Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
Doc McCoy has been granted parole. The catch is that Sheriff Beynon expects a small favor from McCoy for his generosity: robbing another bank! Beynon does not really intend to let McCoy walk away after the heist and neither does co-robber Rudy Butler, but stopping Doc proves a trifle difficult. Written by
Stefan Kahrs <email@example.com>
After the robbery, Doc and Carol's blue car plows through a neighboring porch. The windshield is clearly shattered by one of the broken porch columns. As soon as they are out of town, the blue car is immaculate. See more »
[Talking about how Doc was sprung out of prison]
Carter 'Doc' McCoy:
My old lady must've made you a lot of promises.
Close... I wouldn't feel...
[Carol shoots Jack]
See more »
The Getaway has the very important "Three S's" which are so crucial to any film: Style, Substance, and Steve McQueen.
This film, right behind PAPILLON, is definitely my favorite McQueen vehicle -- it's a big, BIG film (which makes sense, it takes place in Texas), has an epic feel, yet at the same time is very gritty and very honest in its approach to storytelling. The simplistic yet larger-than-life style of THE GETAWAY makes this flick a great watch on a Saturday Night.
Oh, and you can't go wrong with Steve McQueen. At his side is *THE* girl-next-door type, the ultra-likable Ali MacGraw. Their chemistry is very obvious (which would make a lot of sense, the two had an on-set affair which was followed by a five year marriage), and it carries the film. The score, composed by Quincy Jones, hits all the right notes in all the right spots, and is definitely pivotal in giving THE GETAWAY its "feel." The supporting cast couldn't be better-suited to their roles. The bad guys are really bad, and quite despicable. Despite the sinister villains, this early 70s gem has a sense of humor. At times the more "innocent" characters are mocked by the situations they find themselves in, much to your amusement or disgust (I, for one, found laugh-out-loud moments all the way through). By the very nature of a McQueen film, the characters are all "approachable," and down to earth in their own strange way. In a nutshell, a simplistically epic film that finds the time to not take itself so seriously.
While THE GETAWAY may not be the best to bring out at a movie get-together due to its slightly slow pacing and early 70s narrative (which, unfortunately, due to the breakneck music-video pacing of most "modern" films, tends to turn off anyone with a less-than-sufficient attention span), it is definitely worth a purchase, and something that you will be proud to say that you've seen.
Long Live McQueen, and Have a RIB, Harold!
32 of 38 people found this review helpful.
Was this review helpful to you?