Count Dracula's Great Love (1973) - News Poster

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Now on Blu-ray: Vinegar Syndrome Brings The Best Trashy Movies Home This Winter

Vinegar Syndrome has taken 2016 by the balls in their quest to bring the weirdest, best, trashiest cinema of decades gone by to home video in new, gorgeous Blu-ray editions. Over the last couple of months they've done a stellar job restoring and releasing these six films for the home video connoisseur. Today I'm going to run down this hot half-dozen releases that I'm just now catching up with after a long winter's nap of my own. Continue below for details on Paul Naschy in Count Dracula's Great Love, a twofer from director Richard Casey in Horror House on Highway 5 & Hellbent, and a trio of VHS staples, Deathrow Gameshow, Nightmare Sisters, and Hobgoblins....

[Read the whole post on screenanarchy.com...]
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Review: "Count Dracula's Great Love" (1971) Starring Paul Naschy; Vinegar Syndrome Blu-ray Special Edition

  • CinemaRetro
By Hank Reineke

One of the more fascinating aspects of the Spanish horror film is that the country’s most famous exports were produced during the near forty year dictatorial regime of Falangist leader Generalissimo Francisco Franco. In interviews conducted following the passing of the repressive dictator in 1975, actor Paul Naschy (the so-called “Lon Chaney of Spanish horror”) often expressed bemusement regarding the restrictions imposed by Spanish censors on his films. Naschy’s horror films were (arguably, I suppose) of either very modest or completely non-political in their design - if not their subtext.

Paul Naschy (aka Jacinto Molina Alvarez) was greatly influenced by the celebrated cycle of gothic horror and mystery films produced by Universal Studios in the 1930s and 1940s. The primary difference between these monochrome films and those Naschy would lens beginning 1968 is unmistakable: most of his films, including the colorful Count Dracula’s Great Love (1971), owed
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Horror at the Oscars Part 2: This Time It's Personal

Horror fanatics are still buzzing like chainsaws over the Academy Awards’ genre montage. Anywhere there could be a conversation about it online, there was one. Many were upset over the Twilight ‘tweens’ participation, as if their mere presence sent a message about the state of scary in Hollyweird, USA.

A few seemed happy, though, to just get a glimpse of their beloved Evil Dead and Texas Chainsaw Massacre 2 if only for a few seconds. But many called the selections generic and thoughtless, demanding the likes of Demons and TerrorVision instead (well, maybe not TerrorVision; that was just me).

How about Henry: Portrait of a Serial Killer? Re-Animator? It’s Alive? Tombs of the Blind Dead? Coffin Joe? No list is perfect, but with a bit more care and a phone call to any one of us, the Oscars could have elevated that section into a real scream. Or maybe they
See full article at Dread Central »

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