Dr. Hess Green, an archaeologist overseeing an excavation at the ancient civilization of Myrthia, is stabbed by his research assistant, who then commits suicide. When Hess wakes up, he finds that his wounds have healed, but he now has an insatiable thirst for blood, due to the knife carrying ancient germs. Soon after, Hess meets his former assistant's wife, Ganja. Though Ganja is initially concerned about her missing husband, she soon falls for Hess. Though they are initially happy together, Ganja will eventually learn the truth about Hess, and about her husband. Will she survive the revelation? Will Hess? Written by
Jean-Marc Rocher <email@example.com>
Many comments on this film from other users implicitly take on a perspective not unlike that of the producers who severly cut the film before its theatrical release because they expected it to be a more conventional blaxploitation horror film. It is neither blaxploitation nor horror, but instead one of the few (only?) examples of an independent African-American art cinema from the early '70s. It may be flawed, but it is also an incredibly ambitious, challenging film. If you are a fan of Shaft, Superfly, et. al., you may not like this one; if you are a fan of Bergman, Bunuel, or Antonioni, you should check it out.
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