A recently released ex-con and his loyal wife go on the run after a heist goes awry.

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(screenplay), (novel)
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Nominated for 1 Golden Globe. Another 1 win. See more awards »

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Cast

Cast overview, first billed only:
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Richard Bright ...
...
...
...
...
Cully
John Bryson ...
The Accountant
...
Swain
Tom Runyon ...
Hayhoe
Whitney Jones ...
The Soldier
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Storyline

Doc McCoy has been granted parole. The catch is that Sheriff Beynon expects a small favor from McCoy for his generosity: robbing another bank! Beynon does not really intend to let McCoy walk away after the heist and neither does co-robber Rudy Butler, but stopping Doc proves a trifle difficult. Written by Stefan Kahrs <smk@dcs.ed.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

It takes two to make it ......... The big two. See more »

Genres:

Action | Crime | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

|

Release Date:

13 December 1972 (USA)  »

Also Known As:

La fuga  »

Box Office

Budget:

$3,352,254 (estimated)

Gross:

$26,987,155 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Sam Peckinpah and Steve McQueen got into occasional heated arguments during filming. The director recalled one such incident: "Steve and I had been discussing some point on which we disagreed, so he picked up this bottle of champagne and threw it at me. I saw it coming and ducked. And Steve just laughed." See more »

Goofs

In the scene where Doc and Carol pull up to Benyons Ranch (4648) the driver's side of the white Ford wagon has 2 different hubcaps. The rear is correct while the front hubcap is a replacement. Later in the scene where Doc is leaving the wagon on top of the parking garage (5703) the replacement hubcap is on the rear while the original is now on the front. See more »

Quotes

[repeated line]
Carter 'Doc' McCoy: Punch it, Baby!
See more »

Connections

Referenced in The O'Reilly Factor: Episode dated 15 April 2008 (2008) See more »

Soundtracks

An Old Fashioned Love Song
(uncredited)
Written by Paul Williams
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User Reviews

 
Sam Peckinpah's Best Violence Ballet
22 September 2007 | by (Buffalo, New York) – See all my reviews

Steve McQueen and Sam Peckinpah teamed to do two straight films, probably some of the best work in both of their careers. But the difference in a nice character study like Junior Bonner and a tough crime drama like The Getaway shows the versatility of both these remarkable men. The Getaway seems to take its inspiration from John Huston's classic, The Asphalt Jungle.

McQueen is a career criminal whose parole has once again been denied in the ten year stretch he's doing. Wife Ali McGraw submits to parole board chief Ben Johnson's sexual advances to spring McQueen.

But the corrupt Johnson isn't just about sexual harassment. He wants McQueen to rob a bank that his brother is a director, to cover a nice case of embezzlement. He even recruits another pair of criminals, Bo Hopkins and Al Lettieri as part of the gang.

Of course the plan goes wrong as a bank guard is killed and then Hopkins is killed in a double-cross by Lettieri who then fails to do the same to McQueen and McGraw. After that it's a three way race to the border between Johnson's men, Lettieri, and McQueen.

Al Lettieri is a talent that was lost to us way too soon. He played some of the best villains in the early seventies and this one is one of them. He kidnaps veterinarian Jack Dodson and his slut of a wife Sally Struthers. Soon she's more than willing to go and be his girl. Struthers has a great part, so far from being Gloria Bunker Stivic on All in the Family.

My favorite Sam Peckinpah moment in all of his films is that climax at Dub Taylor's flea bag hotel where all the forces meet and shoot up the place. It's Peckinpah's best violence ballet in all of his films, I never tire of seeing it.

The whole film was shot in Texas and I'm not sure how residents of Texas might like this picture of their state. It seems to be one very violent place and a very corrupt one as well.

But I like The Getaway very much, it's my favorite Sam Peckinpah film next to Ride the High Country.


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