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Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Mario Puzo | (screenplay) and | |
| Francis Ford Coppola | (screenplay) | |
| Mario Puzo | (novel "The Godfather") | |
Produced by | |||
| Gray Frederickson | .... | associate producer | |
| Albert S. Ruddy | .... | producer | |
| Robert Evans | .... | executive producer (uncredited) | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gordon Willis | (director of photography) | ||
Film Editing by | |||
| William Reynolds | |||
| Peter Zinner | |||
Casting by | |||
| Louis DiGiaimo | |||
| Andrea Eastman | |||
| Fred Roos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Warren Clymer | |||
Set Decoration by | |||
| Philip Smith | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Philip Leto | .... | hair stylist (as Phil Leto) | |
| Phil Rhodes | .... | makeup (as Philip Rhodes) | |
| Dick Smith | .... | makeup | |
Production Management | |||
| Fred C. Caruso | .... | unit production manager: Oaktree Productions (as Fred Caruso) | |
| Valerio De Paolis | .... | production manager: sicilian unit | |
| Ned Kopp | .... | production manager: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tony Brandt | .... | assistant director: sicilian unit | |
| Fred T. Gallo | .... | assistant director: Oaktree Productions (as Fred Gallo) | |
| Stephen F. Kesten | .... | assistant director (uncredited) | |
| Steven P. Skloot | .... | second assistant director (uncredited) | |
Art Department | |||
| Samuel Verts | .... | assistant art director: sicilian unit | |
| William Canfield | .... | set dresser (uncredited) | |
| Robert Hart | .... | carpenter (uncredited) | |
| Robert Scaife | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Charles Grenzbach | .... | re-recordist (as Bud Grenzbach) | |
| Christopher Newman | .... | production recordist | |
| Richard Portman | .... | re-recordist | |
| Howard Beals | .... | sound effects editor (uncredited) | |
| Steve Cook | .... | adr mixer (uncredited) | |
| Pierre Jalbert | .... | assistant sound editor (uncredited) | |
| Les Lazarowitz | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Kevin Chaja | .... | data management (2007 restoration) | |
| Chris Clausing | .... | MTI operator: digital image clean up (2007 restoration) | |
| Padraic Culham | .... | compositor (2007 restoration) | |
| Daphne Dentz | .... | senior digital intermediate producer (2007 restoration) | |
| Karina Desin | .... | data management (2007 restoration) | |
| Joe Dubs | .... | MTI operator: digital image clean up (2007 restoration) | |
| Lloyd Kaplowitz | .... | MTI operator: digital image clean up (2007 restoration) | |
| Valerie McMahon | .... | MTI operator: digital image clean up (2007 restoration) | |
| Mike Moreno | .... | MTI operator: digital image clean up (2007 restoration) | |
| Edgar Orlino | .... | MTI operator: digital image clean up (2007 restoration) | |
| Cathy Quiroz | .... | MTI operator: digital image clean up (2007 restoration) | |
| Bill Roper | .... | film recordist (2007 restoration) | |
Stunts | |||
| Paul Baxley | .... | stunt coordinator (uncredited) | |
| Joe Bucaro III | .... | stunt double: young Vincenzo (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Chapman | .... | camera operator | |
| Howard Block | .... | additional camera operator (uncredited) | |
| Bill Butler | .... | director of photography: second unit (uncredited) | |
| Russell Engels | .... | rigging gaffer (uncredited) | |
| Ed Kammerer | .... | rigging grip (uncredited) | |
| Edward Knott | .... | grip (uncredited) | |
| Jim Meyerhoff | .... | generator operator (uncredited) | |
| Anthony R. Palmieri | .... | camera loader (uncredited) | |
| Ed Quinn | .... | best boy grip (uncredited) | |
| Robert Royal | .... | rigging key grip (uncredited) | |
| Joe Rutledge | .... | electrician (uncredited) | |
| Peter Salim | .... | second assistant camera (uncredited) | |
| Tibor Sands | .... | first assistant camera (uncredited) | |
| Jack Stager | .... | still photographer (uncredited) | |
| Edward Tonkin | .... | best boy electric (uncredited) | |
| Robert M. Volpe | .... | dolly grip (uncredited) | |
| Dusty Wallace | .... | gaffer (uncredited) | |
| Robert Ward | .... | key grip (uncredited) | |
| Ray Williams | .... | rigging best boy grip (uncredited) | |
Casting Department | |||
| Riccardo Bertoni | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe supervisor | |
| Marilyn Putnam | .... | wardrobe: women | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Editorial Department | |||
| Christopher Gillaspie | .... | scan manager (2007 restoration) (as Chris Gillaspie) | |
| Kathleen Largay | .... | digital conform (2007 restoration) | |
| Walter Murch | .... | post production consultant | |
| Jan Yarbrough | .... | senior digital intermediate colorist (2007 restoration) | |
| Pierre Jalbert | .... | assistant editor (uncredited) | |
| Marc Laub | .... | editor: New York (uncredited) | |
