The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding with his wife Carmela. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Through Michael's life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don't want to follow the old ways and look out for community and "family". An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don's influence to further his plan. The clash of the Don's fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family. Written by
Voted #2 on AFI's 100 Greatest Movies 10th Anniversary Edition. See more »
When Sollozzo is taking Michael to the restaurant for their conference, his car drives onto a bridge, where Michael sees a sign reading "To New Jersey", and he asks, "We're going to Jersey?", just before the car U-turns in mid-span. In fact, the only bridge between Manhattan (where they picked Michael up) and New Jersey is the George Washington Bridge, and the bridge on which the car is shown is definitely not the GWB. (It may be the Williamsburg or 59th Street bridge.) See more »
I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
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Other than Mario Puzo's name there are no opening credits. See more »
"The Godfather" is pretty much flawless, and one of the greatest films ever made
Rather than concentrating on everything that is great about The Godfather, a much easier way for me to judge its quality is on what is bad about it. Almost every film has something that I don't like about it, but I can honestly say that I wouldn't change anything about The Godfather. There is nothing weak about it and nothing that stands out as bad. That's why it gets ten out of ten.
This is one of those films that made me wonder why I hadn't seen it earlier. The acting from everyone involved is great, Marlon Brando comes across perfectly as the head of the family, and James Caan and Al Pacino are excellent as his sons. The soundtrack by Nino Rota is also very memorable, bringing back memories of the film every time I hear it. The plot has to be excellent for it to get ten out of ten, and it is, it's far from predictable and the film is the definition of a great epic.
The film is pretty shocking in the way every death occurs almost instantaneously, and as it spans ten years so many different things happen and every minute of it is great entertainment. It's a well-made and entertaining film that is only the first part of a trilogy, but it stands on its own as a wonderful film in its own right. If you haven't seen it, what are you waiting for? This was one acclaimed film that didn't disappoint.
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