Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up ... See full summary »
Carter "Doc" McCoy is a career robber, currently in his fourth year of a ten year prison sentence at the Texas State Penitentiary. After his request for parole is denied despite he being a model prisoner, Doc, unable emotionally to endure life inside, asks his loving wife Carol McCoy to contact crooked businessman Jack Beynon, a man with political connections, to secure his release in return for he being "for sale" to Beynon. Beynon is able to get Doc released, the sale price being for Doc to plan and execute a robbery at a small bank branch in Beacon City, Texas where Beynon knows that $750,000 will be kept in the vault for the next two weeks. Rather than Doc using his own men for the job, Beynon directs that the only other people involved will be the men of his own choosing, Rudy and Frank. There are to be no casualties, which is all right with Doc who is not a murderer. After the robbery is completed and the monies divvied up accordingly, Doc and Carol will cross the border into ... Written by
Matthew King Kaufman, co-manager of the band, Earth Quake, won some compensation for the unauthorized use of Earth Quake's music in the movie The Getaway. This resulted in the set up Beserkley Records in 1973. See more »
(at around 10 mins) Doc walks past the guardroom, by several yards, outside the prison, but in the next shot he has stopped walking when level with the same building. See more »
I think I saw the 1994 re-make before I ever checked this movie out. The re- make being so sexual and violent I expected less of that stuff in here because it was made 20-some years earlier. Well, there was less sex but I think the violence might even have been heavier in this movie. This was a pretty rough film and it's interesting to note the "PG." Today, this would be rated at minimum PG-13.
Also, a contrast between the two films, language-wise: back then you'd hear a lot more usage of the Lord's name in vain; nowadays, the f-word is more popular. Good guy Steve McQueen in here never utters a bad word and is still a tough, no- nonsense kind of guy. The rest of the characters are the same. There are no "talk before I shoot" hokey scenes or people missing from point-blank range.
McQueen is great, as he usually was, and the rest of the cast is pretty interesting, too, from sleazy Sally Struthers (pre-"All In The Family") to Love Story's Ali McGraw to old-timers Ben Johnson and Slim Pickens. Al Letterei was also good in here. His name isn't familiar to me, but his face was.
With either this or the re-make, you get a solid crime-action story with "The Getaway."
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