Dr. Hess Green becomes cursed by a mysterious ancient African artifact and is overwhelmed with a newfound thirst for blood. He however is not a vampire. Soon after his transformation he ... See full summary »
Stephen Tyrone Williams,
An erotic thriller from the director of Psychopathia Sexualis, THE LITTLE DEATH offers a peek into the seedy boudoirs of a Victorian-era brothel, where a strong-willed reformer (Courtney ... See full summary »
In this Southern Gothic retelling of Sheridan Le Fanu's vampire story 'Carmilla,' a young drifter (Christen Orr) arrives in a rural town seeking the whereabouts of the mother she never knew... See full summary »
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Clarence Branch Jr.
Josef von Sternberg directed, photographed, provides the voice-over narration and wrote the screenplay (from a based-on-actual event novel by Michiro Maruyana translated by Younghill Kang) ... See full summary »
A technician brings a frozen specimen of the original Blob back from the North Pole. When his wife accidentally defrosts the thing, it terrorizes the populace, including the local hippies, kittens, and bowlers.
Robert Walker Jr.,
Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his ... See full summary »
Dr. Hess Green, an archaeologist overseeing an excavation at the ancient civilization of Myrthia, is stabbed by his research assistant, who then commits suicide. When Hess wakes up, he finds that his wounds have healed, but he now has an insatiable thirst for blood, due to the knife carrying ancient germs. Soon after, Hess meets his former assistant's wife, Ganja. Though Ganja is initially concerned about her missing husband, she soon falls for Hess. Though they are initially happy together, Ganja will eventually learn the truth about Hess, and about her husband. Will she survive the revelation? Will Hess? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
There are others that can talk about the symbolism in this film much better than I can. It was made for Black audiences, and I certainly won't try to describe what director Bill Gunn was trying to say.
This film effectively ended Bill Gunn's short career. He was supposed to make a Blaxploitation film like Blacula. He failed his producers by making an art film, which they chopped up and released under another name. This is the fully restored film with an amazingly beautiful score by Sam Waymon.
If you are looking for horror or blaxploitation, you came to the wrong place. This film was shown at Cannes - the only American entry that year - and received a standing ovation.
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