Dr. Hess Green becomes cursed by a mysterious ancient African artifact and is overwhelmed with a newfound thirst for blood. He however is not a vampire. Soon after his transformation he ... See full summary »
Stephen Tyrone Williams,
An erotic thriller from the director of Psychopathia Sexualis, THE LITTLE DEATH offers a peek into the seedy boudoirs of a Victorian-era brothel, where a strong-willed reformer (Courtney ... See full summary »
In this Southern Gothic retelling of Sheridan Le Fanu's vampire story 'Carmilla,' a young drifter (Christen Orr) arrives in a rural town seeking the whereabouts of the mother she never knew... See full summary »
A comedy-drama about a Black American female philosophy professor and her insensitive, philandering, and flamboyant artist husband who are having a marital crisis. When the wife goes off on... See full summary »
Clarence Branch Jr.
Josef von Sternberg directed, photographed, provides the voice-over narration and wrote the screenplay (from a based-on-actual event novel by Michiro Maruyana translated by Younghill Kang) ... See full summary »
A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace, including the local hippies, kittens, and bowlers.
Robert Walker Jr.,
Dr. Hess Green, an archaeologist overseeing an excavation at the ancient civilization of Myrthia, is stabbed by his research assistant, who then commits suicide. When Hess wakes up, he finds that his wounds have healed, but he now has an insatiable thirst for blood, due to the knife carrying ancient germs. Soon after, Hess meets his former assistant's wife, Ganja. Though Ganja is initially concerned about her missing husband, she soon falls for Hess. Though they are initially happy together, Ganja will eventually learn the truth about Hess, and about her husband. Will she survive the revelation? Will Hess? Written by
Jean-Marc Rocher <email@example.com>
Ganja and Hess doesn't surpass any cinematic niveaux or reinvent the art form but it is far above the standard fare afro Americans have had to tolerate as representative cinema. Something about it is just charming enough to recommend it; it is quirky and pensive but paces itself so deliberately it might well be delivered in episodes. It is a historical artifact, you will notice a multitude of 70s markers. The vampirism is not campy, the dialogue while perhaps inexpertly delivered, is not cliché or stereotyped and the cast looks good. It takes patience, nonetheless to watch and more than a little intelligence to decipher its subtexts.
12 of 14 people found this review helpful.
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