina:16 | UK:X (original rating) | Canada:18+ (Ontario - 2006) | Brazil:18 | Netherlands:12 | South Africa:16LV | Australia:M (cable rating) | Australia:R (original rating) | Canada:13+ (Quebec) | Canada:PG (Manitoba/Ontario) | Finland:K-16 | Norway:16 (heavily cut) | Singapore:M18 | South Korea:15 | Sweden:15 (heavily cut) | UK:18 | USA:R | West Germany:18 | Norway:(Banned) (1983-2003) (cinema release) | Canada:R (Nova Scotia) | Germany:BPjM Restricted

Filming Locations:

Inyo National Forest - 351 Pacu Lane, Bishop, California, USA

Company:

Malpaso Company, The

Trivia:

Shortly after the film's release, Clint Eastwood wrote to John Wayne, suggesting that they make a western together. Wayne sent back an angry letter in reply, in which he denounced this film for its violence and revisionist portrayal of the Old West. Eastwood did not bother to answer his criticisms, and consequently they did not work together.

Goofs:

Continuity: When the Stranger is first sipping his beer at the saloon, the bottle of whiskey is placed on the bar to the left of his glass of beer. When he reaches for his beer while saying the line "Faster than you'll ever live to be" to the one gunfighter, the bottle of whiskey "jumps" to the right of his glass of beer so he can pretend to draw his gun yet reach for the bottle of whiskey instead.

Quotes:

[first lines]
The Stranger: Beer... and a bottle.
Lutie Naylor: Ain't much good, but it's all there is.
[brings drinks]
Lutie Naylor: You want anything else?
The Stranger: Just a peaceful bar to drink in.

Movie Connections:

Referenced in Kill Bill: Vol. 2 (2004)

Clint Eastwood's First Masterpiece

By the early 70s, actor Clint Eastwood's career had gone from being a mere extra to a well-known Hollywood star. Thanks to the success of Sergio Leone's immortal Westerns, Eastwood was noticed and soon he began to work in very good projects, with great results. Despite being a respected actor, nobody could have imagined that his talent as director was even superior to his acting skills, and after a fairly good debut in 1971 (the thriller "Play Misty for Me"), he crafted his first masterpiece in 1973 as a tribute to his own artistic mentors: the haunting western "High Plains Drifter".

"High Plains Drifter" is the story of a small mining town named "Lago" which is constantly troubled by outlaws and gunfighters. One day a stranger (Clint Eastwood) comes to town, and manages to kill three of those outlaws, gaining instant recognition and the offer of having whatever he wants from the town if he gets rid of the rest of the gang. He accepts but the town doesn't know that the mysterious stranger has a secret that will change their lives for ever.

The figure of the stranger comes to town to alter the fragile equilibrium of their existence, and soon the town's own demons return to haunt them. Eastwood's character is not exactly the hero we know, but a morally ambiguous cruel man that doesn't hesitate to use and abuse the townspeople and that clearly has an agenda of his own. Written by Ernest Tidyman, this is a dark tale that explores the ambiguous morality of people and the concepts of justice and revenge.

Eastwood's second directorial effort is a powerful movie that brilliantly combines the elements of Western with those of suspense and thriller. Due to his solid career in Westerns, Eastwood knows the genre's characteristics and pushes them forward to create something more, a movie beyond its genre. With brilliant camera-work, he goes from dream sequences out of a nightmare to day sequences in Leone's Spaghetti Western style. This is definitely a tribute to his mentors (In fact, he included a small reference to his directors in a cemetery scene).

The acting is remarkably good, with Eastwood himself leading the cast with great skill and his powerful presence. His character is a lot more complex than his "Man With No Name" and it could be said that he mixes in one character the characteristics of the three outlaws of "The Good, The Bad and the Ugly". The underrated Billy Curtis is great as Mordecai, probably the only one in town who knows (and understands) the stranger's secret. The rest of the cast is very good and even those in small roles (such as William O'Connell as the barber) give performances of high quality. Apparently Eastwood's talent with people was there from the beginning.

Tidyman's story is very well-constructed, and can be seen from diverse points of view. Every character in town is well-defined no matter how long their screen-time is, and Eastwood makes the most of it. It's hard to find a flaw in this movie and I really can't praise it enough. It is a story that once that grabs you never lets you go.

"High Plains Drifter" is a must-see, not only for Western fans, it is a powerful story that is more than what it seems. Great camera-work, haunting images, terrific script, superb acting, all pieces fit to create Clint Eastwood's first masterpiece. This dark western sets the path of Eastwood's career as a director and one can see why is he one of the best directors alive. 10/10