| Duane Jones | ... | Dr. Hess Green | |
| Marlene Clark | ... | Ganja Meda | |
| Bill Gunn | ... | George Meda | |
| Sam Waymon | ... | Rev. Luther Williams | |
| Leonard Jackson | ... | Archie | |
| Candece Tarpley | ... | Girl in Bar | |
| Richard Harrow | ... | Dinner Guest | |
| John Hoffmeister | ... | Jack Sargent | |
| Betty Barney | ... | Singer in Church | |
| Mabel King | ... | Queen of Myrthia | |
| Betsy Thurman | ... | Poetess | |
| Enrico Fales | ... | Dr. Green's Son | |
| Tommy Lane | ... | Pimp | |
| Tara Fields | ... | Woman with Baby |
Directed by | |||
| Bill Gunn | |||
Writing credits | ||
| Bill Gunn | (writer) | |
Produced by | |||
| Jack Jordan | .... | executive producer | |
| Quentin Kelly | .... | executive producer | |
| Chiz Schultz | .... | producer | |
| Joan Shikegawa | .... | associate producer (as Joan Shigekawa) | |
Original Music by | |||
| Sam Waymon | |||
Cinematography by | |||
| James E. Hinton | |||
Film Editing by | |||
| Victor Kanefsky | |||
Production Design by | |||
| Tom H. John | (as Tom John) | ||
Costume Design by | |||
| Scott Barrie | |||
Makeup Department | |||
| Scott Cunningham | .... | makeup artist | |
| Annie M. DeMille | .... | hair stylist (as Annie DeMille) | |
Production Management | |||
| Ed Dessisso | .... | production supervisor | |
| Louis Pastore | .... | production manager (as Lou Pastore) | |
Second Unit Director or Assistant Director | |||
| Anthony B. Major | .... | assistant director (as Anthony Major) | |
Art Department | |||
| James Walker | .... | property master | |
Sound Department | |||
| Mike Lobel | .... | special audio effects | |
| Ron Love | .... | sound | |
| Bill Meredith | .... | sound assistant | |
| Al Nahmias | .... | sound editor | |
| Emil Neroda | .... | re-recording mixer | |
| Emil Neroda | .... | re-recording | |
| Vincent Stenerson | .... | sound editor | |
Stunts | |||
| Malcolm Drummond | .... | stunts | |
| Tony King | .... | stunts | |
| Tommy Lane | .... | stunts | |
Camera and Electrical Department | |||
| Charles Blackwell | .... | second cameraman | |
| Thurman Faulk | .... | assistant camera | |
| William W. Lister | .... | lighting director (as Bill Lister) | |
| Dennis Murphy | .... | best boy | |
| Rex North | .... | key grip | |
| James Walker | .... | camera assistant | |
Costume and Wardrobe Department | |||
| Celia Bryant | .... | wardrobe | |
Editorial Department | |||
| Cynthia Castleman | .... | assistant editor | |
| Samuel D. Pollard | .... | assistant editor (as Samuel Pollard) | |
Music Department | |||
| Edward Bland | .... | musical director (as Ed Bland) | |
| Nadi Qamar | .... | musician: African instruments | |
Other crew | |||
| Janos Adams | .... | assistant to producer | |
| Renoir Darrett | .... | script supervisor | |
| Janis Klein | .... | production secretary | |
| Scottie Lew | .... | production assistant | |
| Lincoln Pasteur | .... | production assistant | |
| Alan Skog | .... | production assistant | |
| Roger Wall | .... | assistant to director | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Ganja and Hess is a landmark film in so many ways. It is a remarkable achievement technically and in terms of fractured narrative. It is a remarkable addition to the African-American cannon of film. It is a remarkable boundary crossing experiment, aggressively combining elements of the blacksploitation horror film with the "art" film. Ganja and Hess is a vampire movie that says more about African-American history, sexual politics, capitalism and its relation to sexuality, colonialism and identity and spirituality than most other films. Find this film!