| Barbara Marks | .... | assistant editor (uncredited) | |
| Maurice Schell | .... | assistant editor (uncredited) | |
| Murray Solomon | .... | editor: New York (uncredited) | |
| Jack Wheeler | .... | assistant editor (uncredited) | |
Music Department | |||
| Carlo Savina | .... | conductor | |
| John C. Hammell | .... | music editor (uncredited) | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Jimmy Maxwell | .... | musician: trumpet solo (uncredited) | |
| Paul Salamunovich | .... | choir conductor: boys choir (uncredited) | |
| Stephen Salamunovich | .... | boy soprano, soundtrack (uncredited) | |
| Albert T. Viola | .... | soloist: mandolin (uncredited) | |
Transportation Department | |||
| Raymond Hartwick | .... | driver (uncredited) | |
| Charles Lazzarro | .... | driver (uncredited) | |
| Edward Venn | .... | driver (uncredited) | |
| Louis Volpe | .... | driver (uncredited) | |
| John Whelan | .... | driver (uncredited) | |
| Ed Wilson | .... | driver (uncredited) | |
Other crew | |||
| Robert Barth | .... | unit coordinator: Oaktree Productions | |
| Tony Bowers | .... | location coordinator | |
| Michael Briggs | .... | location coordinator | |
| Gary Chazan | .... | assistant to producer | |
| Nancy Hopton | .... | script continuity (as Nancy Tonery) | |
| Robert S. Mendelsohn | .... | executive assistant | |
| Peter Zinner | .... | foreign post production | |
| Rocco Derasmo | .... | teamster (uncredited) | |
| James Giblin | .... | teamster captain (uncredited) | |
| Sonny Grosso | .... | technical advisor (uncredited) | |
| Johnny E. Jensen | .... | cinemobile technician (uncredited) | |
| Randy Jurgensen | .... | technical advisor (uncredited) | |
| George Lynch Jr. | .... | teamster (uncredited) | |
| Richard Nelson | .... | car coordinator (uncredited) | |
| Howard Newman | .... | unit publicist (uncredited) | |
| Jasmine Sabu | .... | animal trainer: horses (uncredited) | |
| Maurice Schell | .... | adr loop group (uncredited) | |
Thanks | |||
| Joe Caracappa | .... | thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration) | |
| Jeff Cava | .... | thanks: for Paramount Pictures (2007 restoration) | |
| Martin Cohen | .... | thanks: for Paramount Pictures (2007 restoration) | |
| Francis Ford Coppola | .... | special thanks (2007 restoration) | |
| Allen Daviau | .... | thanks (2007 restoration) | |
| Brian Drischell | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Jessi Jones | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Liana Kroll | .... | thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration) | |
| Joanne Lawson | .... | thanks: for the Film Preserve (2007 restoration) | |
| Scott MacQueen | .... | thanks: Pro-Tek Media Preservation Services, a Kodak company, negative preparation (2007 restoration) | |
| James T. Mockoski | .... | thanks: for American Zoetrope (2007 restoration) (as James Mockoski archivist) | |
| Heather Olson | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Michael Pogorzelski | .... | thanks: The Academy Film Archive (2007 restoration) | |
| Robert Raring | .... | thanks: Technicolor liaison (2007 restoration) (as Bob Raring) | |
| Ben Rosenblatt | .... | thanks: for Paramount Pictures (2007 restoration) | |
| Gordon Willis | .... | special thanks (2007 restoration) | |
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| The Godfather: Part II | Scarface | The Departed | Black Caesar | City of God |
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The godfather trilogy is an exclusive set of movies that will continue to live with humanity, every generation will see them to say, "Oh that was 10 out of 10." If you watch them you will know that the world that lives inside the underworld is same as the one we live in except that people in underworld are so smart, in fact smartness is the only thing that can keep them there. Don Vito Caroleone's early life shown in part-II is very well done to show the Don in making, how a kid who couldn't even tell his name went on becoming a underworld don who keep most senators, judges and lawyers in his pocket. Meeting of don with the so call five families are among most impressive scenes.
A saga that goes on for 9 continuous hours takes you around various walks in life of Mike (Don's younger son who become Don later), his school days, love life, personal life, family life, business life, political life and religious life. How all of these different roles Mike plays in his life and how intertwined these are.
I enjoyed watching these movies so much, I wish I had seen them much before then I did. Its amazing to see how the Part-III was made 18 years later the part-I was made and everything looks so continuous if watch them together.
I need not say much! The Godfather father trilogy been around for a while and everyone knows that they are great set of movies, its just the matter of when you actually get to see them.
Watch them! Kudos to Francis Ford Coppola! -Vishy