Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the ... See full summary »
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A stranger rides out of the hot desert into a small town in the wild west. The towns people are scared of him, and 3 gunmen try, unsuccessfully, to kill him. He takes a room and decides to stay. Meanwhile, a group of outlaws are about to return to the town and take their revenge - will the towns leaders convince the mysterious man to help ? Written by
Colin Tinto <email@example.com>
A mysteriously callous stranger (Clint Eastwood) rides out of the desert into a small town called Lago and terrifies the locals by raping a lady and treading over the townsfolk, but when he kills three cowboys who wanted to make something out of nothing. The inhabitants are grateful that he freed them, but then they try to hire him to protect from three more cowboys who will return back to town when they finish their jail sentence in the next day or two. The stranger refuses the offer at first but when they tell him he can take anything for free and have power over the town he accepts the offer. Through this power he changes things around in town for his pleasure and this causes disruption amongst the locals who seem to regret hiring him.
Oh, I just love this bewildering film and I can't get enough of it! What we get here is a brutally mystical revenge western by Director/Star Clint Eastwood. I was totally mesmerised by it and Eastwood's direction is on the boil by capturing a strong essence of charm and also discomfort. It has a lot of elements going for it that it makes you (well, me) want to watch it over and over again. That's probably a good idea too, as thorough symbolisms and blinding supernatural occurrences fill the cryptic story. Some you might pick up on, while others don't seem to standout but are hidden under the material. Those enigmatic factors really keep your full interest, as the plot is played out very well with an eerie beginning that just pulls you in and then it ends with such a cunning conclusion. Before we get to the conclusion the haunting climax definitely builds sheer dread and packs bite with its visuals a lot of bite! There's not much action in the film, but the story's subplots is what guides it and slowly builds the questions. You just wonder - There's got to be more to this new stranger in town and the townsfolk seemed to be keeping some hidden secret (or sin) behind close doors? The more the story builds on those the queries the less you seem to worry about the lack of gunfights and brawls. You actually start to read more into these mysteries when some of the questions are answered towards the end. Though, also watching the stranger toy around with the (guilty) townsfolk is pretty riveting stuff.
Another feature that blows you away would be how atmospheric it does get, with a pounding and alienating score that ticks away with its high pitch and howling sounds. These just added more unease to Eastwood's character when he was on screen with this humming score in the background. It just holds such an inspiring awe with its striking rigorous and desolated backdrop that went hand-to-hand with the brood horror and hell that follows the town's inhabitants. Engrossing scenery fills the back-shot with its vast mountains ranges and open spaces of dirt and rocks. One thing that stood out for me was the quieter moments, when it focused on body language and facial expressions to portray emotions. This really added to the alarming mood and a fairly sparse script was incredibly effective in making it highly-strung. Even the uneasy sound effects are used to great effect, especially in a particular nightmare scene. Violence is pretty much in your face and at times rather brutal, but Eastwood paces it superbly and fits it into the story. The humour that fills the story is a bit of a variety as sometimes there would be some subtle and dry humour, but then again when the dwarf was on screen it seems to play more as a loud joke. Steady camera-work is evident with plenty angle shots from behind and above and the occasional zoom. The texture of the film's material and powerful visuals is real moody, daring and it has a fairly cold-hearted tone to it all. It just leaves you with such an empty feeling.
Performance wise the cast was nothing but top-grade. Dauntingly malevolent is a good way to describe Eastwood persona as the mysterious stranger, in which he gives a typically first-rate and hypnotic performance (as usual). Is he some sort of Revenging Angel or a ghost of the past? This is what you ask. But anti-hero definitely comes to mind. The supporting cast is exceptional with the likes of the Verna Bloom, Billy Curtis, Marianna Hill, Mitch Ryan, Stefan Gierasch and Jack Ging.
This is one spellbinding semi-supernatural Western!
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