The story begins as "Don" Vito Corleone, the head of a New York Mafia "family", oversees his daughter's wedding with his wife Carmela. His beloved son Michael has just come home from the war, but does not intend to become part of his father's business. Through Michael's life the nature of the family business becomes clear. The business of the family is just like the head of the family, kind and benevolent to those who give respect, but given to ruthless violence whenever anything stands against the good of the family. Don Vito lives his life in the way of the old country, but times are changing and some don't want to follow the old ways and look out for community and "family". An up and coming rival of the Corleone family wants to start selling drugs in New York, and needs the Don's influence to further his plan. The clash of the Don's fading old world values and the new ways will demand a terrible price, especially from Michael, all for the sake of the family. Written by
The Lumen Martin Winter mural of Empire Express 999 seen during the meeting of the five families in the old New York Central Rail Road boardroom had been in the possession of The Pennsylvania State Historical and Museum Commission. In the fall of 2014 it was deaccessioned by the commission and put up for auction. It was purchased by an avid fan of the movie and is now in his private residence. See more »
When Michael reads the paper about his father's brush with death, he crumples it and then starts to run across the street. The paper is crumpled in his hand as a car passes in front of him on the street. After the car passes, Michael throws the paper down. When he does this, the paper is very smooth and neatly folded. See more »
I believe in America. America has made my fortune. And I raised my daughter in the American fashion. I gave her freedom but I taught her never to dishonor her family. She found a "boy friend," not an Italian. She went to the movies with him. She stayed out late. I didn't protest. Two months ago he took her for a drive, with another boy friend. They made her drink whiskey and then they tried to take advantage of her. She resisted. She kept her honor. So they beat her. Like an animal...
[...] See more »
Although Mario Puzo is given possessory credit at the beginning, and is credited as a screenwriter at the end, no credit is given to him on-screen as author of the original novel, even though that credit is given on the poster. This credit does appear in the second film, however. See more »
This must rank as the best film (along with part 2)of all time.An ensemble performance that has no weak spot.
Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.
John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.
The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.
Do not miss this film!
208 of 304 people found this review helpful.
Was this review helpful to you?