In 1979 a charismatic leader summons the street gangs of New York City in a bid to take it over. When he is killed, The Warriors are falsely blamed and now must fight their way home while every other gang is hunting them down to kill them.
Canada 1931: The unsociable trapper Johnson lives for himself in the ice-cold mountains near the Yukon river. During a visit in the town he witnesses a dog-fight. He interrupts the game and... See full summary »
Peter R. Hunt
Doc McCoy has been granted parole. The catch is that Sheriff Beynon expects a small favor from McCoy for his generosity: robbing another bank! Beynon does not really intend to let McCoy walk away after the heist and neither does co-robber Rudy Butler, but stopping Doc proves a trifle difficult. Written by
Stefan Kahrs <firstname.lastname@example.org>
In the scene where Steve McQueen and Ali MacGraw are standing outside the car and McQueen suddenly slaps her, the slap was unscripted, as can be seen by McGraw's shocked reaction. See more »
In the final shootout scene with Rudy in the hotel we see Rudy's pistol alternate between the 6 inch barreled .357 Magnum Colt Python he has used throughout the film up to this point and a 6 inch barreled .357 Magnum Colt Trooper. The most obvious difference between the two handguns is the full length rib beneath the barrel. This is noticeably absent on the Colt Trooper. Rudy changes between the guns from shot to shot. See more »
[Doc has killed five men at a hotel near the Mexican border and carjacked a cowboy in his pickup]
Ya know, if I's you kids what I'd do? I'd quit this runnin' around the country. Ya know, git a little bit a money together 'n, hell, buy a place 'n settle down 'n raise a family. I've been married for 35 years, same old gal; man she's a tough ol' hide. God dang, everything I am, I owe ta her.
Carter 'Doc' McCoy:
Say a, pull over over here would ya.
Okay, what ever you say.
Carter 'Doc' McCoy:
Let's get out a spell.
[...] See more »
The Getaway has the very important "Three S's" which are so crucial to any film: Style, Substance, and Steve McQueen.
This film, right behind PAPILLON, is definitely my favorite McQueen vehicle -- it's a big, BIG film (which makes sense, it takes place in Texas), has an epic feel, yet at the same time is very gritty and very honest in its approach to storytelling. The simplistic yet larger-than-life style of THE GETAWAY makes this flick a great watch on a Saturday Night.
Oh, and you can't go wrong with Steve McQueen. At his side is *THE* girl-next-door type, the ultra-likable Ali MacGraw. Their chemistry is very obvious (which would make a lot of sense, the two had an on-set affair which was followed by a five year marriage), and it carries the film. The score, composed by Quincy Jones, hits all the right notes in all the right spots, and is definitely pivotal in giving THE GETAWAY its "feel." The supporting cast couldn't be better-suited to their roles. The bad guys are really bad, and quite despicable. Despite the sinister villains, this early 70s gem has a sense of humor. At times the more "innocent" characters are mocked by the situations they find themselves in, much to your amusement or disgust (I, for one, found laugh-out-loud moments all the way through). By the very nature of a McQueen film, the characters are all "approachable," and down to earth in their own strange way. In a nutshell, a simplistically epic film that finds the time to not take itself so seriously.
While THE GETAWAY may not be the best to bring out at a movie get-together due to its slightly slow pacing and early 70s narrative (which, unfortunately, due to the breakneck music-video pacing of most "modern" films, tends to turn off anyone with a less-than-sufficient attention span), it is definitely worth a purchase, and something that you will be proud to say that you've seen.
Long Live McQueen, and Have a RIB, Harold!
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