7.5/10
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The Getaway (1972)

A recently released ex-con and his loyal wife go on the run after a heist goes awry.

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Writers:

(screenplay), (novel)
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Nominated for 1 Golden Globe. Another 1 win. See more awards »
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Director: William Wiard
Stars: Steve McQueen, Linda Evans, Richard Farnsworth
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Cast

Cast overview, first billed only:
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Richard Bright ...
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Cully
John Bryson ...
The Accountant
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Swain
Tom Runyon ...
Hayhoe
Whitney Jones ...
The Soldier
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Storyline

Carter "Doc" McCoy is a career robber, currently in his fourth year of a ten year prison sentence at the Texas State Penitentiary. After his request for parole is denied despite he being a model prisoner, Doc, unable emotionally to endure life inside, asks his loving wife Carol McCoy to contact crooked businessman Jack Beynon, a man with political connections, to secure his release in return for he being "for sale" to Beynon. Beynon is able to get Doc released, the sale price being for Doc to plan and execute a robbery at a small bank branch in Beacon City, Texas where Beynon knows that $750,000 will be kept in the vault for the next two weeks. Rather than Doc using his own men for the job, Beynon directs that the only other people involved will be the men of his own choosing, Rudy and Frank. There are to be no casualties, which is all right with Doc who is not a murderer. After the robbery is completed and the monies divvied up accordingly, Doc and Carol will cross the border into ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

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Genres:

Action | Crime | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

13 December 1972 (USA)  »

Also Known As:

La fuga  »

Box Office

Budget:

$3,352,254 (estimated)

Gross:

$26,987,155 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Barry Foster suggested Ali MacGraw, then married to Robert Evans, for the film. Evans arranged a meeting with her, Foster, Steve McQueen, and Sam Peckinpah. According to Foster, she was scared of McQueen and Peckinpah because they had reputations as "wild, two-fisted, beer guzzlers." McQueen and MacGraw experienced a strong instant attraction. She said, "He was recently separated and free, and I was scared of my overwhelming attraction to him." McQueen and MacGraw began an affair during production. She would eventually leave her husband Evans and become McQueen's second wife. Foster was worried that their relationship would have a negative impact by causing a potential scandal. See more »

Goofs

When Doc and Carol flee their shootout with the cops in the small town of Fabens, south of El Paso, they are driving a blue 1968 Chevy, which they then ditch in a lot outside of town to jump on a bus. Subsequently, Carol buys a grey Mercury to continue their trip to El Paso, but as they stop at the drive-in, a news report on the car radio states that police are looking for the grey Mercury, when in fact the last vehicle the cops saw them in was the blue Chevy. See more »

Quotes

Carter 'Doc' McCoy: If you're trying to get me back in Huntsville, you're going about it the right way.
Carol Ainsley McCoy: Well I just wouldn't worry about that Doc, becasue I can always get you out, you know I can screw every prison official in Texas if I have to!
Carter 'Doc' McCoy: Texas is a big state.
Carol Ainsley McCoy: I can handle it.
Carter 'Doc' McCoy: Yeah, I bet you can.
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Connections

Referenced in Alpha to Omega: Exposing 'The Osterman Weekend' (2004) See more »

Soundtracks

An Old Fashioned Love Song
(uncredited)
Written by Paul Williams
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User Reviews

Have a RIB, Harold!
5 September 2003 | by (San Diego, CA) – See all my reviews

The Getaway has the very important "Three S's" which are so crucial to any film: Style, Substance, and Steve McQueen.

This film, right behind PAPILLON, is definitely my favorite McQueen vehicle -- it's a big, BIG film (which makes sense, it takes place in Texas), has an epic feel, yet at the same time is very gritty and very honest in its approach to storytelling. The simplistic yet larger-than-life style of THE GETAWAY makes this flick a great watch on a Saturday Night.

Oh, and you can't go wrong with Steve McQueen. At his side is *THE* girl-next-door type, the ultra-likable Ali MacGraw. Their chemistry is very obvious (which would make a lot of sense, the two had an on-set affair which was followed by a five year marriage), and it carries the film. The score, composed by Quincy Jones, hits all the right notes in all the right spots, and is definitely pivotal in giving THE GETAWAY its "feel." The supporting cast couldn't be better-suited to their roles. The bad guys are really bad, and quite despicable. Despite the sinister villains, this early 70s gem has a sense of humor. At times the more "innocent" characters are mocked by the situations they find themselves in, much to your amusement or disgust (I, for one, found laugh-out-loud moments all the way through). By the very nature of a McQueen film, the characters are all "approachable," and down to earth in their own strange way. In a nutshell, a simplistically epic film that finds the time to not take itself so seriously.

While THE GETAWAY may not be the best to bring out at a movie get-together due to its slightly slow pacing and early 70s narrative (which, unfortunately, due to the breakneck music-video pacing of most "modern" films, tends to turn off anyone with a less-than-sufficient attention span), it is definitely worth a purchase, and something that you will be proud to say that you've seen.

Long Live McQueen, and Have a RIB, Harold!


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