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Directed by | |||
| Francis Ford Coppola | |||
Writing credits | ||
| Mario Puzo | (novel) | |
| Mario Puzo | (screenplay) and | |
| Francis Ford Coppola | (screenplay) | |
Produced by | |||
| Gray Frederickson | .... | associate producer | |
| Albert S. Ruddy | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| William Reynolds | |||
| Peter Zinner | |||
Casting by | |||
| Louis DiGiaimo | (as Louis Digiaimo) | ||
| Andrea Eastman | |||
| Fred Roos | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Warren Clymer | |||
Set Decoration by | |||
| Philip Smith | |||
Costume Design by | |||
| Anna Hill Johnstone | |||
Makeup Department | |||
| Philip Leto | .... | hair stylist (as Phil Leto) | |
| Phil Rhodes | .... | makeup artist (as Philip Rhodes) | |
| Dick Smith | .... | makeup artist | |
Production Management | |||
| Fred C. Caruso | .... | unit production manager (as Fred Caruso) | |
| Valerio De Paolis | .... | production manager: Sicily (as Valerio DePaolis) | |
| Ned Kopp | .... | production manager: second unit (uncredited) | |
Second Unit Director or Assistant Director | |||
| Tony Brandt | .... | assistant director: Sicily | |
| Fred T. Gallo | .... | assistant director (as Fred Gallo) | |
| Steven P. Skloot | .... | second assistant director | |
Art Department | |||
| Samuel Verts | .... | assistant art director: Sicily | |
| William Canfield | .... | set dresser (uncredited) | |
| Robert Scaife | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Howard Beals | .... | sound effects editor | |
| Charles Grenzbach | .... | sound re-recordist (as Bud Grenzbach) | |
| Christopher Newman | .... | production sound recordist | |
| Richard Portman | .... | sound re-recordist | |
| Steve Cook | .... | adr mixer (uncredited) | |
| Pierre Jalbert | .... | assistant sound editor (uncredited) | |
| Les Lazarowitz | .... | boom operator (uncredited) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
| A.D. Flowers | .... | special effects | |
| Joe Lombardi | .... | special effects | |
| Paul J. Lombardi | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Paul Baxley | .... | stunt coordinator (uncredited) | |
| Joe Bucaro III | .... | stunt double: young Vincenzo (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael Chapman | .... | camera operator | |
| Howard Block | .... | additional camera operator (uncredited) | |
| Bill Butler | .... | director of photography: second unit (uncredited) | |
| Russell Engels | .... | rigging gaffer (uncredited) | |
| Ed Kammerer | .... | rigging grip (uncredited) | |
| Edward Knott | .... | grip (uncredited) | |
| Jim Meyerhoff | .... | generator operator (uncredited) | |
| Anthony R. Palmieri | .... | camera loader (uncredited) | |
| Ed Quinn | .... | best boy grip (uncredited) | |
| Robert Royal | .... | rigging key grip (uncredited) | |
| Joe Rutledge | .... | electrician (uncredited) | |
| Peter Salim | .... | second assistant camera (uncredited) | |
| Tibor Sands | .... | first assistant camera (uncredited) | |
| Jack Stager | .... | still photographer (uncredited) | |
| Edward Tonkin | .... | best boy electric (uncredited) | |
| Robert M. Volpe | .... | dolly grip (uncredited) | |
| Dusty Wallace | .... | gaffer (uncredited) | |
| Robert Ward | .... | key grip (uncredited) | |
| Ray Williams | .... | rigging best boy grip (uncredited) | |
Casting Department | |||
| Riccardo Bertoni | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| George Newman | .... | wardrobe supervisor | |
| Marilyn Putnam | .... | wardrobe: women | |
Editorial Department | |||
| Walter Murch | .... | post-production consultant | |
| Pierre Jalbert | .... | assistant editor (uncredited) | |
| Marc Laub | .... | editor: New York (uncredited) | |
| Barbara Marks | .... | assistant editor (uncredited) | |
| Maurice Schell | .... | assistant editor (uncredited) | |
| Murray Solomon | .... | editor: New York (uncredited) | |
| Jack Wheeler | .... | assistant editor (uncredited) | |
Music Department | |||
| Carlo Savina | .... | conductor | |
| Carmine Coppola | .... | composer: additional music, mall wedding sequence (uncredited) | |
| John C. Hammell | .... | music editor (uncredited) | |
| Tommy Johnson | .... | musician: tuba (uncredited) | |
| Jimmy Maxwell | .... | musician: trumpet solo (uncredited) | |
| Paul Salamunovich | .... | choir conductor: boys choir (uncredited) | |
| Stephen Salamunovich | .... | boy soprano, soundtrack (uncredited) | |
Transportation Department | |||
| Raymond Hartwick | .... | driver (uncredited) | |
| Charles Lazzarro | .... | driver (uncredited) | |
| Edward Venn | .... | driver (uncredited) | |
| Louis Volpe | .... | driver (uncredited) | |
| John Whelan | .... | driver (uncredited) | |
| Ed Wilson | .... | driver (uncredited) | |
Other crew | |||
| Robert Barth | .... | unit coordinator | |
| Tony Bowers | .... | location coordinator | |
| Michael Briggs | .... | location coordinator | |
| Gary Chazan | .... | assistant to producer | |
| Nancy Hopton | .... | continuity (as Nancy Tonery) | |
| Robert S. Mendelsohn | .... | executive assistant to producer | |
| Peter Zinner | .... | foreign post-production | |
| Rocco Derasmo | .... | teamster (uncredited) | |
| James Giblin | .... | teamster captain (uncredited) | |
| Sonny Grosso | .... | technical advisor (uncredited) | |
| Johnny Jensen | .... | cinemobile technician (uncredited) | |
| Randy Jurgensen | .... | technical advisor (uncredited) | |
| George Lynch Jr. | .... | teamster (uncredited) | |
| Richard Nelson | .... | car coordinator (uncredited) | |
| Howard Newman | .... | unit publicist (uncredited) | |
| Jasmine Sabu | .... | animal trainer: horses (uncredited) | |
| Maurice Schell | .... | adr loop group (uncredited) | |
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Engrossing motion picture that features some of the finest editing, cinematography and performances ever. There is a wonderful theme of family that runs through this film and its later sequels. No one is truly judged. Love is unconditional. God is the one who truly judges. Easily, the word masterpiece describes this film, but that's been said by so many...Who am I to argue? Masterpiece is right on the money.