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Gumshoe (1971)

PG  |   |  Comedy, Crime, Drama  |  December 1971 (UK)
6.5
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Ratings: 6.5/10 from 852 users  
Reviews: 19 user | 11 critic

Ginley (Albert Finney) is a nightclub bingo caller eager for a career change. On his thirty-first birthday, he advertises himself as a private eye in the newspaper. He dons a trench coat, ... See full summary »

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Title: Gumshoe (1971)

Gumshoe (1971) on IMDb 6.5/10

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Nominated for 2 BAFTA Film Awards. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
William
...
Mrs. Blankerscoon
...
Alison
...
Straker
George Innes ...
Bookshop Proprietor
George Silver ...
De Fries
Bill Dean ...
Tommy (as Billy Dean)
...
...
Naomi
Neville Smith ...
Arthur
Oscar James ...
Azinge
Joe Kenyon ...
Joey (as Joey Kenyon)
Bert King ...
Mal
Edit

Storyline

Ginley (Albert Finney) is a nightclub bingo caller eager for a career change. On his thirty-first birthday, he advertises himself as a private eye in the newspaper. He dons a trench coat, and begins engaging others in rapid-fire dialogue as if he were Humphrey Bogart, or some Dashiell Hammett creation. Soon after, Ginley is phoned by a fat man, who gives him a package containing a gun, a photograph, and a large sum of money. Eventually Ginley is investigating a case involving smuggling of weapons as well as drugs. Ginley also finds himself at odds with his unsupportive brother, who offers Ginley payment to break off his investigations. Eventually Ginley learns of his brother-in-law's involvement in the crimes at hand. Ginley faces a series of daunting tasks: solving the crimes, bringing justice to the smugglers (and a murderer), as well as maintaining his safety and sanity in the process. Written by veloc <velo_00@yahoo.com>

Plot Summary | Add Synopsis

Taglines:

the sleuth, the whole sleuth and nothing but the sleuth See more »

Genres:

Comedy | Crime | Drama | Mystery

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

December 1971 (UK)  »

Also Known As:

Auf leisen Sohlen  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

The name of the book that Eddie Ginley (Albert Finney) wanted to write was Dashiell Hammett's The Maltese Falcon (1941). The name of the song that he wanted to record was Carl Perkins' Blue Suede Shoes (1980). In the picture, Eddie says at one time, "I want to write 'The Maltese Falcon', record 'Blue Suede Shoes' and play Las Vegas". See more »

Quotes

Tommy: [Eddie has gone to Botha Export Co Ltd for further investigations] We're closed!
Anne Scott: Got your coat?
Tommy: Yeah!
Anne Scott: Put it on.
Tommy: Who are you?
Anne Scott: Board of Trade.
Tommy: Well, what do you want?
Anne Scott: We have Powers Of Search.
Tommy: You don't look like the Board Of Trade to me.
Anne Scott: We're changing the image. Would you sit down please. Oh, wait. You've got something on your eye. No, don't touch it, don't touch it. Leave it to me. Relax.
[...]
See more »

Crazy Credits

The opening Columbia logo does not have the Columbia name on it, just the lady with the torch. See more »

Connections

Referenced in Red Dwarf: Gunmen of the Apocalypse (1993) See more »

Soundtracks

Baby, You're Good For Me
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
Sung by Roy Young
See more »

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User Reviews

 
Superb writing and acting make this as fresh as when first released
20 August 2008 | by (Yorkshire, England) – See all my reviews

I recently saw this for the fourth time, the first time having been in the cinema upon its release. This first viewing saw me classifying it as a pastiche along the lines of Woody Allen's "Play it again, Sam" or "The Black Bird" with George Segal. In fact, the script and acting of "Gumshoe" make it infinitely better than either of these two and put it into that rare category of films, which actually get BETTER with each viewing. For a film approaching its fortieth anniversary, obviously much of the background, (such as the physical locations in Liverpool and Billie Whitelaw's being 'locked' into her loveless marriage with Frank Finlay), are now museum pieces/views into the past. Overall, though, the film still comes across as amazingly fresh and entertains from beginning to end. The lightning speed patter and one-liners are razor sharp and the performances by ALL of the lead characters are stunning. The nearest parallel I can find is "The Third Man" and, while it is definitely not in that category overall, I still think this is a very good film indeed which was vastly underestimated when it first came out,(for example by me!), and which only grows in stature and the enjoyment it affords with each renewed viewing.


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